Editorials
Breaking Down the Traps from ‘Jigsaw’!
Jigsaw is coming. The eighth film in Lionsgate’s long running Saw franchise is set for release on October 27th. I’m definitely a fan of the series, even though my interest started to wane halfway through the initial run. Nonetheless, checking out the newest sequel in a packed theater of gorehounds became a holiday tradition…for Halloween, of course. Thankfully, producers have had a healthy amount of time to concoct new ideas. They brought on an amazing duo of directors (the Spierig Brothers) to help Saw “take back Halloween.” After months of waiting, the current SDCC finally provided us with our first look at the all the mayhem we have in store for us. While new ground does not appear to be broken here, the more colorful look is refreshing. Ol’ Billy the Puppet has gotten a fresh coat of paint, and Jigsaw looks to be the kind of film that will have audiences laughing and screaming all at once.
With a new sequel, there are, of course, new traps. Combing through the insanity and quick cuts of this 2 minute 20 second clip, I’ve rounded up all the possible “games” our new round of victims…er, characters will have to play. With each trap, I’m going to make a prediction as to what the ultimate threat is from the game at hand.
Bucketheads and Buzzsaws
The first trap, right out of the gate is a fun one, signifying the beginning of a new game. We have five people who appear to be waking up in a room, with buckets on their heads (for some reason), chained to a wall lined with buzzsaws! What could go wrong? A lot, naturally. It’s a safe bet that much like Saw 2 and most of the later entries, this will be the main story we’ll follow throughout the film. Basically, a group of strangers unsure of how they’re connected must work together, or against one another, to make it through Jigsaw’s house of horrors.
In this particular scenario, the chains binding these poor folk to the wall begin retracting, pulling them closer and closer to the spinning blades. I’m not sure how they could possibly get out of this one, or is it merely that one must be sacrificed to spare the rest?
New Lair? Trap Redux

The two traps above appear to be homages to previous films. The first resembles “The Magnum Eyehole” from Saw 2. The second image displays “The Angel Trap” (Saw 3) wherein the victim’s torso was flayed open. Perhaps I’m wrong, but this version seems smaller and more suitable for one’s head. Considering this scene is likely taking place within the new Jigsaw’s lair, we probably won’t see these bad boys in action. Imagine, though, those nail pressing into a victim’s face only to end with their head being split open, straight down the middle. Grand Guignol at its finest.
There’s also this blink and you’ll miss it throwback that takes us all the way back to the beginning – the trap that started it all!
Edward Needle Hands
At this point, our gang of survivors has been strung along from the wall of buzzsaws into an adjoining room resembling an empty farmhouse. Judging by the trailer, a majority of the film will take place in this area with one puzzle, booby trap, or test after the other. In this case, it seems one of our own has been gifted the power. All in all, I’d say this one is fairly straightforward. The only real questions, what’s in the syringes, and what effect will they have once injected? I’m hoping for some Cronenberg-ian body bleeding, and maybe some foaming at the mouth action.
Silo of Death
This is a terribly escalating situation. It has to suck being trapped in a silo as grain pours down on you. The risk of suffocating is incredibly high; the grain itself acts like quicksand. Each pebble slowly filling up your lungs, the pressure building up around you as the well continues to fill. Finally, you manage to make it to the top and find your footing. Then, without warning, sharp pointy objects begin raining down on you. That’s the situation two of our characters find themselves in. With proper staging, this could prove to be the suspenseful highlight of the film.
Stray thought: All of this farming imagery makes me wonder if the “big evil” of this entry is a Monsanto-like corporation.
Roped and Ridden
After someone falls through the floorboards, they’re quickly lassoed up by another Rube Goldberg style booby trap. We can speculate that the unfortunate soul is going to be dragged straight into the wheels of this revved up motorcycle. Will their face get shredded à la Ash vs Evil Dead? Or are we looking at more of a drawn and quartered…bisected situation?
Laser Neck Bomb
I honestly have no idea just what is going on here. Yes, it’s clear that the man is attached to the wall via a gadget resembling the shotgun collar from Saw 3. However, this being 2017, our new Jigsaw has updated his tech considerably. We’re dealing with friggin’ laser beams, yall! If he moves his head just a hair in either direction, we’ll be seeing that pretty mug fall to the floor in pieces. Could this be the cold open to the film? It surely has the feeling of being contained enough to work as such.
Saw-nado?
Red swirl designs have been an integral part of the Saw franchise’s style. They adorn the rosy cheeks of Billy the Puppet, and they’re constantly being found in videos and messages from the master tormentor. They’ve never actually been the trap. It’s a cool idea to bring such an iconic image to life in a presumably deadly way. In the middle of Farmville, standing all the way to the ceiling is a red swirl tornado thingy. Our victim is being hung upside down within the chamber and lowered to certain death. Just what lies at the bottom of this cyclone? My bets are on decapitation with this one.
Well, how close was I at pegging the various outcomes for all of these wicked devices? We’ll find out soon enough when Jigsaw hits theaters on October 27th!
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
![]()
For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!










You must be logged in to post a comment.