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Rolling to Die: 5 Horror Board Games Worth Your Time

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Board games used to be something relegated almost exclusively to children. From Candyland or Monopoly, these games were (and are still) the epitome of “fun for the whole family.” Even so, back in the ole’ days, you could find the occasional cardboard box that promised those brave enough to investigate their contents a nightmarish gaming experience. I mean speaking of “nightmare,” anyone remember the game – Nightmare? A “VHS board game” that came with a cassette tape you followed along to while playing, all hosted by the sinister “Gatekeeper.” A bonafide nostalgia booster in itself and a major inspiration for the retro-tinged film Beyond the Gates. So, sure, the horror board game is certainly nothing new. It has, however, come a long way from the days of Nightmare. Here are five creeptastic games inspired by some of our favorite horror films, tv, and literature.


The Thing – Infection at Outpost 31

Perhaps the most high profile title on this list, Infection at Outpost 31, from Mondo and Project Raygun is like a way more complex version of Clue, only set within the world of John Carpenter’s The ThingYou and 3 to 7 of your best friends play as MacReady and a number of other characters from the classic flick (but seriously, who wouldn’t want to be MacReady?) in an attempt to escape the frozen arctic while evading the terror of “The Thing.” Ultimately, one among you is the alien creature in disguise and must do whatever it takes to sabotage the others’ mission. Just be careful not to get caught. Outpost can be a tad time consuming (like those old times spent playing marathon games of Monopoly that seemed like they would never end), but the gameplay is pretty addictive once you get the hang of it. Just be sure to play with people you trust. Much like the characters in the film, I’d hate for you to allow your deep seeded resentments to bubble up as the paranoia starts crawling under your skin. Just a thought.


Eldritch Horror

When it comes to “Lovecraftian” tales of the Ancient Ones and the cosmic fear of what lies just beyond your view, Eldritch Horror, fits the bill. You play as part of a co-op (up to 8 players) on a mission across the globe to gather clues in a race against time to stop an elder being from destroying the world at large. The “Ancient One” can vary depending on the cards drawn at the top of the game, and, yes, Cthulhu is an enemy option. Gameplay is constantly in flux based of the moves and decisions of the players. You’ll find yourself sucked in by Eldritch Horror’s ever expanding lore that unfolds with each passing turn. With over 300 cards and 250 tokens, the replay value on this little gem is high up there. Not to mention, there are currently enough expansion packs to fill all of Innsmouth.


Betrayal at House on the Hill

Taking inspiration from classics of the William Castle canon and a bevy of other cinematic and literary spook-tales, Betrayal at House on the Hill is a fun romp through a haunted house of your own making. Much like Darren Lynn Bousman’s recent Abattoir, you’re literally building the “House on the Hill” (AKA the game board) one room at a time with randomized tiles. It creates a fun layer of tension as you’re never sure just what the hell you’re walking into. Of course, one of the 3 – 6 players is likely a traitor and it’s up to the good guys to snuff them out. Betrayal has been the winner of a number of awards and with a playtime estimated at only about an hour, this is the perfect game to break out spontaneously towards the end of a quickly fading dinner party.


Mixtape Massacre

Mixtape Massacre is a love letter to all things 80s horror, and, perhaps, the most accessible game on this list for tabletop newbs. The board is a representation for the town of Tall Oaks, which happens to have a serious serial-slasher problem. You get to slip on the mask of your favorite screen villian (or at least a non-copywritten facsimile) from a little red headed doll, a pasty-bald white guy with a leather fetish, and even a gaunt girl in a tattered dress and long black hair that conceals her face. Players roll a regular die to move and an “action die” adorned with a fist, knife, and pentagram, each symbol dictating whether your set loose to slay victims or under attack yourself. Gameplay moves quick and is filled with fun nods to tons of horror classics.


Ferox: Invaders and Cannibals

Ferox: Invaders and Cannibals is perhaps not the most politically correct board game you will ever find, but it is inspired by the Italian cannibal cycle of the 70s/80s (Cannibal Holocaust, Cannibal Ferox), so what do you expect? Needing only two players, one player takes on the role of “cannibal” and the other the role of “invader.” The invaders are made up a film crew that has crash landed on an island lost to time. The cannibals immediately see this collection of film nerds as a threat. Both players go back and forth, picking each other off until there is one final champion.


Each of these games is a reminder that horror can be found no matter what the medium. Roll the die and roll to die! Which is your favorite?

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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