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10 Most Brutal and Punishing Character Beat Downs In Horror

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One of the things we most enjoy about horror are the insanely memorable death scenes. Horror often introduces new ways to die that we hadn’t yet thought of, from chest bursting baby aliens in Alien to group bisection by wire in Ghost Ship, it’s often easier to remember the deaths more than the characters. Luckily, for the characters suffering these creative deaths, they’re over in a moment. Their only respite for major trauma and pain is that it passes quickly before the villain or killer moves on to their next target.

Sometimes, though, horror reminds us that death isn’t always swift at all, no matter how vicious. Some characters are put through the wringer, dealt blow after blow in cringe-inducing fashion as their wounds pile up, proving that the human body can handle quite a lot before finally succumbing to injury. In honor of those characters, the ones that are forced to crawl, limp, and squirm their way to the end due to extreme torture and agonizing bodily damage, we salute the 10 worst character beat downs in horror.


Sheriff Franklin Hunt – Bone Tomahawk

The most memorable death hands down goes to poor Deputy Nick, the victim brutally scalped, and bisected alive like a human pistachio by the Troglodytes. But, however painfully, it happens quickly. That’s not the case for Sheriff Hunt (Kurt Russell). Like the true hero he is, he goes down in a blaze of glory, but that’s only after having his abdomen sliced open, a hot flask shoved inside the gaping wound, and then getting shot twice by own gun. Even still, he stays behind to kill the remaining cannibals, mortal wounds and all.


Mari Collingwood – The Last House on the Left

Both in Wes Craven’s original 1972 film or the 2009 remake, teen Mari Collingwood is put through the absolute worst. Yet, in the 2009 remake, Mari’s torture is drawn out for a lot longer, giving even more heightened suspense but also hope. Her torture and eventual rape at the hands of Krug and his gang stretch out a bit further, with unflinching gaze. This version of Mari does manage to break free and escape their clutches, but she’s shot in the back and left for dead in the lake. Mari manages to make it back to her parents, barely alive, who are unable to rush her to the hospital as Krug and the gang are there. This means Mari’s suffering in pain for hours, leading to one of the most severe tracheotomies by way of household objects committed on screen. Mari’s story had a mostly happen ending, but boy was she put through a lot.


Wade Felton – House of Wax

This underrated gem has a lot of memorable deaths, and the typical go to is that of Paris Hilton’s infamous demise. But the worst death is that of Wade Felton (Jared Padalecki), the unsuspecting boyfriend of lead heroine Carly Jones (Elisha Cuthbert) who earned the most prolonged death for being the most curious. Snooping around the Sinclair household after using their restroom, a trap door opens behind him and the killer cuts through his Achilles tendon with large shears. The ensuing battle finds Wade getting stabbed and then knocked out. Then, we see a long drawn out sequence that shows him getting painfully prepped for a scalding hot wax shower. You’d think it’d end there, but his friends find him later in the house of wax, try to free him only to gruesomely discover the wax has fused to his skin. The killer slashes his face with a machete when trying to attack his friend Dalton, and it’s still not clear if he finally took his last breath in that moment or later in the climax’s fire. Either way, it was not slow.


Shigeharu Aoyama – Audition

This film will make you think twice about dating. Long after director Takashi Miike lulls the viewer into thinking they selected a quaint romance, he flips it on his head with one of horror’s most disturbing villains in Asami. She can’t stand the concept that her lover could love anyone else but her, including his own son and the memory of his long-deceased wife, so she does what any disturbed individual does and drugs him. When he comes to, he finds himself unable to move due to a paralytic agent that means that while he can’t move he can feel every bit of the torture Asami inflicts. Needles in his eyes, unhurried piano wire amputations, and watching her attack his son while powerless. That Asami giggles as she slowly tortures her lover is unnerving.


Steve – Eden Lake

James Watkins directorial debut is as harrowing as it is infuriating. For Steve (Michael Fassbender) and his girlfriend Jenny (Kelly Reilly) a romantic camping trip by the lake turns to hell when delinquent teens steal their car and belongings. Steve should have just walked away or called the police. Instead, he confronts them. It escalates when they come at him with knives and the dog winds up the victim. He escapes, but the resulting car crash leaves him banged up. The kids tie him up, with barbed wire no less, and take turns choking him with a chain, shoving things in his mouth, cutting him, and stabbing him. Battered, bruised, and bearing deep wounds that won’t stop bleeding, the proverbial knife is twisted further when he proposes to Jenny in his weakened state when she stumbles upon the engagement ring he intended for her.


Andy – The Texas Chainsaw Massacre

Marcus Nispel’s remake ups the ante on the gore, and none of the characters come away unscathed by the twisted Hewitt family. The characters that do perish tend to go quickly, by way of chainsaw or sledgehammer to the head. Except for poor Andy, that is. Trying to find his lost friend Kemper, Andy enters the Hewitt home only to lose a leg during an encounter with Leatherface. Then he’s impaled on a meat hook. Erin later finds him in the basement, still alive and suspended by hook, and having endured a lot of painful torture by way of dipping his raw stump in salt. A lot of it. Inflicting even more damage by trying to remove him from the meat hook, Erin eventually ends his suffering.


Brent – The Loved Ones

I suppose there’s no better way to appreciate life than to undergo harrowing torment at the hands of a deranged princess, Lola, and her father. For Brent, he’s attacked from behind, tied to a chair, and his voice box injected with bleach to render him unable to speak or scream. Then, he’s pelted with rocks, his feet are nailed to the floor with knives, and initials are carved into his chest. Still not enough, Lola drills a hole into his skull to lobotomize him by way of boiling water, but laments that the hole isn’t big enough. After going through all that, he still must fight off Lola and her father if he has any hope to live.


Meg Loughlin – The Girl Next Door

Adapted from Jack Ketchum’s novel and loosely based on the true events surrounding Sylvia Likens’ murder in 1965, The Girl Next Door is downright grim. It’s not an easy watch, nor was it meant to be, and the slow torture of teen Meg over the summer of 1958 at the hands of her own aunt and her sons is nightmarish. It begins small enough, with Aunt Ruth starving Meg and verbally abusing her. It soon escalates to tying her up in the basement and degrading her, all the while withholding the necessity of water. Aunt Ruth allows her sons and other neighborhood children to beat, cut, and burn Meg, cauterizing all wounds with cigarette burns. She’s branded, carved into, raped, and devastatingly given a clitorectomy with a blowtorch. It’s sick, and worsened by its loose truth basis. In terms of sheer level of suffering, Meg ranks near the top.


Eric – Evil Dead

A pure descent into insanity, none of the characters get off easy. As the one responsible for loosing the demons from the book of the dead, though, poor Eric gets it worst of all. Of all the characters in horror, Eric can truly take a beating. From getting stabbed in the shoulder with glass, a syringe needle broken under his eye, nearly breaking his back crashing into the toilet, a brutal beatdown by crowbar (that splits his hand down the middle), multiple nail gun injuries, it’s insane just how much damage Eric takes. It doesn’t even touch on the box cutter stab wounds. That he humorously tries to contain it all with duct tape only further illustrates just how brutal Fede Alvarez’s film really is.


Anna Assaoui – Martyrs

Martyrs

Pascal Laugier’s extreme French horror film is not for the faint of heart. While the first half follows the very traumatized and unbalanced Lucie, clearly still reeling from a horrific childhood, it’s Anna that gets it the worst. Discovering a secret dungeon beneath the family home of Lucie’s victims, Anna is captured and subjected to systematic torture for scientific/religious purposes. Beaten, degraded, and inhumanely tormented on repeat for an unbearable length of time, Laugier lingers on Anna’s physical and mental breakdown for what feels like an eternity. So, drawn out that it would be enough on its own to count as among the worst beatdowns in horror history, but then Laugier takes it a step further by having Anna flayed alive. Poor Anna suffers most of all.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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