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[Anime Horrors] “The Promised Neverland” Is a Journey Full of Suspense

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As one of the most highly anticipated anime horror shows of the year, The Promised Neverland has been an experience brimming with tension. Now that the show has just hit its halfway point in the season, this month’s Anime Horrors will take a look at the progression of the anime so far and how it is shaping up.

The Promised Neverland takes place at an orphanage and follows three protagonists named Emma, Norman, and Ray. These three protagonists, all the age of 11, live at the orphanage with other children; their caretaker, who the children refer to as “Mom,” showers them with joy and care. Between warm cooked meals, time to play, and regularly scheduled tests they are scored on, the children live happy lives. The only major rule they must obey is that they are not allowed near the gate outside the orphanage; the gate is part of a giant wall that surrounds the land the orphanage is on.

During a scene where the children are taking a test, chatter among them provides insight to the skills of our three main characters; we learn that Norman is a genius, that Ray is also very intellectual, and that Emma is the athletic one with a strong ability to learn fast. We see Emma and Norman’s skills in the form of playing tag; while Emma can move quickly and jump high to evade Norman, he can outsmart and tag her when he’s “it.”

In episode one, a younger child named Conny is leaving the orphanage. After she says her goodbyes to everyone, her and Mom begin walking towards the gate, the latter humming a creepy tune. Cleaning the kitchen area, Emma finds Conny’s plush bunny; her and Norman decide to run after Conny and make sure she gets it. As they come upon the gate, they only find a truck, but no sign of Conny or Mom. Emma eventually discovers Conny’s dead body in the back of the truck, her eyes empty and her skin gray. They hear voices nearby and decide to hide underneath the truck. Demons appear before them, speaking about how the children are meant to be sold to the rich as food. It is revealed later on how children are picked and shipped out; based on a child’s age and test scores, a system is in place to determine the ripeness of a child’s brain (which is what the demons enjoy eating).

To add to their shock, they see Mom interacting with the demons; finding the opportunity to escape, the two return to the orphanage, confronting the fact that they are essentially livestock on a farm. Our main characters then begin working on a plan to leave the orphanage and take all the children with them.

The first episode does a great job setting up our cast, the personalities of the three main characters, and the narrative that is to play out. Emma, Norman, and Ray are sincerely likable, offering fun and quirky personalities. As each episode moves forward, the children develop their strategy and prepare everyone to escape the farm. They decide to use the game of tag as a means to train the younger children, teaching them to strengthen their bodies and how to evade being caught.

So far, The Promised Neverland hasn’t gone to extreme lengths to present anything “horrifying” (outside the discovery of Conny’s dead body). Upon first finding her corpse, as well as a nightmare Emma has, Conny is drawn in a ghastly manner; her limp body and gray tone are chilling in appearance. In the moments where the show does aim to portray an aura of creepiness, the animation displays darker shades of shadowing, along with ominous music.

One of the show’s best qualities is the emotional bond shared between the children; Emma’s determination to save everyone makes for a great driving point in rooting for them all to succeed. The other excellent element of the show is its suspense; like Death Note, The Promised Neverland plays more off the cat and mouse game between the three main characters and Mom. At the end of episode one, Emma and Norman accidentally leave Conny’s plush bunny under the truck (which Mom discovers). Coming into episode two, she begins to suspect that the older children are aware of the secret behind the farm. As Emma, Norman, and Ray plot out the details in escaping, they strive to remain normal in the eyes of Mom; even though they suspect that she is onto them, they cover their tracks for the most part. The plot thickens when our main characters learn that each child has been implanted with a tracking device for Mom to keep an eye on them. The latter eventually decides to hire an assistant (Sister Krone), who adds an extra layer of complexity to everyone’s problems; not only is Krone a threat to the children, but she also wants to betray “Mom” and claim her status.

The plotting can drag on at times, but thankfully, the show drops satisfying twists to revamp engagement. These twists come in the form of Emma and Norman discovering clues behind the farm, as well as the small discoveries they and viewers uncover regarding the outside world. The land outside the farm is unknown to our main cast; when Emma tries to look over the wall surrounding the farm, all she can see are trees. Norman hypothesizes that the world outside must be a demon’s world, which concerns him as to how the children will survive on the outside. Towards the latter end of the season’s first half, a hint reveals that the children may have an ally on the outside (but so far there are no greater details).

The Promised Neverland is off to a good start; my primary hope is that the game of cat and mouse intensifies and there is more creepy imagery. As one of the brand new shows of 2019, The Promised Neverland is full of intriguing possibilities. Thanks to likable characters, a mysterious world, and other unknown elements, it’ll be fascinating to see how season one concludes.

Expect a full review of The Promised Neverland once season one wraps up.

Michael Pementel is a pop culture critic at Bloody Disgusting, primarily covering video games and anime. He writes about music for other publications, and is the creator of Bloody Disgusting's "Anime Horrors" column.

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Editorials

6 Dark Fantasy Films That Every Genre Fan Should Watch

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Dark Fantasy Films

From child-eating witches to village-burning dragons, fairy tales have always had a foot in the horror genre. That’s why it makes sense that, for every The Hobbit and The Chronicles of Narnia, there are also darker and more adult-oriented stories about magical worlds inhabited by ravenous monsters and cruel villains.

Funnily enough, these sinister tales were precisely the ones that I gravitated towards back when I was a kid, and I was reminded of this while watching Netflix’s recently released I Am Frankelda, Mexico’s first ever feature-length stop-motion animation and one hell of an entertaining parable about the intersection between fiction and reality.

In honor of this special kind of horror-adjacent fairy tale, today I’d like to share this list recommending six Dark Fantasy films that horror fans might enjoy.

For the purposes of this list, we’ll be defining Dark Fantasy as fantastical stories that don’t shy away from the more macabre elements that fuel classic fairy tales. That being said, don’t forget to comment below with your own grim favorites if you think we missed a particularly thrilling one.

With that out of the way, onto the list!


6. Hansel & Gretel: Witch Hunters (2013)

I’m fascinated by bizarre attempts at blockbuster filmmaking – especially when the resulting movies are somehow still fun despite their corporate-mandated origins. Hansel & Gretel: Witch Hunters is precisely one of these strangely compelling studio projects, as this surprisingly successful action-thriller boasts a lot of heart (and tongue-in-cheek humor) for a CGI-heavy creature feature.

Directed by Dead Snow’s Tommy Wirkola, Witch Hunters re-frames the classic fairy tale as an origin story for a duo of badass monster-slayers. Of course, it’s the flick’s anachronistic aesthetic and overall visual flair that make it stand out from other action-horror endeavors from around the same time.


5. The Wolf House (2018)

Made in the tradition of faux cursed films in the same vein as Antrum: The Deadliest Film Ever Made, the eerie backstory to 2018’s Chilean animated flick The Wolf House (La Casa Lobo in the original Spanish) already makes it a nightmarish experience before the flick even really begins.

After all, the movie is presented to us as a faux propaganda film produced by the leader of a death cult (heavily inspired by the real life Colonia Dignidad), with this hybrid animated feature using complex movie magic to simulate a single uninterrupted shot as it tells the story of a lazy young girl who runs away from an isolated colony and encounters a creepy old house in the woods.


4. The Brothers Grimm (2005)

Out of all the Monty Python alumni, Terry Gilliam has had the most interesting career outside of the original comedy group. From fascinating canceled projects (such as his scrapped adaptation of Watchmen) to dystopian parodies that feel more relevant by the minute (1985’s Brazil), even his “lesser” films are still intriguing in their own way.

2005’s The Brothers Grimm is one such project, with this peculiar movie attempting to combine the comedian-turned-filmmaker’s unique visual style with a more blockbuster-oriented plot reimagining the titular brothers as con-artists rather than mere writers. The end result isn’t exactly a masterpiece, but it’s still a legitimately fun ride with plenty of memorable monsters and wonderful performances by both the late, great Heath Ledger and Matt Damon.


3. Dante’s Inferno: An Animated Epic (2010)

2010’s Dante’s Inferno game may have a reputation as something of an unapologetic God of War clone, but I’d argue that the now-obscure game was aesthetically unique enough to deserve a bigger fanbase. However, while the title remains trapped on the seventh console generation, its highly underrated anime adaptation is a lot easier to get a hold of!

Animated by 6 different studios in order to make the 9 circles of hell feel unique from each other, this may not be a completely faithful adaptation of Dante Alighieri’s poem, but it’s still one heck of a great (not to mention gory) time that I’d highly recommend to fans of Netflix’s take on Castlevania.


2. Underworld: Rise of the Lycans (2009)

My personal favorite entry in the Underworld franchise, Rise of the Lycans, is a highly ambitious prequel that actually works better if you haven’t had the story spoiled to you by the previous Underworld films.

While the rest of the series features plenty of urban fantasy elements as the movies combine machine guns and modern environments with gothic storytelling, Patrick Tatopoulos’ prequel fully embraces its fantastical origins and tells a classic tale about a doomed romance between a werewolf and a vampire amid a medieval uprising.

And the best part is that we get a lot more Michael Sheen as the fan-favorite Lucian.


1. Solomon Kane (2011)

One of my personal favorite movies on this list, MJ Basset’s criminally underseen adaptation of Robert E. Howard’s other iconic warrior is thoroughly steeped in horror ambience and features plenty of memorable monsters. However, it’s also a classic origin story for a swashbuckling hero that wouldn’t feel out of place in a tabletop RPG.

While I’ve already written about how the film deftly combines both horror and fantasy elements without breaking the bank, I’ll never pass up an opportunity to recommend the bizarre movie where James Purefoy expertly plays a puritan John Wick.

It’s just too bad that we never got the other films in this intended trilogy.

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