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Is 2019 Becoming the Year of Creepy Kid Horror?

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When looking back over major trends in horror throughout the decades, it’s clear that horror, like most things, is cyclical. Usually, it’s the major success of a specific film that paves the way for a wave of similar themed movies hoping to achieve similar success, like Halloween heralding in the golden age of slashers or It kickstarting a new Stephen King renaissance. Sometimes it’s simply a natural manifestation of current social fears, and since those fears are often timeless, we see them resurface again and again. Take a tried and true staple of horror; the creepy kid. There’s something inherently terrifying for a parent in discovering that their offspring might have a sinister psychopath lurking beneath their sweet façade. More so, it’s the corruption of innocence by evil that’s unnerving to watch. As we’re approaching the halfway mark of 2019, it seems as though the creepy kid has emerged as the current dominating trend in horror.

In February, screenwriter Jeff Buhler (The Midnight Meat Train, Pet Sematary) and director Nicholas McCarthy (The Pact, At the Devil’s Door) delivered The Prodigy. Starring It’s Jackson Robert Scott as Miles, The Prodigy centered its creepy kid around the concept of reincarnation. Miles happened to be born at the precise moment serial killer Edward Scarka died during a police raid. Miles soon begins to exhibit signs of intelligence far beyond his years. At first, his mother Sarah (Taylor Schilling) does everything she can to nurture his talents, but eventually realizes something is very, very wrong with Miles. If you’re familiar with creepy kid horror, then all of its familiar tropes and story beats won’t offer much in the way of surprises, save for one intense scene between Miles and Arthur Jacobson (Colm Feore), the reincarnation expert who offers Sarah help with saving Miles.

Orion Pictures’ The Prodigy

The following month brought The Hole in the Ground, an Irish horror film by director/co-writer Lee Cronin in his feature debut. Like The Prodigy, this one heavily revolves around a mother and her strange-behaving son. Only this time, it’s not reincarnation to blame, but the possibility that mom’s son might have been replaced with a changeling. The introduction of Irish folklore and the implications of being swapped for something inhuman makes for some genuinely unsettling moments in this underseen creepy kid horror movie.

While Jordan Peele’s Us, also released in March, isn’t a creepy kid horror movie, it’s worth mentioning because of the Tethered versions of Zora and Jason. The narrative centered around Lupita Nyong’o’s Adelaide and Red in a human against doppelganger fight for dominance, but Red’s children Umbrae and Pluto were scene-stealers in terms of pure dread and terror. The entire cast of Us were brilliant in their dual roles, but for young actors Shahadi Wright Joseph and Evan Alex, it’s next level genius. The otherworldly movement and expression of the pyro-obsessed Pluto and cunning Umbrae brought the horror unlike any other Tethered in the movie. Us might not be a creepy kid movie, but the creepy kids in it are extremely effective.

Jordan Peele’s Us, courtesy of Universal Pictures

Keeping the trend moving at a consistent pace, April saw the release of Pet Sematary, a new adaptation of Stephen King’s beloved novel. Its major departures from the source material created a huge divide in viewer reactions, but most can agree that Jeté Laurence’s performance as Ellie Creed elicits chills. Grasping why this new take switched out Gage’s death and resurrection for the older Ellie became a lot clearer during the quieter scenes between undead Ellie and her father Louis (Jason Clarke). Mundane tasks like giving your child a bath or putting them to bed has never been as disturbing as it has here. Like Wright Joseph and Alex in Us, Lawrence deftly balanced the sweeter, innocent Ellie with the inhuman Wendigo using her broken body as a vessel for evil. It’s uncanny.

Next week brings BrightBurn, a creepy kid twist on a familiar Superman origin story. What if the alien child that crash-landed on Earth and was adopted by a good-natured country family didn’t grow up to be a hero, but something far more malevolent and destructive? That’s the question this creepy kid horror story presents. And if the trailer is any indication, BrightBurn might be the most brutal creepy kid horror film yet.

BrightBurn

Annabelle Comes Home might be focused on the eponymous creepy doll and the entities residing in the Warren’s artifact room, but trailers seem to hint at least one of the young girls might find herself possessed- another type of creepy kid. The Turning, a modern adaptation of The Turn of the Screw that stars Finn Wolfhard as creepy kid Miles, was originally set to release in February before getting bumped to a 2020 release. February also marked the announcement for season two of Netflix’s The Haunting series, this one to be named The Haunting of Bly Manor; also based on The Turn of the Screw. It’s expected to arrive in 2020, which means that the creepy kid trend looks to continue into next year. But with just over half a year left of 2019, there’s plenty of room for more creepy kids to pop up and hold us over in the meantime.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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