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The Horror Games Sony’s PlayStation Productions Should Turn into Movies and Shows

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Sony is taking the Marvel approach to its PlayStation franchises and creating in-house movies and TV shows via its newly minted PlayStation Productions company. There are some salivating prospects among PlayStation’s library of titles from the last 20+ years, and among them are some pretty good opportunities to contribute to the horror genre. We decided to go through the best horror and horror-adjacent franchises in PlayStation’s locker to adapt and how to adapt them.

Bloodborne


From Software’s PS4 exclusive action RPG is considered to be one of the greatest games of the generation, and its cosmic horror world is ripe for a screen adaptation. A TV show could work, but the fear would be that it may try to overexplain the rich lore when it works best at the fringes of the tale.

So a film then. Not a traditional action horror film as that would rob it of some of Bloodborne‘s grim grandeur, but one that respects its audience’s intelligence and tells a story through its world. A straight adaptation of the game would likely not work, but there’s plenty in there to recreate the spirit of it in a respectful manner. Plus, who wouldn’t want to see some of those boss designs come to life on the big screen?

MediEvil


Upon hearing the news of PlayStation Productions creation, one of the first things that came to my mind was a MediEvil animated film. The goofy, gothic adventures of undead Knight Sir Dan Fortesque could be a fantastic family film, given a bit of that Tim Burton-style magic (though probably not directed by Burton).

The redemptive arc is there after all. A failed Knight coming back from the dead to prove his honor? That’s gold.

Until Dawn


I’d be reluctant to see a straight up slasher movie adaptation of Until Dawn. It works best because it’s an interactive experience, so why not continue that with an interactive film in the vein of Black Mirror’s Bandersnatch episode?

Bonus points if Hayden Panettiere and the Oscar-winning Rami Malek can be cast as live-action versions of their in-game characters.

The Last of Us


There’s been talk of a The Last of Us movie being in production pretty much since the original game arrived to so much acclaim, but that’s seemingly in limbo, so perhaps we could revisit Naughty Dog’s fungal apocalypse in the form of a TV show?

The issue, of course, is competing against numerous other post-apocalyptic shows with infected foes, but to leave such an integral franchise off the slate for TV and film seems unlikely, so that’s a problem that would have to be tackled in time. leaving the story from the games alone would seem wise though, as there’s a world of new stories to explore.

Parasite Eve


Not PlayStation-owned so to speak, but very much a great part of the original PlayStation’s roster. Surely Square-Enix could be convinced to collaborate on a Parasite Eve TV show? The strange horror of the series deserves further exploration and an episodic approach would be a great way of delving into that.

It’d be better than an adaptation of The Bouncer anyway.

Twisted Metal


Making Twisted Metal work as a show or film would be an interesting challenge (it’s been attempted before). It’s essentially an adult Wacky Races so perhaps an adult-orientated animation? According to recent sources, Twisted Metal is in development and will be a TV show, so we’ll have to see if that’s approach PlayStation goes with.

What PlayStation game would you love to see adapted?

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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