Editorials
10 of the Most Gruesome Moments from Stephen King Adaptations
We’re rapidly approaching the release of It Chapter Two, and new nightmares for the Losers Club along with it. Based on prolific author Stephen King’s expansive novel, the adaptation demonstrates what King’s works do so well; it achieves the perfect balance of heart and scares. We care about the characters, which enhances the horrors they encounter.
Emphasis on the horror. King is deeply unafraid to take his characters to some dark, twisted places. And some truly grisly places as well. While we wait for the conclusion to Andy Muschietti’s adaptation this September, we look back at some of the most gruesome moments King’s characters have endured so far.
Maximum Overdrive – Soda and Steam Rolled
Adapted and directed by King himself from his short story “Trucks”, the plot sees all inanimate machines coming to life and hellbent on destroying humans after Earth passes through a comet’s tail. While Maximum Overdrive isn’t a gory film, it does go pretty bold with one particularly nasty kill early on. A Little League coach gets pummeled to death by a vending machine that fires sodas at him at close range, leaving his young team fleeing in terror. The vending machine then takes aim at the kids, and one tries to flee only to trip and immediately get squished by a steamroller. Killing kids is a cinematic taboo, and King shatters it nearly straightaway.
Pet Sematary – Poor Jud
No matter which adaptation of Pet Sematary you choose, Jud Crandall suffers greatly for telling Louis Creed about the ancient burial ground. But since it’s Mary Lambert’s 1989 adaptation from which the reboot takes its cues, we’re going with that one. After failing to prevent Louis from burying the recently deceased toddler Gage in the sour ground, Jud becomes target number one when Gage comes back. With Louis’ scalpel in hand, Jud’s Achilles heel and mouth are cut wide open before Gage tears into his jugular with his mouth. No fair.
Creepshow 2 “The Raft” – Laverne’s death
Based on a King short story, the second segment in this anthology sequel sees a foursome get more than they bargained for with a day at the lake when they discover it’s inhabited by a strange oil slick. An oil slick type sludge that painfully devours any living thing it comes in contact with. The two remaining survivors let their guards down (or more like Randy opts to fondle Laverne while she sleeps), and the sludge takes that opportunity to continue its feeding frenzy. Poor Laverne. It’s a gross way to go.
Dreamcatcher – Bowel Movement from Hell
Four friends on a camping trip discover the area is plagued with weird alien parasites that are spreading fast. They learn that the hard way when they let a sickly man rest inside their cabin, only to later find him dead and sitting bloodied on the toilet. The three-foot-long lamprey-like parasite destroyed him coming out, and is trapped in the toilet until poor Beaver’s OCD causes it to get loose. Yup. It’s Beaver versus the bowel-movement parasite. Talk about an unpleasant way to go, both for the sickly stranger and Beaver.
The Mist – Spider Massacre
Thanks to the monstrous creatures lurking in the strange mist that envelopes the small town in this King adaptation, very few deaths are tame. The things rip at flesh, bisect bodies with ease, and poison with stingers. But the most gruesome moment of all is the spider sequence, which sees a handful of volunteers venture over to the Pharmacy next door to check for supplies and possible survivors. Instead, they’re ambushed by spider-creatures that have acidic webs and flesh-ripping fangs. Spiders that like to also impregnate their human prey with eggs. It’s arguably the most gruesome way to go in the entire movie.
The Green Mile – Sabotaged Execution
One of the most gruesome moments doesn’t even come from a horror film. Inmate Eduard Delacroix is slated for execution, but The Green Mile makes it clear who the antagonists are long before his final day comes. Percy Wetmore brutally steps on his pet mouse, breaks his fingers with a baton, and takes every chance to verbally abuse him. The worst of it comes with his execution by electric chair. Wetmore deliberately avoids soaking a sponge in water to act as an electricity conduct so that Delacroix suffers a far more painful and elongated death- eventually burning alive. It’s one thing to read that aloud, but it’s another to spend an excruciatingly long three minutes watching it happen.
The Dark Half – Sparrow death
This time it’s not a character we sympathize with that gets a gruesome demise, but the evil protagonist getting his just desserts. At the end of The Dark Half, a massive flock of sparrows – agents of Hell come to collect their evil soul – swarms the Beaumont household to retrieve George Stark. They don’t carry him away; they peck, claw, and tear away his flesh to the bone until there’s nothing left. King has always been a master at taking benevolent objects and making them terrifying. In this case, it’s sparrows.
It – Georgie Floats Too
Fans of King’s novel know that little Georgie’s death is pretty graphic, but was tamed quite a bit for the 1990 made-for-TV movie. Director Andy Muschietti made sure to give quite a brutal introduction to Pennywise, with the temptation of Georgie that gives way to his harrowing attempt to crawl away once Pennywise has bitten off his arm. If you want to show audiences that you’re not messing around with a King adaptation, this is how you do it.
Misery – Hobbling
Really, this is one scene that needs no preface or introduction. Annie Wilkes is a monster, and boy does this make me cringe every single time.
Gerald’s Game – Degloving

Mike Flanagan successfully adapted a novel that was once considered unadaptable for film. Then he took it a step further by delivering a moment so gruesome that it caused people to pass out. Yup. The degloving scene. Jessie Burlingame’s final attempt to free herself from the handcuffs comes with some serious levels of self-mutilation that we never knew was physically possible until Flanagan put it on screen.
Editorials
Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.

You must be logged in to post a comment.