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“Get Out!”: Classic Haunted House Film ‘The Amityville Horror’ Turns 40

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Of all the haunted houses in the world of horror, few are as iconic or its story as well known as The Amityville Horror. Based on a bestselling novel of the same name by Jay Anson, the film tells the story of newlywed couple George and Kathy Lutz, and Kathy’s kids from a previous marriage, as they embark on a new life together with the purchase of a lakeside property at a bargain price. The American dream. Except, there’s something seriously wrong with the house, and it threatens to tear this family apart permanently. Thanks to the popularity of the novel and of the lead actors, The Amityville Horror became a massive success at the box office upon release on July 27, 1979, marking the birth of a long-running franchise and an enduring legacy.

Anson’s novel claims to be based on a factual account of the Lutz’s experiences with 112 Ocean Avenue, a home in the Amityville neighborhood of Long Island, New York. They moved into the home one year after Ronald DeFeo Jr. shot and killed six of his family members at the house. The Lutz family only lasted 28 days in the house before fleeing. As for DeFeo Jr., he’s currently serving six life sentences. The city denied the production the ability to film at the actual house, wanting distance from any possible negative press, so exterior shots were filmed at a private residence in New Jersey that was converted to resemble the iconic house.

James Brolin was a regular leading man when he was offered the role of George Lutz. He was hesitant to accept, partly because there was no finished script to read and also because he worried that the haunted house movie would be too hokey. So, he was urged to read the novel. Brolin became so engrossed when he started the book that he continued reading well into the late hours of the night, punctuated by a pair of his hung pants falling abruptly during a particularly scary moment in the book. He took that as a sign to accept the part. He proved too effective as the possessed George, though, that he struggled to find roles for a period after the film’s release.

As for Margot Kidder, who played Kathy Lutz, she’d already proven her horror mettle in Black Christmas and Brian De Palma’s Sisters. But she was fresh off her breakthrough turn as plucky reporter Lois Lane in Superman when this role came her way. In other words, both Brolin and Kidder were box office draws at the time.

Directed by Stuart Rosenberg (Cool Hand Luke, Voyage of the Damned), and penned by Sandor Stern (Pin), The Amityville Horror contained a wealth of memorable moments beyond the iconic “evil eyes” of the house’s exterior. The flies, the menacing voice booming “GET OUT!” at Father Delaney (Rod Steiger) when he comes to bless the home, the glowing red eyes of Jody the pig, the nightmares at 3:15am, the poor babysitter’s trauma, and that walled-up room in the basement that hid the passage to hell all made for an unforgettable entry in haunted house terror.

But it was the relatability of the Lutz’s financial situation that resonated the most. They put everything they had into this house. When George and Kathy discuss whether they can afford the home, no matter its cheap price tag, it’s easy to put ourselves in their shoes. When Kathy’s brother can’t find the money he stashed away for the caterer on the night of his engagement party, George offers to write a check until the cash turns up. It’s a gesture that elicits serious dread because we know George can’t afford it; and the money never does resurface. It’s not just the evils of the house getting to him, but the financial pressures of keeping the family afloat.

Finally, you can’t talk about The Amityville Horror without mentioning the Academy Award nominated score by Lalo Schifrin. The eerie choir vocals, the shrieking strings and the frenzied notes all orchestrate a chilling score that perfectly captures a haunting presence. Or a house of pure evil. It was a sort of redemption for Schifrin, whose previous score for The Exorcist had been thrown out by William Friedkin.

With a larger than life backstory, a popular novel, two compelling lead actors, a goosebump-inducing score, and no shortage of memorable movie moments set in an iconic haunted house, it’s easy to see why The Amityville Horror became the second highest grossing movie of 1979. Or why 22 additional Amityville films have been made since, including the 2005 remake. Early in the film, Kathy asks George if it bothered him to know that a family died in that house. He responded, “Well, sure, but houses don’t have memories.”

He didn’t know at the time that this one does. Forty years’ worth.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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