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Meagan Slices Up the Top 10 Horror Movie Kills of the Decade!

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*Keep up with our ongoing end of the decade coverage here*

Of all the many reasons we adore horror, spectacular character deaths rank high among them. One solid, gruesome kill can go a long way in a horror movie. It’s an art form perfected by the slasher, but all horror movies embrace the art of grisly and elaborate death sequences.

It’s been one hell of a decade for horror, not just in emerging new voices and box office records, but in memorable moments of gore. We’re closing out the decade by celebrating the best kills horror had to offer. The most creative, most outlandish, most jaw-dropping kills that seared into our horror-loving skulls.

These are the top 10!


10. Upgrade – Kitchen Killer

If there’s one thing horror has taught us, it’s that anything within grasp can make for a decent weapon. When Grey (Logan Marshall-Green) breaks into the home of one of the assailants that left him paralyzed, a battle breaks out. Grey’s no fighter, though, so he finally gives STEM permission to take over. The fight takes over the small kitchen, and STEM grabs anything and everything he can to use against his opponent. The dishes get destroyed in the mayhem. Then STEM grabs a kitchen knife. A typical stabbing would’ve sufficed, but STEM decides maybe his opponent could use a bigger mouth.


9. Annihilation – Not Your Average Bear Mauling

Everything inside the Shimmer is weird; the alien environment absorbs flora and fauna and mutates it in often unnerving ways. The most terrifying of which is the screaming bear. Its ghastly appearance rivals the haunting way in which it steals the voice of its last victim. It first attacked the base camp and mauled Cass to death off-screen, her mutilated corpse found later. But the bear tracks the core group, following them to strike again. This time it mauls Anya to death, and we get to see every excruciating second. It doesn’t end pretty.


8. Final Destination 5 – Gymnastics Pretzel

The entire Final Destination franchise centers around creative kills made even more visceral by the unbearable tension that builds while we try to guess the how and when. The death of gymnast Candice is an absolute series highlight. The suspense winds tighter and tighter as we watch Candice avoid potential death over and over again during her practice. A sharp screw on the balance beam. A puddle of water on the mat next to a power cord on the fritz. Eventually, all of the ill omens become an unfortunate chain of events that leaves Candice in bone-splitting pretzel form after an unfortunate dismount from the high bar. Brutal.


7. Hatchet II – Swamp Bifurcation

The Hatchet series boasts no shortage of crowd-pleasing kills at the hands of swamp boogeyman Victor Crowley. Yet it’s the final major death of the 2010 sequel that earns a spot on this list. A showdown between Crowley and Rev. Zombie (Tony Todd) results in Zombie getting severed in half. Crowley has always been on to revel in excess, of course, and so he grabs the exposed spine from Zombie’s torso and yanks, effectively skinning him alive. Zombie might have had it coming, but ouch.


6. Apostle – Purification Ritual

Gareth Evans’ 1905-set folk horror tale brings the bloodshed and violence in gratifying ways. The crowning achievement of horrific deaths is the mean-spirited purification ritual of poor Jeremy, who’d just witnessed the aftermath of his lover’s death by forced abortion at the hands of her father. The girl’s father captures Jeremy and straps him to a torture table to perform a soul-cleansing rite in front of the congregation. What makes this one so noteworthy is the way Evans puts the viewer in Jeremy’s perspective as the clamps squeeze his skull so tight that we see blood vessels burst and hear the painful crunch. Then a hand-cranked drill graphically carves out a hole in the crown of his head. It’s unflinching and oh so painfully slow.


5. Hereditary – Self-Decapitation

Ari Aster’s debut offered not one, but two shocking decapitations. For pure shock value, Charlie’s death by telephone pole is the more memorable of the two, bolstered by a glimpse of the decayed aftermath. But it’s the self-garroting demise of Annie that’s far more chilling and vicious. Possessed, Annie hovers in the air, staring her son down as she seesaws piano wire back and forth against her throat. Slowly, at first, growing faster as the flesh gives way. The visual of it would be enough, with her frozen expression and blood spurts, but it’s the repulsive sound that it makes that gets under your skin.


4. Puppet Master: The Littlest Reich – Money Lender 

By design, this reboot aims to offend and assault the senses with a slew of endless gory deaths. Many of which plead their case for earning a spot on this list. From the beheading into the toilet bowl to the puppet that carves out his human-sized vehicle to puppeteer, the creativity of kills is a raucous highlight. But none hold a candle to the taboo-shattering death of a pregnant woman by Money Lender. The evil puppet claws his way into her womb and tears its way out of her stomach with her fetus in tow. Killing children, let alone babies, is one of the biggest cinematic taboos, and Puppet Master gave it a blood-splattered middle finger.


3. Saw 3D: The Final Chapter – Reverse Bear Trap

From the very first Saw, the Reverse Bear Trap captured our attention. The cruel nature of it, and the equally punishing way in which Amanda Young escaped it. Jigsaw created endless traps and puzzles for his victims; all brought severe levels of pain and suffering. Yet it was the Reverse Bear Trap that kept popping up again and again, including a harrowing moment in Saw VI that had Detective Hoffman barely escaping it, and not without injury. Finally, in the series’ seventh outing, we got to see the trap claim its first on-screen kill. Poor Jill Tuck didn’t deserve to die that way, if at all, but man was it a seriously satisfying payoff after being teased with this trap for six movies.


2. Evil Dead – Chainsaw meets Abomination

The climactic showdown between Mia and the Abomination is a bloodbath for the ages. Literally. A downpour of blood marks the Abomination’s arrival, and it doesn’t relent for a single second of Mia’s fight for survival against the Taker of Souls in Mia form. It’s an epic battle that sees limbs lopped off with chainsaws and Mia ripping her own hand off to free herself, and it all culminates in Mia taking a chainsaw to the Abomination’s face, slicing it into two. This kill is an insanely bloody and impressive conclusion to one of the decade’s goriest films. Bravo, Mia.


1. Bone Tomahawk -Troglodyte Nutcracker

For much of the runtime, S. Craig Zahler’s feature debut plays like a standard western. Until the cruel final act, that is. No one was prepared for how brutal the cannibalistic troglodyte clan was until they’re captured and made witness to the decade’s most shocking demise of all. To summarize: poor Deputy Nick is pulled from his cage, naked, and scalped. They hammer his scalp into his throat through his mouth. Held upside down with legs spread open, the savages slowly chop away at him from the crotch to the abdomen. He’s pulled apart, like cracking pistachios. All the while, his muffled screams of pain signal that he’s still conscious for most of this.


Honorable Mention: The Collection – Blood Rave

Sorry, Saw franchise, but Marcus Dunstan and Patrick Melton just decimated your death count with this insane opening kill. The Collector rigged several traps in the club full of unsuspecting partygoers, which are triggered in quick succession. Massive rotating blades mow down the dance floor, while everyone else is maimed or crushed by other traps. It’s excessively bloody, with limbs and viscera splattering the walls and floors. At least 70 people slaughtered in one fell swoop. And to think, this is just the opening scene of the film!

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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