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Stay Home, Watch Horror: 5 Unconventional Vampire Movies to Stream this Week

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Between the recent additions of Blacula and Scream, Blacula, Scream on Shudder, and the upcoming season two premiere of NOS4A2 on AMC, this week belongs to the vampire.

One of horror’s most prominent and enduring monsters, there’s an overwhelming selection of genre films dedicated to the vampire. While Dracula might be the most classic take on the blood-sucking creature of the night, there’s no shortage of movies that explore different mythologies and rules to bring refreshing takes. Nor does it begin to cover the various tones and styles of vampire flicks, from action horror to comedies and everything in between. Meaning that narrowing it down to five is tricky. Instead of going with more familiar faves in the subgenre, this week’s streaming picks are dedicated to the outliers. These vampire movies break convention and test the definition of a vampire.

If you’ve never seen Blacula and its follow-up, start there. Consider them extra credit assignments. Then, check out these five fantastic vampire horror movies, all available to stream now.


Cronos – Criterion, Kanopy, HBO Max

Cronos

Guillermo del Toro’s feature debut reframed the vampire mythos at nearly every turn. Antique dealer Jesús Gris discovers a strange mechanical scarab hiding within a statue. It stings him, injecting Jesús with a solution that restores his youth, increases his energy levels, and instills a significant thirst for blood. Throw in a dangerous businessman that’s been after the scarab for years, and Jesús’s newfound vampirism causes a wake of destruction. While vampires are often portrayed as romantic figures of eternal life, del Toro centers his story around an aging grandfather. The more Jesús embraces his thirst for blood, the stranger, and less human he looks. Here, vampirism is caused by alchemy. Cronos also established one of del Toro’s most beloved themes; it’s not monsters that are the villains, but humanity.


The Lair of the White Worm – Tubi

Bram Stoker became a household name thanks to Dracula, but it wasn’t the only vampiric horror novel that he penned. Ken Russell’s loose adaptation makes it easy to see why it didn’t achieve the same level of popularity. It’s weird. That’s not a bad thing. When an archaeologist uncovers a strange skull of what appears to be a massive snake, the locals start to disappear. He suspects it might be related to an ancient worm-god, and that the enigmatic Lady Sylvia Marsh might be connected. It’s hilarious, quirky, and full of camp with a mesmerizing performance by Amanda Donohoe as Marsh. Peter Capaldi and Hugh Grant also star.


Rabid – Prime Video, Tubi

Rabid-1997

It’s easy to categorize this David Cronenberg classic as a zombie movie. It does become a viral outbreak movie full of zombies, after all. But the source of it all belongs to an atypical vampire. After Rose is severely injured in a motorcycle accident, her boyfriend Hart brings her to a nearby clinic, where the doctor performs experimental plastic surgery on her. It results in the bizarre development of an armpit stinger and an unquenchable thirst for human blood. Rose’s victims wind up becoming blood-thirsty zombies. The outbreak is peripheral, as the focus always remains on Rose’s struggle with what she’s becoming. It’s an engaging, tragic vampire story in only the way Cronenberg could deliver.


The Transfiguration – Shudder, Kanopy

Michael O’Shea’s feature debut, in many ways, is a spiritual successor to George A. Romero’s Martin. It follows Milo, a troubled teen obsessed with vampires. When he meets equally disturbed teen Sophie, their budding friendship transforms Milo’s obsession with vampiric lore from fantasy into grim reality. A dark coming-of-age story set against a backdrop of a dangerous neighborhood. Milo is surrounded by visceral violence, and The Transfiguration is a powerful exploration of how that affects Milo’s psyche. This take on the vampire contains no supernatural elements; think introspective character study. And that’s what makes The Transfiguration stand out.


Vamp – Tubi

This highly entertaining horror-comedy features a vampire that doesn’t get near enough attention as she should; Grace Jones exudes raw power as vamp Katrina. Robert Rusler and Chris Makepeace star as two fraternity pledges that venture into the city to hire a stripper. All to impress their frat brothers. They find themselves in a shady part of town, unaware that the dive bar they’ve entered is full of vampires. Naturally, they find themselves in an all-night battle for survival. The neon haze-soaked urban setting makes for a refreshing change of pace. The bromance between the leads is as sweet as it is funny. Most of all, though, watch for Jones’ riveting portrayal.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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