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Evil Kills Tonight: The Top 15 Kills in the ‘Halloween’ Franchise

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Michael Myers’ adventures in murdering babysitters have certainly changed since his silent and disturbing introduction in 1978. While John Carpenter introduced us to a more subdued yet equally terrifying Shape in his first film, the series would soon transform the white-masked menace into something more. Myers went from a shadow, lurking amongst the town of Haddonfield, strangling and slicing promiscuous teens– to a creatively ruthless and unstoppable killer, hellbent on creating carnage wherever he goes.

The carnage in this franchise doesn’t stop at Michael, as Tommy Lee Wallace’s Halloween III also offers some chaos and brutal imagery, despite its disconnection from the rest of the series. Nevertheless, it’s evident in its 12 film span that the Halloween series is ripe with some of the most memorable deaths in horror history. And, as we fans take in the latest, shockingly divisive installment in the franchise, Halloween Kills, I figured it’s time we sat down and counted up the ten best kills in the Halloween series.

But first, some Honorable Mentions


15- Earl Ford, Halloween 4: The Return of Michael Myers (1988)

Certainly not as graphic as later entries on this list, but this kill in this fan-favorite sequel is quite honestly the best in the film. Michael ripping out a man’s throat while on the roof of a moving truck is no easy task, and yet he does it with such gruesome intent.


14- Nurse Karen Bailey, Halloween II (1981)

This death scene nearly seems the most out of place in all of Michael’s rampage, considering he only ever drowns someone one other time in the series – the other in Rob Zombie’s Halloween – however, it’s the gross skin peeling that gets progressively worse as Michael dunks this poor woman’s head into the medical bath which makes this death memorable upon reflection.


13- Kelly Meaker, Halloween 4: The Return of Michael Myers

Considering this is the only time Michael “uses” a gun to kill one of his victims, it seems appropriate to have it on the honorable mentions section. Though we don’t get to see too much of the kill, the mere fact that Michael puts the shotgun THROUGH Kelly and pins her up on a door is shocking.


12- Sondra, Halloween Kills (2021)

The first of a few appearances for Halloween Kills on this list. This death scene is as brutal as it can get. Michael’s ingenuity and unstoppable rage came together to give us what many thought would be the best kill of the film– but there are oh, so, many more kills of this latest installment to go. Speaking of…


11- Big John, Halloween Kills

This kill is not only fantastic because it involves one-half of the two funniest additions to Kills, but it’s also insanely brutal. It starts with a stab to the armpit, which is about the most heinous place you could think about stabbing someone, and ends with Michael gouging Big John’s eyes out with hints of skull-crushing. Michael has killed characters in a similar fashion before, but none felt as gruesome as this. The blood gushes down Myers’ hands and flows like a river, just as Michael squeezes Big John’s head. It’s as deadly as they come.


#10- Starker, Halloween III: Season of The Witch (1982)

At the back half of our Top-10 list is one of many brutal kills in the now embraced Halloween III. It’s not the most memorable death of the film, but seeing former Michael actor Dick Warlock rip a man’s head off is quite the spectacle. Beheadings in the Halloween franchise are not as common as, say, the Friday the 13th series; so when they do occur, it’s hard not to appreciate just how brutal they are.


#9- Nurse Marcus, Halloween Kills

This kill, in particular, became one of few instances in which I involuntarily gave an “Oh, fuck” in the theater. The knife going through the eye looked disgusting in all the best ways due to some incredible SFX work and became one of the kills that stuck with me after the credits rolled. This scene is made all the better after the hilarious exchange between Michael and Marcus right before, where he, pathetically, tries to choke Michael with his stethoscope.


#8- John, Halloween 6: The Curse of Michael Myers (1995)

One of the very few good things about Halloween 6 is this kill sequence at the tail-end of the movie. John was a rather unpleasant character in this film, so being at the receiving end of the movie’s best-looking kill scene makes the most sense. Not only does he get stabbed and hooked onto the electrical box– but his head ends up exploding due to the intense electrocution. It’s a particularly graphic kill and stands as one of the few good scenes in this entry.


#7- Gary, Rob Zombie’s Halloween II (2009)

Rob Zombie’s iteration of Michael is notably the most savage version of Michael we’ve seen throughout the series. His viciousness knows no bounds, and that’s never been more on display than this intense and merciless kill in the first half of Zombie’s sequel. It’s not so much what we see that makes it all the more brutal, but the audible sound of a glass shard cutting through a human neck is frightening.


#6Oscar, David Gordon Green’s Halloween (2018)

As far as carefully constructed scares and kills in this franchise go– this is undoubtedly one of the best. The build-up to Oscar’s death with the security lights and Michael’s callous game of hide-and-seek makes this sequence terrifying. And the incredible pay-off with Oscar’s jaw getting impaled on the fence’s spike is horrific and stands out amongst a sea of great kills in this particular installment.


#5- “Michael,” Halloween H20: 20 Years Later (1998)

This scene is one of those rare moments where the franchise could have realistically ended. It’s the most direct way we’ve seen Michael disposed of and makes for a powerful image. Laurie, tireless victim, finally getting to unleash twenty years of grief and rage in one swoop towards a pinned Michael is something that could’ve been iconic. However, this kill is not given higher status on the list since the gravity of this death is pretty much kaput after the first few seconds of the following installment, Halloween: Resurrection. What should have been an impactful moment in the franchise is relegated to a frustrating after-thought at the hands of studio meddling. Regardless of that fact, the kill is still good, considering that it felt like something the entire series had been building towards for several years.


#4- Buddy Jr., Halloween III: Season of the Witch

There’s a lot to love about this particular death in this underrated favorite. The horrifying image of a pumpkin mask melting the head of a child as the catchy Silver Shamrock jingle swells in the background is something that sticks with you and is a standout in a franchise with plenty of exceptional kills. It’s made all the better seeing the sadistic smile Conal Cochran cracks upon witnessing this poor child and his parents devoured by bugs and snakes.


#3- Dr. Sartain, David Gordon Green’s Halloween

The creative team behind Halloween 2018 was wise to give the film’s best death scene to a character that everyone pretty much wanted to get theirs after goofily putting on The Shape’s iconic mask. His obsession with Michael’s nature and overall jackassery not only makes this a satisfying kill, but the brutal nature in which Michael disposes of him is barbaric and perfect. The amazing SFX team behind this film put their stamp on the series with the grotesque look and aftermath of Michael’s gnarly foot stomp.


#2- Cameron, Halloween Kills

Full disclosure– these last few kills were a complete toss-up for me. They express the near inhumane sense of cruelty that Michael possesses and, for a moment, a brief glimpse into Michael’s nature.

Audiences knew that after Cameron threw Allison’s phone into the mysterious goo at the dance that he was bound to become a victim at some point. But, the pay-off was something extraordinarily violent that we couldn’t have seen coming. The kill could have ended after Michael savagely threw Cameron’s head around the staircase baluster– but Allison’s pleas for him to stop, prompting Michael to go towards Cameron’s head and twist it around is sickening. No matter where you fall on the great Halloween Kills debate, there is no denying how incredible it is to see the sheer brutality Michael shows off during this kill; or for the rest of the film, for that matter.


#1- Bob, John Carpenter’s Halloween (1978)

You may be thinking that I am going the safe route by choosing a kill from the original film– and you would not be entirely incorrect with that assumption. However, this is one of the most effective kills– if not the most effective in all of the Halloween films. The slow, tense build-up of Bob rummaging around the house, trying to find someone hiding behind a door, only to come across the incarnation of evil in its purest form, is iconic. The scene has all of this horror classic’s best elements on display; John Carpenter’s timeless scene direction, the score, Michael’s silent-yet-brooding behavior, and an image in horror history that continues to stand the test of time. Arguably, this is the kill you think of when you think of Michael Myers or Halloween.

This death has become synonymous with the groundbreaking slasher that still captivates horror fans some 43 years later. And for good reason.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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