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Ryuhei Kitamura Selects Five Horror Movies to Stream on Screambox Now!

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Ryuhei Kitamura, the Japanese filmmaker behind the classic indie zombie horror Versus, not to mention Alive, Azumi, and even Godzilla: Final Wars, takes a stab at picking some of his favorite horror films now streaming on the Bloody Disgusting-powered SCREAMBOX.

Kitamura, who also directed the awesome adaptation of Clive Barker’s The Midnight Meat Train, the ultra-gory slasher No One Lives, and the sniper-themed festival hit thriller Downrange, is next launching his own vinyl label as he prepares his next horror, The Price We Pay, which stars Emile Hirsch and Stephen Dorff.

RELATED: SCREAMBOX Now Streaming Grindhouse Releasing Library Including Fulci’s The Beyond!

As you know, Bloody Disgusting recently took the reigns on the newly-relaunched SCREAMBOX, a subscription-based streaming platform loaded with movies that also hosts our live channel, BDTV. We have such sights to show you over the next year, including dozens of exclusives and originals only available on the service.

As part of our ongoing celebration, we’ve been asking high-profile horror veterans their favorite films streaming on SCREAMBOX. We kicked it off with five films Barbara Crampton was watching on the streaming platform, and followed it up with six from veteran horror director Mick Garris, another handful selected by Joe Dante, and even more from William Malone.

For May, Kitamura digs deep into the SCREAMBOX catalog, curating five films he’d have pulled straight off the video store shelf!

Go straight to Kitamura’s picks here. And read his write-ups for each of the films below!


CLASS OF 1984

“I love everything about this movie.

Best opening song by Alice Cooper.

Best villain – makes me want to torture and kill this fucker played by amazing Timothy Van Patten.

Best explosive climax.

My favorite director Mark L “Commando” Lester at his best!


BASKET CASE

“The true classic. The true cult movie. The one and only!

This is one of my favorites from the glorious 80s VHS days. The only way to watch this back then in my hometown Osaka was by getting a bootleg copy.

I just love the overall atmosphere of the 80s NY shot on 16mm. It made me feel that I was watching a completely different world of the planet when I first watched this when I was 12 in Japan.

Not only a great horror movie – this is just a great movie period.”


HELL NIGHT

“My dog is a rescue dog came from Linda Blair’s Worldheart Foundation. She has a beautiful shelter. I didn’t know it was her and spent the whole day with her showing me her dogs. I finally realized who it was when a few days later she came to check my house with the puppy I chose.

Never thought in the future I would adopt a puppy from Linda when I watched this movie when I was in middle school.

This is a very straightforward classic horror/slasher movie and very well made.

All the build-up, all the unique killing – It’s like a textbook of making a horror/slasher.”


THE MUTILATOR

The Mutilator

“I was watching every single horror movie video coming out back in the 80s, and this is one of my favorite Friday the 13th rip-offs.

Hats off to Buddy Cooper. There are way too many directors making shit movies, and too many directors complaining that they can’t get a movie made.

He was a pure amateur when he made this movie. Just a law school student and somehow he pulled this off, he did this to “learn filmmaking” and made this super fun movie.

Movie making was much, much harder and more expensive back in 1984. Still, after almost 40 years the movie is loved by fans all over the world. Simply amazing.

Great opening, great ending. I love all the unique ways of killing and the special makeup effects are great.

Can’t wait for the sequel!”


HUMANOIDS FROM THE DEEP

“Love this movie. Amazing creature created by legend Rob Bottin. Non-stop movie and full-blown climax. The ending traumatized me when I watched it for the first time!

I’m still hoping NECA makes an action figure of this creature.

A must-see!”


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Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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