Connect with us

Editorials

‘The Black Phone’ and Six of the Best Captivity-Based Horror Movies

Published

on

The horror genre may be associated with gruesome kills and threats from beyond the grave, but I’d argue that some of the most effective scary movies deal with realistic fates worse than death. From maniacal super-fans to methodical serial killers, being kidnapped and then kept alive at the mercy of a ruthless antagonist is one of the most terrifying fears imaginable precisely because of how plausible it is.

That’s why sinister abductions have been at the heart of so many creepy horror flicks over the years, and with Scott Derrickson’s recent The Black Phone delivering on its thrilling premise of a boy attempting to escape the clutches of a child-kidnapping murderer, we’ve come up with this list of 6 of the best captivity-based horror movies – just in case you’re in the mood for some more confined scares.

As usual, this list is based on personal opinion, but we’ll try to only include pictures that deal with kidnappings and wrongful incarceration as their main themes, so no horror movies that happen to feature creepy abductions but don’t really use that idea as their main source of scares. We’ll also be limiting entries to one movie per franchise so things don’t get too repetitive.

Don’t forget to comment below with your own favorites if you think we missed any important captivity-based thrillers.

Now, onto the list…


6. The Collector (2009)

Marcus Dunstan’s The Collector shows up in last place due to the experience being more about avoiding capture by the titular killer rather than dealing directly with the horrors of captivity, but I think that the story’s cat-&-mouse thrills and chilling finale are more than enough to earn the film a spot on this list.

Not only is this one of the most memorable slashers of the 2000s, nearly gluing audiences to their seats as it forces them to watch a master thief attempt to out-maneuver a trap-setting serial killer, but it also makes the masked antagonist even scarier by suggesting that being killed off early is better than the alternative.

And if you enjoy this one, don’t forget to pray to whatever celestial power you believe in so that Dunstan’s long delayed The Collected might finally see the light of day!


5. 10 Cloverfield Lane (2016)

10 Cloverfield Lane

While the commonly cited “Stockholm Syndrome” is largely contested by the scientific community due to the inherent difficulty of conducting repeatable studies about a condition related to kidnappings, there’s no doubt that fictional abductions are more interesting when the kidnapper is a charismatic figure. That’s why Dan Trachtenberg’s unexpected spin-off to 2008’s Found Footage kaiju thriller is so compelling, using John Goodman’s down-to-earth charms to keep audiences on their toes as it spins a claustrophobic story about apocalyptic paranoia.

I can still vividly remember the audience’s gasps during the third act of 10 Cloverfield Lane, which made the experience some of the most fun I’ve ever had in a theater. The film also contains some of the best use of a single location in genre cinema, proving that solid performances and a good story can make up for a lack of big-budget sets (though I still adore the flick’s bafflingly over-the-top finale).


4. Saw (2004)

The Saw franchise is now mostly known as the progenitor of the so-called “torture porn” sub-genre, but even hardcore horror fans often forget that the first film in the series was a tightly constructed thriller that relied on the hopeless terror of captivity to scare audiences.

Sure, the Seven-inspired police procedural elements were interesting enough, but the real meat of the film was the banter between two desperate men fighting against a simple yet horrific situation as they tried to escape a desolate bathroom. In fact, this minimalist approach to terror is so effective that it’s easy forget that the film’s entire plot can be traced back to a single memorable scene from the finale of 1979’s Mad Max.


3. Frontière(s) (2007)

Folks who claim that the 2000s were a bad time for the horror genre clearly aren’t aware of cinematic movements like the New French Extremity, which sought to produce hardcore scary movies that pushed the limits of terror. Among this collection of disturbing pictures is Xavier Gens’ Frontière(s), an unfortunately relevant thriller about a diverse group of thieves who are captured by a murderous family of neo-Nazis.

While often lumped together with other similar “torture porn” flicks, Gens’ brutal film stands out because of the realistic nature of its subject matter, coupling the very real horrors of political intolerance with masterfully directed gore and visceral scares. It’s certainly not for everyone, but rest assured that there’s a reason why this unsettling film ranks so high on this list.


2. Dread (2009)

One of my favorite Clive Barker adaptations and one hell of a disturbing indie horror flick, Anthony DiBlasi’s Dread may take a while to get to the actual “captivity” part of the story, but trust me when I say that it leads to one of the most haunting climaxes in all of horror fiction.

There’s a reason why this is one of the few Barker yarns that doesn’t need to rely on supernatural shenanigans to deliver abject terror, so suffice to say that it successfully explores a series of believably down-to-earth fears during a terrifying dive down human psychology.


1. Misery (1990)

It’s rare for an “old” movie to become even more relevant with the evolution of social media, but Rob Reiner’s Misery does just that by depicting the unsettling consequences of fandom gone wrong. One of the best Stephen King adaptations out there, this chilling film tells the classic story of a famous author unfortunate enough to find himself being held captive in the home of his biggest (and most unhinged) fan.

James Caan and Kathy Bates were simply made for these iconic roles, but the film truly excels at extracting terror from mundane situations like literary conversations and awkward dinners. And in the days of toxic online fanbases and obsessed followers, what could be scarier than being kept at the mercy of a fanatic with nothing left to lose?

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

The Lovecraftian Behemoth in ‘Underwater’ Remains One of the Coolest Modern Monster Reveals

Published

on

Underwater Kristen Stewart - Cthulhu

One of the most important elements of delivering a memorable movie monster is the reveal. It’s a pivotal moment that finally sees the threat reveal itself in full to its prey, often heralding the final climactic confrontation, which can make or break a movie monster. It’s not just the creature effects and craftmanship laid bare; a monster’s reveal means the horror is no longer up to the viewer’s imagination. 

When to reveal the monstrous threat is just as important as HOW, and few contemporary creature features have delivered a monster reveal as surprising or as cool as 2020’s Underwater


The Setup

Director William Eubank’s aquatic creature feature, written by Brian Duffield (No One Will Save You) and Adam Cozad (The Legend of Tarzan), is set around a deep water research and drilling facility, Kepler 822, at the bottom of the Mariana Trench, sometime in the future. Almost straight away, a seemingly strong earthquake devastates the facility, creating lethal destruction and catastrophic system failures that force a handful of survivors to trek across the sea floor to reach safety. But their harrowing survival odds get compounded when the group realizes they’re under siege by a mysterious aquatic threat.

The group is comprised of mechanical engineer Norah Price (Kristen Stewart), Captain Lucien (Vincent Cassel), biologist Emily (Jessica Henwick), Emily’s engineer boyfriend Liam (John Gallagher Jr.), and crewmates Paul (T.J. Miller) and Rodrigo (Mamadou Athie). 

Underwater crew

Eubank toggles between survival horror and creature feature, with the survivors constantly facing new harrowing obstacles in their urgent bid to find an escape pod to the surface. The slow, arduous one-mile trek between Kepler 822 and Roebuck 641 comes with oxygen worries, extreme water pressure that crushes in an instant, and the startling discovery of a new aquatic humanoid species- one that happens to like feasting on human corpses. Considering the imploding research station, the Mariana Trench just opened a human buffet.


The Monster Reveal

For two-thirds of Underwater’s runtime, Eubank delivers a nonstop ticking time bomb of extreme survival horror as everything attempts to prevent the survivors from reaching their destination. That includes the increasingly pesky monster problem. Eubank shows these creatures piecemeal, borrowing a page from Alien by giving glimpses of its smaller form first, then quick flashes of its mature state in the pitch-black darkness of the deep ocean. 

The third act arrives just as Norah reaches the Roebuck, but not before she must trudge through a dense tunnel of sleeping humanoids. Eubank treats this like a full monster reveal, with Stewart’s Norah facing an intense gauntlet of hungry creatures. She’s even partially swallowed and forced to channel her inner Ellen Ripley to make it through and inside to safety.

Yet, it’s not the true monster reveal here. It’s only once the potential for safety is finally in sight that Eubank pulls the curtain back to reveal the cause behind the entire nightmare: the winged Behemoth, Cthulhu. Suddenly, the tunnel of humanoid creatures moves away, revealing itself to be an appendage for a gargantuan creature. Norah sends a flare into the distance, briefly lighting the tentacled face of an ancient entity.

Underwater Deep Ones creature

It’s not just the overwhelming vision of this massive, Lovecraftian entity that makes its reveal so memorable, but the retroactive story implications it creates. Cthulhu’s emerging presence, awakened by the relentless drilling at the deepest depths of the ocean, was behind the initial destruction that destroyed Kepler 822. More importantly, Eubank confirmed that the Behemoth is indeed Cthulhu, which means that the humanoid creatures stalking the survivors are Deep Ones. What makes this even more fascinating is that the choice to give the Big Bad Behemoth a Lovecraftian identity wasn’t part of the script. Eubank revealed in an older interview with Bloody Disgusting how the creature quietly evolved into Cthulhu.


The Death Toll

Just how deadly is Cthulhu? Well, that depends. Most of the on-screen deaths in Underwater are environmental, with implosions and water pressure taking out most of the characters we meet. The Deep Ones are first discovered munching on the corpse of an unidentified crew member, and soon after, kill and eat Paul in a gruesome fashion. Lucien gets dragged out into the open depths by a Deep One in a group attack but sacrifices himself via his pressurized suit to save his team from getting devoured.

The on-screen kill count at the hands of this movie monster and its minions is pretty minimal, but the news article clippings shown over the end credits do hint toward the larger impact. Two large deepsea stations were eviscerated by the emergence of Cthulhu, causing an undisclosed countless number of deaths right at the start of the film.

underwater cthulhu

Norah gives her life to stop Cthulhu and save her remaining crewmates, but the Great Old One isn’t so easily vanquished. While the Behemoth may not have slaughtered many on screen here, his off-screen kill count through sheer destruction is likely impressive.

But the takeaway here is that Underwater ends in such a way that the Lovecraftian deity may only be at the start of a new reign of terror now that he’s awake.


The Impact

Neither Underwater or Cthulhu overstay their welcome here. Eubank shows just enough of his Behemoth to leave a lasting impression, without showing too much to ruin the mystery. The nonstop sense of urgency and survival complications only further the fast-paced thrills.

The result is a movie monster we’d love to see more from, and for horror fans, there’s no greater compliment than that.


Where to Watch

Underwater is currently available to stream on Tubi and FX Now.

It’s also available on Blu-ray, DVD, and Digital.


In television, “Monster of the Week” refers to the one-off monster antagonists featured in a single episode of a genre series. The popular trope was originally coined by the writers of 1963’s The Outer Limits and is commonly employed in The X-FilesBuffy the Vampire Slayer, and so much more. Pitting a series’ protagonists against featured creatures offered endless creative potential, even if it didn’t move the serialized storytelling forward in huge ways. Considering the vast sea of inventive monsters, ghouls, and creatures in horror film and TV, we’re borrowing the term to spotlight horror’s best on a weekly basis.

Kristen Stewart horror

Continue Reading