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‘Smile’ and 10 Other Horror Movies Based on Short Films

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Smile trailer

There are typically three destinations for a short horror film. Most of the time, they stay short and sweet. Another common outcome for these quick flicks is their joining others in compilation movies (also known as “frankenthologies”). As for the last and most fortunate fate, a short might be turned into something bigger.

There is a long history of horror shorts being made into full-length features. The Evil DeadSaw, Mama, The Babadook and Lights Out are just some prime examples. And with Parker Finn‘s Smile (based on Laura Hasn’t Slept) continuing the tradition in theaters this weekend, now is a good time to check out other similar transformations.


Larry (Come Play)

In Jacob Chase’s effective short Larry, the attendant in a paid parking lot gets the scare of his life when he spots something ghastly one night. Paramount later gave Chase the opportunity to direct and write a larger movie based on Larry, which includes a scene directly inspired by the original short. Rather than just a guy on stilts, though, the big-screen Larry in Come Play is the work of the Jim Henson’s Creature Shop.


Dara (Macabre)

Kimo Stamboel and Timo Tjahjanto’s Macabre is a little less easy to come by, though its source material is readily available. In the 2007 Indonesian short Dara by Kimo and Timo (collectively The Mo Brothers), the title character owns a popular restaurant. And after she invites a customer back to her place for dinner, we learn where she gets her meat from. The same directors’ 2009 adaptation keeps some of the short’s principal cast, changes a few details in the story, and magnifies the violence.


Excision

Richard Bates, Jr. shot his short Excision inside his parents’ garage in Virginia, which is still apparently stained in fake blood. The feature adaptation was filmed in less than a month in Los Angeles, and after its spot at Sundance in 2012, Excision gained praise for its humor, gutsiness and lead actor. Bates originally didn’t want to cast AnnaLynne McCord as the surgical savant, but he ultimately made the right decision.


The Sitter (When a Stranger Calls)

The oldest short here is also a goodie for When a Stranger Calls fans. The Sitter was hard to come by until a recent restoration of Fred Walton’s first feature. In fact, Walton was the one who directly provided the 35mm answer print for Second Sight’s Blu-ray restoration. Anyone familiar with the 1979 cult classic will get déjà vu as they watch this rarity; the movie’s iconic first act is a beat-for-beat remake of this suspenseful short film.


Oculus: Chapter 3 – The Man with the Plan (Oculus)

While Mike Flanagan’s Oculus was shot in 2012, then released in 2014, the original horror short was made in 2005. Around that time, parties were indeed interested in a full-length take on Oculus: Chapter 3 – The Man with the Plan, but Flanagan declined when they asked for a found-footage treatment. He simply said the format wouldn’t work with this story. Nevertheless, the longer feature was made in the end, and Flanagan has gone to become one of the most distinct voices in contemporary horror.


Tooth Fairy (Darkness Falls)

Tooth Fairy Darkness Falls Joe Harris

Joe Harris is better known as a writer for comic books these days, but back in 2001, he made a nasty short called Tooth Fairy. The short ultimately became the inspiration for 2003’s Darkness Falls, though Harris didn’t direct the adaptation. Jonathan Liebesman instead took on the tale of a spectral tooth collector. The short, which is hard to come by on home video, was reimagined as the opening (and for many, the best part) of Darkness Falls.


Rare Exports Inc. (Rare Exports)

short film

The Finnish fantasy-horror movie Rare Exports came to be after the commercial production company Woodpecker put out a 2003 short film directed and written by Jalmari Helander. The short was so popular, a sequel was put out two years later called Rare Exports Inc: The Official Safety Instructions. Helander intended to make a third short, but he was encouraged to pursue a movie instead. The biggest problem he found was how he would expand on the short. He eventually realized the best course was to follow the backstory he had conceived.


Season’s Greetings (Trick ‘r Treat)

The fan-favorite Halloween-themed anthology Trick ‘r Treat began as an animated short in 1996. Michael Dougherty created the clip Season’s Greetings at NYU’s Tisch School of the Arts Animation Department. And according to Dougherty, the short “was created using a twist on traditional animation methods, with each drawing painstakingly hand colored with markers then glued to clear animation cels and shot on 16mm film.” Cartoon Sushi fans may remember Season’s Greetings from its Halloween special.


They Live Inside Us

Originally a part of an anthology called The Witching Season, Michael Ballif’s segment They Live Inside Us was spun off into its own full-length movie. Successful crowdfunding financed the indie pic, which was primarily shot in Nephi, Utah. The short and movie share the same setup; a writer spends a chaotic Halloween night inside a supposedly haunted house (the Edwin Robert Booth House in real life). This wouldn’t be the first time a part of an anthology was fleshed out; Amateur Night from V/H/S was singled out and transformed into the 2016 movie Siren.


The Body

Originally a standalone short, Paul Fischer and Paul Davis’ The Body was met with acclaim when it was shown at various film fests in 2014. Davis originally wanted Mark Gatiss or Sean Harris for the lead role, the killer who hides in plain sight on Halloween, but the part finally went to Alfie Allen. And before the short was made into the premiere episode of Blumhouse’s telefilm series Into the Dark, it was spotted in the anthology movie Patient Seven.


Smile opens in theaters on September 30.

Paul Lê is a Texas-based, Tomato approved critic at Bloody Disgusting, Dread Central, and Tales from the Paulside.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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