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‘Texas Chainsaw Massacre III’ and 10 Horror Sequels Featuring Stars Before They Were Famous

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The third installment in the Texas Chainsaw Massacre franchise, Leatherface: The Texas Chainsaw Massacre III, is now available to stream on SCREAMBOX. The sequel was initially released in 1990 and marked the first entry in the franchise distributed by New Line Cinema in an attempt to turn it into a new series that harkened back to the original’s gritty horror roots.

Considering the events of The Texas Chainsaw Massacre 2, that also meant introducing a new cannibalistic clan to accompany the iconic Leatherface in the sequel. Leatherface follows a couple from California who run afoul of the Sawyer clan after a bizarre run-in with a hitchhiker at a Texas gas station. That hitchhiker, Tex, is played by The Lord of the Rings trilogy star and frequent David Cronenberg collaborator Viggo Mortensen. Mind you, The Texas Chainsaw Massacre III isn’t Mortensen’s first horror role – that distinction belongs to 1987’s Prison – but it gave the actor a lot more range to play with long before his breakthrough hits came along.

Leatherface: The Texas Chainsaw Massacre III is one of the more overt examples of horror’s frequent reliability in giving stars their early starts long before they find fame. Here are nine more examples of horror sequels that feature prominent stars in early roles.


Texas Chainsaw Massacre: The Next Generation – Matthew McConaughey and Renée Zellweger

The immediate follow-up to Leatherface featured another pair of rising stars hailing from Texas: McConaughey and Zellweger. Directed and penned by longtime franchise mainstay Kim Henkel, the fourth entry sees prom night derailed by Leatherface and his deranged family. At one corner of the metaphorical boxing ring is McConaughey’s maniacal Vilmer; Zellweger’s atypical final girl Jenny at the other end. Through camp and zany Leatherface clan antics, Henkel and crew ensure that it’s a sequel you won’t forget. 


Night of the Demons 2 – Christine Taylor

Long before establishing a solid reputation for comedy, actress Christine Taylor (Zoolander, The Wedding Singer) showed off her mean girl prowess in the underappreciated sequel Night of the Demons 2. Taylor plays Terri, one of the popular girls banned from the boarding school Halloween dance. The girls opt to relocate their party to Hull House, sparking a new wave of Angela-induced demonic terror. While it may not end well for Terri, Night of the Demons 2 marks Taylor’s early transition from TV to film.


Ghoulies III: Ghoulies Go to College – Matthew Lillard

Before characters Stu Macher and Shaggy put Lillard in the horror hall of fame, the actor appeared as college student Stork in the third Ghoulies installment. The pint-sized demons terrorize a college campus after being summoned by Professor Ragnar (Kevin McCarthy). Ghoulies III was directed by special makeup effects wizard John Carl Buechler (Hatchet, From Beyond), who aims for a more playful tone in this sequel.


Halloween: The Curse of Michael Myers – Paul Rudd

The sixth entry in this enduring franchise saw a fully grown Tommy Doyle team up with Dr. Loomis to uncover a sinister plot tied to Michael Myers. This iteration of the character lives across the street from the Myers home, living in constant paranoia of the Boogeyman’s return. Tommy also happens to be played by Ant-Man actor Paul Rudd, who filmed this sequel back-to-back with Clueless, his true breakout role.


Hellraiser IV: Bloodline – Adam Scott

Also known as the sequel set in space, Bloodline introduced the origins of the iconic Cenobite-summoning puzzle box. Actor Adam Scott appears as Jacques, the ambitious assistant to an aristocrat. Jacques opts to wield the box’s power and the demoness tied to it for personal gain and pleasure, putting him directly on the path to gruesome destruction. Long before charming audiences on “Parks and Rec” and “Party Down,” Bloodline showcases a different side to the actor.


Amityville 3D – Meg Ryan

One of Meg Ryan’s earliest roles, years before dominating the romantic comedy scene, was a small part in the 3D threequel in the Amityville franchise. Ryan plays Lisa, the best pal to Lori Loughlin’s Susan Baxter, a teen who runs afoul of the house shortly after the girls play with a Ouija in the Amityville house attic. What could go wrong? 


Grizzly II: Revenge – George Clooney, Laura Dern, Charlie Sheen

If you’re looking for a movie to pair with Cocaine Bear, it probably shouldn’t be this long-shelved sequel made in 1983 and officially released in 2020. The messy sequel features another rampaging bear and a slew of brief appearances by now-famous actors. That includes Charlie Sheen in his first credited feature role, along with Laura Dern and George Clooney. If we’re keeping score, Clooney also appeared in the horror spoof sequel Return of the Killer Tomatoes!


Critters 3 – Leonardo DiCaprio

‘Critters 3’ Behind the Scenes

A family unwittingly picks up Crite eggs at a rest stop, which hatch once they return home to their apartment building in this third Critters installment. The reigns have officially been handed over to town goof turned intergalactic bounty hunter Charlie (Don Keith Opper), who arrives in time to help the protagonists with their critter siege. That’s great news for young neighbor Josh, played by Leonardo DiCaprio in his first feature role. The early star appearances don’t stop there in this franchise; look for an early turn by Golden Globe winner Angela Bassett in Critters 4.


Children of the Corn V: Fields of Terror – Eva Mendes

If there’s a single horror franchise with a consistent knack for featuring stars well ahead of their breakthrough roles, it’s the Children of the Corn franchise. Children of the Corn III: Urban Harvest introduced Charlize Theron in an uncredited role as one of the cult kids, and Children of the Corn IV: The Gathering was led by Naomi Watts shortly after her role in Tank Girl. The fifth entry debuts Eva Mendez among the core group of teens trapped in Gatlin. 

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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