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Ghostface Glossary: A Guide to Every Horror Reference in ‘Scream 3’

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Scream 3 4K

Welcome to the Ghostface Glossary, a guide to every horror reference and nod throughout the first five films of the Scream franchise.

After a lot of pausing, rewinding, and zooming in, as well as researching, we’re catching all of the many horror-specific references Williamson, Craven, and Co. included in this beloved postmodern slasher franchise. If we’ve forgotten any glaring ones, kindly let us know.

This guide will exclude homages from previous Scream films and their respective sequels— we’re only looking at outside horror franchises and inspirations, because any red-blooded Ghostface fan is likely already aware of those. (Goes without saying that the beloved faux franchise ‘Stab’(s) 1-8 will also not be counted, since, even though our neon green ‘Stab’ t-shirts and mock VHS tapes feel very real, it’s still a very fake franchise). If we’ve forgotten any glaring ones, kindly let us know.

“Mother will protect you from the Boogeyman!”

Infamously rewritten and rushed due to Kevin Williamson’s other commitments and studio impatience– as well as the events of the Columbine High School tragedy of 1999– Scream 3 is the first film (and arguably only film) within the franchise to feel as if…it wasn’t written by a horror movie fan. With fewer and lesser-inspired horror trivia questions and innuendos, writer Ehren Krueger salvaged what he could of 3’s production troubles and, instead, focused on the rules of a movie trilogy and the darker side of Hollywood, in which Maureen Prescott had once been a wannabe starlet who was assaulted at the home of a horror filmmaker. It’s all relevant subject matter– but the film sorely lacks that horror-loving Kevin Williamson charm, and often contains the exact horror movie clichés its preceding films satirized. (Even the opening sequence with Cotton doesn’t really call back to much of anything horror-related.)

Regardless, here are the horror movie homages that we did get in Scream 3!


‘Christine’

Christine (1983): With no “What’s your favorite scary movie, Cotton?” in sight, we settle for this first reference in the opening sequence of Scream 3: Cotton’s girlfriend Christine, named after John Carpenter’s adaptation of our favorite killer Plymouth Fury movie.


The Shining (1980) and Funny Games (1997): Christine barreling through the door and swinging at Cotton with a golf club evokes Jack and Wendy energy in the Kubrick classic, as Wendy swings around a bat to defend herself against her husband in a matter similar to Christine in 3. In Michael Haneke’s Funny Games, the monsters in the form of a pair of young men take this golf-club-used-as-weapon trope to an insanely chilling level, in order to torture an innocent family. 


Halloween H20 (1998): When we first get a glimpse of Sidney’s whereabouts in 3, she’s living alone, in an isolated, gated area in Northern California, with her golden retriever and high-end security system. So is another final girl, Laurie Strode, twenty years after Samhain night in 1978, within fellow Dimension film H20. Additionally, producer John Milton’s mansion, featured in the third act, was also used as a set piece in H20


Roger Corman (director of The Little Shop of Horrors, Dementia 13, The Pit and the Pendulum, etc. etc.): “King of the B-Movies” Roger Corman makes an appearance on the set of ‘Stab 3.’ The list of horror movies that Corman has directed/produced/starred in/been associated with is endless. The ironic humor lies in his role of being an uptight studio exec that discourages Roman from violence in film. If you recall, he’s the producer of Dementia 13, in which Casey’s dragging body scene takes inspiration from in the first Scream


Psycho (1960), Psycho II (1983), and Psycho III (1986): When Sidney gets a dreamy visit from her dead mother during one of Scream 3’s hokiest scenes, the film recalls Norman’s interactions with Mother, especially in III. The scratches against Sidney’s window also have Salem’s Lot (1979) written all over it. 


Vertigo (1958): The laughably cringe Sarah Darling mixes up “Vertigo” with Psycho, when talking about the shower scene. Come on, even a rookie would know that one. 


‘The Silence of the Lambs’

The Silence of the Lambs (1991) and Se7en (1995): Detective Kincaid (who would later become the future Mr. Sidney Prescott) tells his partner that the killer’s habit of leaving a photograph at the scene of each body is very Hannibal Lecter-esque. And his and partner Wallace’s plight, he notes, is very reminiscent of Mills and Somerset, in Se7en


Wes Craven’s New Nightmare (1994): The Scooby Doo 3 gang receives a deadly fax of the ‘Stab 3’ script, a la Heather Langenkamp stumbling upon a script for the movie-within-the-movie in Craven’s first meta slasher classic.


Murders in the Rue Morgue (1932): Kincaid is apparently a big classic horror guy, as this movie poster can be seen inside his office walls.


A Nightmare on Elm Street 3: Dream Warriors (1987) and Alien 3 (1992): In the late Randy’s post-mortem video taped speech regarding the rules of movie trilogies, he warns that anyone can die, including the main character, like Nancy in Dream Warriors and Ripley in Alien 3. That means you, Sid. 


Psycho II again, (1983): When Sidney hears the “voice” of her mother Maureen calling her, we get another callback to the underrated Psycho follow-up, in which Norman believes he’s hearing Mother. Similar to II’s antagonist Lila Crane, Roman is also trying to mess with Sidney’s psyche with a fake version of her mother’s voice. Norman, Roman, and Sid = mommy issues.


‘Halloween’ (1978)

Halloween (1978): The fake voice of Sidney’s mother assures that she will protect her from “the Boogeyman.” Nobody in horror movie history encompasses the Boogeyman more than Myers. 


The Devil’s Advocate (1997): Producer John Milton, who worked with/had known Sidney’s mother during her brief stint in Hollywood and whose house Maureen was sexually assaulted in, is named after Al Pacino’s Satan character in The Devil’s Advocate


The Boy Who Cried Werewolf (1973) and Teen Wolf (1985): While Angelina and Tyson explore the Milton mansion, they notice a movie poster for the fake film ‘Weredad!’ 


Clue (1985): In attempts to escape Ghostface, the cast of ‘Stab 3’ and the rest of the gang discover secret passageways inside the Milton Mansion. 


Evil Dead 2 Halloweenies

‘Evil Dead 2’

Evil Dead II (1987): In fellow slapstick fashion to ED II, Ghostface chucks a knife at Dewey’s head, to which he catches the handle to his forehead and clumsily tumbles down the stairs.


Halloween II (1981): Roman revealing himself to be– surprise!– Sid’s murderous, abandoned brother, just like Laurie discovers with Mikey. But neither Roman or Michael ever manage to get the best of their sisters. 


Happy Birthday to Me (1980): The night of the party at Milton’s mansion is Roman’s 30th birthday. It’s Roman’s party, and he can kill if he wants to!


Basic Instinct (1992): Sidney defeats Roman with an icepick, exactly like Tatum said she could in the first movie.


Thanks to IMDb and the Zack Cherry YouTube channel for picking up a couple this writer had missed for this comprehensive guide. 

‘Scream 3’

Journalism/Communication Studies grad. A24 horror superfan- the weirder, the better. Hates when animals die in horror films.

Editorials

‘A Haunted House’ and the Death of the Horror Spoof Movie

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Due to a complex series of anthropological mishaps, the Wayans Brothers are a huge deal in Brazil. Around these parts, White Chicks is considered a national treasure by a lot of people, so it stands to reason that Brazilian audiences would continue to accompany the Wayans’ comedic output long after North America had stopped taking them seriously as comedic titans.

This is the only reason why I originally watched Michael Tiddes and Marlon Wayans’ 2013 horror spoof A Haunted House – appropriately known as “Paranormal Inactivity” in South America – despite having abandoned this kind of movie shortly after the excellent Scary Movie 3. However, to my complete and utter amazement, I found myself mostly enjoying this unhinged parody of Found Footage films almost as much as the iconic spoofs that spear-headed the genre during the 2000s. And with Paramount having recently announced a reboot of the Scary Movie franchise, I think this is the perfect time to revisit the divisive humor of A Haunted House and maybe figure out why this kind of film hasn’t been popular in a long time.

Before we had memes and internet personalities to make fun of movie tropes for free on the internet, parody movies had been entertaining audiences with meta-humor since the very dawn of cinema. And since the genre attracted large audiences without the need for a serious budget, it made sense for studios to encourage parodies of their own productions – which is precisely what happened with Miramax when they commissioned a parody of the Scream franchise, the original Scary Movie.

The unprecedented success of the spoof (especially overseas) led to a series of sequels, spin-offs and rip-offs that came along throughout the 2000s. While some of these were still quite funny (I have a soft spot for 2008’s Superhero Movie), they ended up flooding the market much like the Guitar Hero games that plagued video game stores during that same timeframe.

You could really confuse someone by editing this scene into Paranormal Activity.

Of course, that didn’t stop Tiddes and Marlon Wayans from wanting to make another spoof meant to lampoon a sub-genre that had been mostly overlooked by the Scary Movie series – namely the second wave of Found Footage films inspired by Paranormal Activity. Wayans actually had an easier time than usual funding the picture due to the project’s Found Footage presentation, with the format allowing for a lower budget without compromising box office appeal.

In the finished film, we’re presented with supposedly real footage recovered from the home of Malcom Johnson (Wayans). The recordings themselves depict a series of unexplainable events that begin to plague his home when Kisha Davis (Essence Atkins) decides to move in, with the couple slowly realizing that the difficulties of a shared life are no match for demonic shenanigans.

In practice, this means that viewers are subjected to a series of familiar scares subverted by wacky hijinks, with the flick featuring everything from a humorous recreation of the iconic fan-camera from Paranormal Activity 3 to bizarre dance numbers replacing Katy’s late-night trances from Oren Peli’s original movie.

Your enjoyment of these antics will obviously depend on how accepting you are of Wayans’ patented brand of crass comedy. From advanced potty humor to some exaggerated racial commentary – including a clever moment where Malcom actually attempts to move out of the titular haunted house because he’s not white enough to deal with the haunting – it’s not all that surprising that the flick wound up with a 10% rating on Rotten Tomatoes despite making a killing at the box office.

However, while this isn’t my preferred kind of humor, I think the inherent limitations of Found Footage ended up curtailing the usual excesses present in this kind of parody, with the filmmakers being forced to focus on character-based comedy and a smaller scale story. This is why I mostly appreciate the love-hate rapport between Kisha and Malcom even if it wouldn’t translate to a healthy relationship in real life.

Of course, the jokes themselves can also be pretty entertaining on their own, with cartoony gags like the ghost getting high with the protagonists (complete with smoke-filled invisible lungs) and a series of silly The Exorcist homages towards the end of the movie. The major issue here is that these legitimately funny and genre-specific jokes are often accompanied by repetitive attempts at low-brow humor that you could find in any other cheap comedy.

Not a good idea.

Not only are some of these painfully drawn out “jokes” incredibly unfunny, but they can also be remarkably offensive in some cases. There are some pretty insensitive allusions to sexual assault here, as well as a collection of secondary characters defined by negative racial stereotypes (even though I chuckled heartily when the Latina maid was revealed to have been faking her poor English the entire time).

Cinephiles often claim that increasingly sloppy writing led to audiences giving up on spoof movies, but the fact is that many of the more beloved examples of the genre contain some of the same issues as later films like A Haunted House – it’s just that we as an audience have (mostly) grown up and are now demanding more from our comedy. However, this isn’t the case everywhere, as – much like the Elves from Lord of the Rings – spoof movies never really died, they simply diminished.

A Haunted House made so much money that they immediately started working on a second one that released the following year (to even worse reviews), and the same team would later collaborate once again on yet another spoof, 50 Shades of Black. This kind of film clearly still exists and still makes a lot of money (especially here in Brazil), they just don’t have the same cultural impact that they used to in a pre-social-media-humor world.

At the end of the day, A Haunted House is no comedic masterpiece, failing to live up to the laugh-out-loud thrills of films like Scary Movie 3, but it’s also not the trainwreck that most critics made it out to be back in 2013. Comedy is extremely subjective, and while the raunchy humor behind this flick definitely isn’t for everyone, I still think that this satirical romp is mostly harmless fun that might entertain Found Footage fans that don’t take themselves too seriously.

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