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From Killer Condoms to Closet Monsters: Six Underrated Troma Movies!

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Frostbiter -Hidden gems on Tubi Super Bowl weekend
Pictured: 'Frostbiter: Wrath of the Wendigo'

Despite a handful of oddball classics like The Toxic Avenger and Tromeo & Juliet occasionally breaking into the mainstream, Troma films usually exist in a category all of their own. You simply can’t evaluate these movies using the same metrics as other forms of cinema because the goals of a Troma production are quite different from the film industry’s usual output. This unique quality is precisely what has kept the company going for so long, as no one else is offering what the Troma Team is making.

And with over half a century of independent production and distribution under their belt, it’s only natural that Troma has quite the expansive catalogue of less popular films that still deserve love from genre fans. With that in mind, we’ve decided to come up with a list celebrating six underrated Troma movies that are still worth revisiting!

For the purposes of this list, we’ll be including examples from both Troma’s original productions and their indie distribution fare. That being said, we’re aware that the studio has a lot more than just six underrated movies out there, so don’t forget to comment below with your own favorites if you think we missed a particularly memorable one.

With that out of the way, onto the list! And don’t miss Troma’s big return to the big screen with Macon Blair’s The Toxic Avenger only in theaters – and wildly UNRATED – on August 29!


6. Father’s Day (2011)

Collectively produced by Astron-6 (the same team behind modern classics like The Void and Psycho Goreman), Father’s Day is a gnarly revenge thriller satirizing exploitation flicks from the ’70s. While it was originally envisioned as an absurd short film about a man searching for the serial killer who assaulted and murdered his father, reception to the short was so positive that the team felt like they had no choice but to expand the concept into a feature.

And we’re glad they did, as the end result is one of the best neo-Grindhouse productions out there. In fact, the only reason the film ranks so low on this list is the fact that it’s technically only “underrated” due to it having been lost in distribution hell despite being well received by both critics and audiences back in 2011.


5. Killer Condom (1996)

Horror Queers Killer Condom

Most audiences will already know if they like Killer Condom or not based on the title alone. A German comic-book adaptation boasting deadpan humor and a surprising amount of social commentary, Martin Walz’s horror comedy (Kondom des Grauens in the original German) is far from your average Troma feature, but it still contains enough sex and violence to appease both fans of monstrous b-movies and absurdist comic strips.

This deeply unserious film follows an intrepid detective and a gigolo as they investigate a string of murders perpetrated by the titular monster, but what really makes it stand out is the fact that it was co-written by famed comic artist Ralf König. In fact, this was such a high-profile production that even Swiss artist H.R. Giger contributed to the monster’s design!


4. Monster in the Closet (1986)

Despite their reputation for schlock, Troma has launched the careers of many successful filmmakers and actors over the years.1986’s Monster in the Closet is a great example of this, as not only does this suggestive horror comedy feature the talents of veterans like John Carradine and Kevin Peter Hall, but it also boasts early appearances by both the late Paul Walker and The Black-Eyed Peas’ Stacy “Fergie” Ferguson!

Of course, it’s the wacky story and memorable creature design that make Monster in the Closet so memorable, with the thinly veiled gay allegory and over-the-top visual gags making this one of the most entertaining movies on this list if you can get past a few dated jokes and a general lack of budget.


3. Frostbiter: Wrath of the Wendigo (1995)

A passion project originally shot all the way back in 1988 on a meager budget of just $17,500, Tom Chaney’s Frostbiter: Wrath of the Wendigo was ultimately saved by Troma Pictures after an exceptionally long period of post-production. Personally, I’m glad that they did, because this micro-budget creature-feature is way more fun than it has any right to be.

Inspired by Sam Raimi’s Evil Dead films, Frostbiter follows the chaos that ensues when a couple of friends accidentally unleash the fearsome Wendigo during a hunting trip in Northern Michigan. And not only does this monster movie boast plenty of hilariously lo-fi practical effects, but it also features Ron Asheton of The Stooges in a minor role!


2. Combat Shock (1986)

Unlike the other films on this list, Buddy Giovinazzo’s Combat Shock is far from a comedic endeavor. It may be deeply absurd, with the script’s depressing hyper-reality often bordering on parody, but Giovinazzo’s unflinching look at life after wartime is so disturbing that the exaggerated moments feel more surreal than funny.

Telling the story of an unemployed Vietnam veteran attempting to survive the urban warzone of 1980s Staten Island, Combat Shock is often remembered as one of the most brutal anti-war films of the ’70s, though viewers often forget that it was made and distributed by the same company that spawned Toxie.


1. Cannibal! the Musical (1993)

Also known as Alferd Packard: The Musical in some territories, Trey Parker’s debut film happens to be my personal favorite entry on this list. Cannibal! is a satirical retelling of the true story of the infamous Colorado Cannibal and the tragic journey that resulted in five deaths, with Parker using history as a jumping off point in order to poke fun at both Westerns and American culture in general.

While the movie had its wide release a year before Parker and frequent collaborator Matt Stone (who co-produced the film and played the character of James Humphrey) became household names due to the success of South Park, Cannibal! features much of the same sharp humor and idiosyncratic storytelling – which is why I believe it’s a must-watch for fans of the show.


Troma returns to the big screen with The Toxic Avenger only in theaters on August 29!

GET YOUR TICKETS NOW.

Born Brazilian, raised Canadian, Luiz is a writer and filmmaker that spends most of his time thinking about movies.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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