Horror Editorials
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Stay Home, Watch Horror: 5 Slashers to Stream This Week
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Guillermo del Toro’s Ghoulish Early Short ‘Geometria’ Laid the Groundwork in Developing His Style
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Fridays Without Jason: The Beginning and the ‘New Beginning’ of ‘Friday the 13th’
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It’s Only a Movie… Or Is it? Five Horror Films People Thought Were Real
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Ordinary Fears: Stephen King’s Horror Anthology ‘Cat’s Eye’ at 35
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10 Years Later: ‘The Last Exorcism’ Provided an Effective Found Footage Take on Morality and Faith
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10 Great Modern Slasher Films You Might Have Missed
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Why ‘Man of Medan’ Doesn’t Understand the Genre It’s Playing In
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Horrors of Yesteryear: The Forgotten ‘The Haunted Mansion’ Video Game Deserves a Remake
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Summer of Fear: 24 New Horror Movies, TV Shows and Games Releasing in July 2020
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William Lustig’s ‘Maniac’ vs. Franck Khalfoun’s ‘Maniac’ [Revenge of the Remakes]
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‘Deep Rising’ Delivers Big Budget Aquatic Horror Entertainment [We Love ’90s Horror]
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Stay Home, Watch Horror: 5 Body Horror Movies to Stream This Week
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Hellfire Still Burns For ‘Diablo II’ 20 Years Later
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The 12 Best Genre Films Released in the First Half of 2020
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Excavating Queer Representation in ‘Tammy and the T-Rex’
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Tackling Fishmen and Cultists in Roguelike ‘Eldritch’ [What We Play in the Shadows]
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[Horror Queers] ‘Pitchfork’ Uses Queerness as a Bait-and-Switch, and That’s Not Okay
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How Horror Movies Parallel Being Black in America
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Director Bruce A. Evans Details the Two ‘Mr. Brooks’ Sequels That Never Happened [Phantom Limbs]
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Stay Home, Watch Horror: 5 Ultra-Gory Horror Films to Stream This Week
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Horror Anthology ‘Necronomicon’ Gives You Gonzo Lovecraft At Its Best [We Love ’90s Horror]
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Things of the Past: The 14 Best Horror Movies of 1984!
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‘Crawl’ and the Apex Bond Between Daughter and Father [Father’s Day]