Editorials
Stay Home, Watch Horror: 5 Remakes to Stream This Week
Horror remakes often get a bad rap. For fans, nothing draws ire as fast as a remake announcement of a highly regarded original. In other words, there’s immense pressure for any filmmaker attempting to approach a beloved property with their own vision.
But while there have been plenty of maligned horror remakes over the years, there’s also been a significant number of fantastic movies that reworked genre favorites. Some of which even managed to eclipse the original, like 1986’s The Fly or 1982’s The Thing. Whether bad or good, a new take on a film doesn’t erase the pre-existing movie and often offers the discovery of the original for modern audiences.
These five horror movies showcase what successful remakes do well; they honor the source material while developing their own identity to set themselves apart.
All of these, as always, are available to stream right now.
Blood Diner – Hulu
Might as well kick this week’s picks off with a movie that bends the rules of what defines a remake. Technically, Blood Diner was initially intended to act as a sequel to Herschell Gordon Lewis’s Blood Feast before becoming a standalone film. That change resulted in a zany ’80s horror-comedy that remakes the splatter classic; at its core, the premise is essentially the same. Directed by Jackie Kong, Blood Diner follows two brothers tasked by their dead serial killer uncle to continue his attempts to resurrect the goddess Sheetar. They do this by using their diner to host ritualistic feasts and lure women from which they harvest body parts. A pair of detectives struggle to keep up with the carnage. The original played it straight, while Kong dials up the ’80s excess for maximum gonzo laughs.
The Crazies – Pluto TV, Prime Video, Tubi
This update to George A. Romero’s 1973 goes heavy on the suspense and dread. Set in small-town Iowa, residents start turning inexplicably violent. One crashes a baseball game with a shotgun, another sets his house on fire with his family locked inside, and former friends turn on each other with the intent to kill. Sheriff David Dutton (Timothy Olyphant), his deputy Russell (Joe Anderson), David’s wife, Judy (Radha Mitchell), and her assistant, Becca (Danielle Panabaker), band together to survive against the onslaught of crazed citizens and the military that’s arrived to snuff out the outbreak. It’s a harrowing race to escape for the foursome, dodging armed forces and infected alike. That it’s an outbreak movie means that it might hit a little too close to home these days. Still, it’s a solid, intense remake that too often gets overlooked.
Invasion of the Body Snatchers – Prime Video
This update of the 1956 sci-fi film, Invasion of the Body Snatchers is regarded as one of the best remakes. For good reason. Strange pods land on Earth, grow, and invade San Francisco. They take over humans while they’re asleep, creating emotionless duplicates to take over the world. It’s a story that should feel quite familiar at this point, considering it’s been remade so many times, but it’s hard to shake the imagery from this version. The botched duplicate that spliced a man’s face over a dog’s body, the horrific scream of the mindless copycats to alert the alien hive, and the eerie reveal of the pod’s body takeover all contribute to an unnerving invasion flick. The cast is stacked here, too; Donald Sutherland, Brooke Adams, Veronica Cartwright, Art Hindle, Leonard Nimoy, and Jeff Goldblum star.
Nosferatu the Vampyre – Prime Video, Tubi
Silent film Nosferatu famously bypassed a lack of permission to adapt Bram Stoker’s Dracula by changing specific vital details. Dracula became Count Orlock and was given a monstrous makeover. Considering it’s the best film to hail from Germany, it’s fitting that Werner Herzog wrote and directed a remake. Only this time, the copyright to Dracula had entered the public domain. While visually paying homage to F.W. Murnau’s film, Herzog reverted his characters to Stoker’s original. Klaus Kinski makes a compelling monster in Count Dracula, and Isabelle Adjani’s Lucy Harker is equally fantastic. A lush visual spectacle that hones in on Dracula’s loneliness and isolation, with a moving score, too. For those that like a heaping of moody pathos in their horror, this is a must.
We Are What We Are – Pluto TV, Prime Video, Shudder, Tubi, Vudu
From the director of Stake Land, Jim Mickle, and co-written with its star Nick Damici, this remake tackles the 2010 Mexican film. It follows the reclusive Parker family, a religious bunch that follows ancient customs, including ritual fasting and feasting. Their mother’s unexpected death forces Iris (Ambyr Childers) and Rose (Julia Garner) to assume responsibilities no normal has to endure. A slow build of unsettling horrors, this remake gives a unique approach to cannibalism. It also stars Bill Sage, Wyatt Russell, Kelly McGillis, and Michael Parks. Parks’ performance as a man suspicious of the family after his daughter’s disappearance would be worth the watch alone, but the grisly climax more than pays off the meditative depiction of religious fervor.
Horror was permanently changed in 1984 when Wes Craven’s A Nightmare on Elm Street unleashed Freddy Krueger on the world. This brutal boogeyman pushed horror to exciting new places, but so much of the character’s impact is the result of Robert Englund’s quintessential performance.
Englund has a long and storied career as a performer that’s covered far more than horror alone. However, there’s such a sublime, sinister synergy between Englund and this heightened genre that’s made him one of horror’s most revered names.
Englund is set to scare audiences again as a malevolent reimagining of Jiminy Cricket in Pinocchio Unstrung, but he’s also been responsible for many more macabre monsters.
The Cricket (Pinocchio Unstrung)
Winnie the Pooh: Blood and Honey has somehow spun a morbid experiment in public domain exploitation into its own cinematic universe, the Twisted Childhood Universe. There’s been increasing promise in the TCU’s various films, which has also led to a growing list of capable horror guest stars, such as Roger L. Jackson, Richard Brake, and now Robert Englund. Englund is by far the most impressive name to attach himself to one of these movies, and Pinocchio Unstrung certainly doesn’t squander the opportunity to have him on board as its terrifying take on Jiminy Cricket. Englund’s performance as “The Cricket” in Pinocchio Unstrung becomes a sinister subversion of the classic character who is meant to function as Pinocchio’s conscience and moral compass.
Englund’s Cricket is instead the ultimate instigator who perpetually pushes Pinocchio into greater violence that condemns humanity and its many misgivings, rather than idolizing all the “real boys” in the world. Pinocchio Unstrung is a love letter to practical effects and old-fashioned animatronics and puppetry. This means that Englund just provides the voice for Cricket, but it’s still a deeply sinister performance and one of the most unnerving characters to appear in the Twisted Childhood Universe. Once again, Englund is careful not to just repurpose his Freddy Krueger persona, and he instead develops an original voice that plays into past renditions of the character. There’s a palpable rage and disdain in Englund’s Cricket that turns him into a threatening loose cannon and makes the audience forget that he’s only a few inches tall.
The Phantom of the Opera (The Phantom of the Opera)
The Phantom of the Opera is a foundational horror story that’s still being explored over a century later. 1989’s cinematic adaptation of Gaston Leroux’s 1910 classic doesn’t always get the respect that it deserves, despite it containing one of Englund’s most nuanced horror performances. Directed by Dwight H. Little, who previously helmed the underrated Halloween 4, The Phantom of the Opera operates as a gorier take on Leroux’s source material that feels like a lost Hammer Film picture. The titular Phantom is the perfect role for Englund following A Nightmare on Elm Street, and his participation in the picture was initiated by Englund promising his agent that he’d do another horror project after Elm Street’s success.
Englund was excited to tackle an iconic character who had previously been portrayed by formative horror legends like Herbert Lom, Claude Rains, and Lon Chaney. Englund beautifully fits the mold and is sublime casting for this ‘80s take on the character. Englund taps into a powerful dichotomy between the Phantom’s brutal and tragically sympathetic nature. It’s a role that’s significantly deeper than Freddy Krueger and better explores Englund’s range as an actor, which helps get him away from cheesy one-liners. It also doesn’t hurt that Little concocts a uniquely twisted take on the Phantom’s disfigurement, which was achieved by sewing human skin onto Englund’s face. The modern-day sequences that bookend the film were meant to tie into a planned sequel, The Phantom of the Opera 2: Terror in Manhattan, which unfortunately never came to fruition.
Victor Creel (Stranger Things)
Love it or hate it, Stranger Things assembled some impressive guest stars that took advantage of their respective legacies as ‘80s genre legends, such as Linda Hamilton, Matthew Modine, Cary Elwes, and Robert Englund. Englund’s turn as Victor Creel in the streaming hit’s fourth season is one of the series’ best performances and a role that rises above the mediocrity around it. Victor Creel is an opportunity for Englund to actually subvert expectations and play against type. It’s brilliant casting that initially conditions the audience to be wary of Creel and view him as a frightening threat. This perception is reinforced when Creel is encountered in a psychiatric ward and horrifically blinded.
Creel’s disturbing eye-gouged appearance is revealed to actually be a symptom of his tragic life and the psychological torment he received from Vecna. Creel is hard to look at, but there’s nothing to fear about him. He’s led a sad life that’s filled with inescapable guilt. He’s more like one of Freddy Krueger’s victims than Freddy himself. Englund goes above and beyond as Victor Creel, and the emotional monologues that he delivers are among some of the actor’s best work and proof that Englund’s still got it.
Marquis de Sade (Night Terrors)
Tobe Hooper’s Night Terrors is a particularly forgettable ’90s horror film that faced a litany of production problems and changes that certainly didn’t do it any favors. The story is a mess, even for a Cannon Video production, but it provides the novelty of Englund pulling double duty as the cruel Marquis de Sade and his modern day descendant, Paul Chevalier. Night Terrors banked on the novelty of Hooper directing Englund as one of history’s greatest monsters, and his performance is easily the best thing about this movie.
There’s an unabashed glee to Englund’s work as the Marquis de Sade that’s reminiscent of Freddy Krueger’s twisted jubilation over his creative murders, yet it doesn’t just feel like a carbon copy of Englund’s iconic role. There’s an appreciated degree of restraint going on before the film goes off the rails and incorporates supernatural elements and abstract dream sequences. Chevalier and his modern cult worship the Marquis de Sade as a deity of torture and liberation. The nightmare sequences that involve the Marquis de Sade are the most chilling and make this figure look as frightening on the outside as he is on the inside. There’s enough to latch onto here, even if the film as a whole is a mess, and Englund doesn’t squander the opportunity to play two sides of the same creepy coin.
Scarecrow (Injustice 2)
Robert Englund is no stranger to voiceover work, and he’s voiced his share of macabre and memorable characters over the years. That being said, one of his most inspired roles is the work that he did in NetherRealm’s dark DC Comics-based fighter, Injustice 2, where he plays Jonathan Crane, better known as the Scarecrow. There’s a certain tongue-in-cheek brilliance to having Englund voicing the Batman rogue who is the self-appointed “Master of Fear.” There’s certainly a meta quality to Englund’s casting here, right down to how some of his dialogue explicitly references Freddy Krueger one-liners like “Welcome to your nightmare” and “Now I’m playing with power.”
Englund doesn’t just phone in this performance or replicate his work as Freddy. The actor cultivates a unique voice for Scarecrow that cuts to the core of this character in a menacing manner. Englund’s Scarecrow is raspy, erratic, and honestly one of the better takes on Dr. Crane. It makes one wonder what he’d be able to accomplish if he were playing the part in live-action. He takes a simple role and breathes fresh life into it. Curiously, it’s not his first time playing a Batman villain. He does comparably interesting work as The Riddler in The Batman and the more obscure sorcerer, Felix Faust, in Justice League.
Evil Bloodthirsty Brian (The Hughleys)
There’s a surprising relationship between horror icons and sitcoms, with Robert Englund being no stranger to adding a devious dose of terror to a farcical comedy. Englund shows up as a playful take on Lucifer in Married…with Children, but he also provides a genuinely chilling performance in the first season of The Hughleys. Season one’s “Storm O’ the Century” is centered around the Hughleys and Rogerses getting stranded at a seemingly haunted hotel during an intense blizzard.
“Storm O’ the Century” functions as a proper love letter to horror fans, with genre guest stars that include The Addams Family’s John Astin, The Shining’s Shelley Duvall, and Robert Englund as the comically-named Evil Bloodthirsty Brian. The episode certainly prioritizes its comedy, but it manages to also be legitimately creepy thanks to a locked-in performance by Englund. He’s used sparingly, but always to punctuate a particular scene and function as a jump scare. Evil Bloodthirsty Brian sports a ghastly scar and has a look that’s just frightening enough to be included on a ’90s sitcom. Anyone who is curious about Englund’s performance can check it out for free on Tubi.
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