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Stay Home, Watch Horror: 5 Remakes to Stream This Week

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Horror remakes often get a bad rap. For fans, nothing draws ire as fast as a remake announcement of a highly regarded original. In other words, there’s immense pressure for any filmmaker attempting to approach a beloved property with their own vision.

But while there have been plenty of maligned horror remakes over the years, there’s also been a significant number of fantastic movies that reworked genre favorites. Some of which even managed to eclipse the original, like 1986’s The Fly or 1982’s The Thing. Whether bad or good, a new take on a film doesn’t erase the pre-existing movie and often offers the discovery of the original for modern audiences.

These five horror movies showcase what successful remakes do well; they honor the source material while developing their own identity to set themselves apart.

All of these, as always, are available to stream right now.


Blood Diner – Hulu

Might as well kick this week’s picks off with a movie that bends the rules of what defines a remake. Technically, Blood Diner was initially intended to act as a sequel to Herschell Gordon Lewis’s Blood Feast before becoming a standalone film. That change resulted in a zany ’80s horror-comedy that remakes the splatter classic; at its core, the premise is essentially the same. Directed by Jackie Kong, Blood Diner follows two brothers tasked by their dead serial killer uncle to continue his attempts to resurrect the goddess Sheetar. They do this by using their diner to host ritualistic feasts and lure women from which they harvest body parts. A pair of detectives struggle to keep up with the carnage. The original played it straight, while Kong dials up the ’80s excess for maximum gonzo laughs.


The Crazies – Pluto TV, Prime Video, Tubi

This update to George A. Romero’s 1973 goes heavy on the suspense and dread. Set in small-town Iowa, residents start turning inexplicably violent. One crashes a baseball game with a shotgun, another sets his house on fire with his family locked inside, and former friends turn on each other with the intent to kill. Sheriff David Dutton (Timothy Olyphant), his deputy Russell (Joe Anderson), David’s wife, Judy (Radha Mitchell), and her assistant, Becca (Danielle Panabaker), band together to survive against the onslaught of crazed citizens and the military that’s arrived to snuff out the outbreak. It’s a harrowing race to escape for the foursome, dodging armed forces and infected alike. That it’s an outbreak movie means that it might hit a little too close to home these days. Still, it’s a solid, intense remake that too often gets overlooked.


Invasion of the Body Snatchers – Prime Video

100 Best Horror Movies

This update of the 1956 sci-fi film, Invasion of the Body Snatchers is regarded as one of the best remakes. For good reason. Strange pods land on Earth, grow, and invade San Francisco. They take over humans while they’re asleep, creating emotionless duplicates to take over the world. It’s a story that should feel quite familiar at this point, considering it’s been remade so many times, but it’s hard to shake the imagery from this version. The botched duplicate that spliced a man’s face over a dog’s body, the horrific scream of the mindless copycats to alert the alien hive, and the eerie reveal of the pod’s body takeover all contribute to an unnerving invasion flick. The cast is stacked here, too; Donald Sutherland, Brooke Adams, Veronica Cartwright, Art Hindle, Leonard Nimoy, and Jeff Goldblum star.


Nosferatu the Vampyre – Prime Video, Tubi

Silent film Nosferatu famously bypassed a lack of permission to adapt Bram Stoker’s Dracula by changing specific vital details. Dracula became Count Orlock and was given a monstrous makeover. Considering it’s the best film to hail from Germany, it’s fitting that Werner Herzog wrote and directed a remake. Only this time, the copyright to Dracula had entered the public domain. While visually paying homage to F.W. Murnau’s film, Herzog reverted his characters to Stoker’s original. Klaus Kinski makes a compelling monster in Count Dracula, and Isabelle Adjani’s Lucy Harker is equally fantastic. A lush visual spectacle that hones in on Dracula’s loneliness and isolation, with a moving score, too. For those that like a heaping of moody pathos in their horror, this is a must.


We Are What We Are – Pluto TV, Prime Video, Shudder, Tubi, Vudu

From the director of Stake Land, Jim Mickle, and co-written with its star Nick Damici, this remake tackles the 2010 Mexican film. It follows the reclusive Parker family, a religious bunch that follows ancient customs, including ritual fasting and feasting. Their mother’s unexpected death forces Iris (Ambyr Childers) and Rose (Julia Garner) to assume responsibilities no normal has to endure. A slow build of unsettling horrors, this remake gives a unique approach to cannibalism. It also stars Bill Sage, Wyatt Russell, Kelly McGillis, and Michael Parks. Parks’ performance as a man suspicious of the family after his daughter’s disappearance would be worth the watch alone, but the grisly climax more than pays off the meditative depiction of religious fervor.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Editorials

‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom

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Beacon Theatre's The Vampire Lestat Marquee The Vampire Lestat Concert

There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.

The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.

The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.

It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

The Vampire Lestat Rolling Stone Cover

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.

It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim. 

Before the concert started,LeStanswere sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.

To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans,You are the heartbeat of the series.That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.

This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.

The Vampire Lestat's Sam Reid as Lestat at Beacon Theatre.

For most series, a rocknroll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.

The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?

It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.

Now bring on the encore and get this show on the road!

 

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