Horror Editorials
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The Weird, Wild West: 10 Great Horror Westerns
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The Weeping Woman: The Folklore and Pop Culture Influence of La Llorona
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[It Came From the ‘80s] How Actors and Effects Made a Killer Doll a Horror Icon in ‘Child’s Play’
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Demons, Swords and Sons: A Brief Look Into the ‘Devil May Cry’ Series’ Story
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High-Rise Horror: Examining the ‘Halloween II’ That Never Was
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The “D Trilogy” Was Weird, Wild, and Truly One-of-a-Kind
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[Butcher Block] S. Craig Zahler-penned ‘Asylum Blackout’ Offers Exploitation Savagery
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“I’m Hell’s Messenger.”: ‘The Chronicles of Riddick: Assault on Dark Athena’ Ten Years On
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[Editorial] The Musicality of Rob Zombie’s Films, From ‘House of 1000 Corpses’ to ’31’
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Flight and Fright: Richard Matheson’s “Nightmare at 20,000 Feet” and Its Many Adaptations
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[Set Visit] ‘Annabelle Comes Home’ Unleashes New Demons and an Unexpected Horror Heroine
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‘Annabelle Comes Home’ Introduces the New Murderous Entity “The Bride”
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A Queen of Ice and Fire: Celebrating the Many Characters of Lena Headey
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From ‘Maniac Cop’ to ‘The Stuff’: 10 Must-Watch Films from the Late Larry Cohen
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[We Love ’90s Horror] ‘Idle Hands’ Is a Playfully Devilish Little Horror Comedy
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[Anime Horrors]: The Craft Of Subverting a Genre in ‘Puella Magi Madoka Magica’
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Hideous, Hungry and Loose: A Brief History of ‘Castle Freak’
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What You Need to Know About Folk Horror Before You See Ari Aster’s ‘Midsommar’
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[It Came From the ’80s] Carnies Get Monstrous in Tobe Hooper’s ‘The Funhouse’
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[TV Terrors] Remember the 2002 Revival of “The Twilight Zone”?
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Now’s the Perfect Time to Revisit Kölsch and Widmyer’s Gruesome ‘Starry Eyes’
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The Dying Art of the Horror Movie Title Sequence
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Pushing the Envelope of Taste: The Making of ‘Postal 2’
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Why Lydia Deetz from ‘Beetlejuice’ is Forever My Goth Girl Hero