Horror Editorials
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The Best Horror Movies on Netflix to Stream Right Now (August 2024)
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5 Deep Cut Horror Movies to Seek Out in August 2024
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How ‘Batman: Caped Crusader’ Is More EC Comics Than DC Comics
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From ‘The Faculty’ to ‘Trap’: Looking at Josh Hartnett’s Career in Horror
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Killer Instincts: The Innovation and Influence of Fritz Lang’s ‘M’
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Seeking Pizza at the End of the World: How ‘A Quiet Place: Day One’ Brings Hope to the Apocalypse
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Stallone vs. The Night Slasher: ‘Cobra’ Is a Quintessential Slice of 1980s Action-Thriller Schlock
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When You See It: 6 of the Freakiest Hidden Scares in Horror Movies
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‘Disturbing Behavior’ – Revisiting the Teen Horror Movie 26 Years Later
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‘Slay’ – The Importance of Drag As Expression in Tubi’s New Original
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‘Take Shelter’ – Michael Shannon, the End Times and the Horrors of Mental Illness
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Looking Back on the Stop-Motion Nightmare of 1986’s ‘The Pied Piper’
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Diving into the Musical Madness of 1983’s Rock Opera ‘Rock & Rule’
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Painting Faces: The ‘X’ Trilogy and Its Reverence for Makeup
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Forgotten Warrior: ‘Darkstalkers’ Still Endures for Many Fans of Capcom Fighters
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‘Kidan: Piece of Darkness’ – This Collaborative J-Horror Anthology Includes ‘Noroi: The Curse’ Director
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Celebrating 6 of the Scariest Stop-Motion Effects in Horror
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‘Amityville Frankenstein’ Isn’t Worth Reanimating [The Amityville IP]
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Remembering That Time Nicolas Cage Battled Satanists in ‘Drive Angry’
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‘I Know What You Did Last Summer’ – The Original Novel Was a Very Different Horror Story
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Daughters, Monsters, and Not So Nice Girls: Mia Goth in the ‘X’ Trilogy
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5 Deep Cut Horror Movies to Seek Out in July 2024
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‘How to Make a Monster’: The 1950s Original and the 2001 Update [Revenge of the Remakes]
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Six Horror Families to Visit Ahead of ‘The Vourdalak’