Horror Editorials
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5 Deep Cut Horror Movies to Seek Out in July 2024
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‘How to Make a Monster’: The 1950s Original and the 2001 Update [Revenge of the Remakes]
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Six Horror Families to Visit Ahead of ‘The Vourdalak’
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The 10 Best Horror Movies Released in the First Half of 2024
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A New Dimension of Terror: 6 Underrated Horror Movies Shot in 3D
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‘My Babysitter’s a Vampire’ – The Immortal Appeal of Disney Channel’s Horror Comedy
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Swimming with Monsters: Why We Still Love ‘Creature from the Black Lagoon’
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‘Exploited’ – A Queer and Erotic Giallo for the Digital Age
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Building a Better Sequel With ‘Winnie the Pooh: Blood and Honey 2’
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‘Amityville Death Toilet’ Flushes the “Franchise” Even Further Down the Toilet [The Amityville IP]
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‘B&B’ – This Culture Clash Thriller from 2017 Offers Hitchcockian Suspense
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‘Dogtooth’: The Absurdist Family Drama and Blueprint of Yorgos Lanthimos’ Career
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6 Other Public Domain Characters That Deserve Horror Movies
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‘Jaws 2’ – Diving into the Underrated Sequel’s Very Different Novelization
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Is ‘Amityville Ride-Share’ Secretly Self-Aware? [The Amityville IP]
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‘Predator’ Gave Us Not One But TWO Epic Monster Reveals
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6 Maritime Horror Films for Fans of the ‘Dredge’ Video Game
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‘The Strangers: Chapter 1’ – Why It Gives Us Hope for the Trilogy’s Future
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How ‘Downpour’ and ‘Shattered Memories’ Prove There’s Still Hope for ‘Silent Hill’
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Isolated Horrors: Appreciating the 2012 Horror Movie ‘ATM’
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It’s the Little Things: An Appreciation of the Miniatures in ‘Escape from New York’
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What Will It Take for the ‘Until Dawn’ Movie to Match the Success of the Game?
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7 New Horror Movies Releasing This Week Including Netflix Shark Movie ‘Under Paris’
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How ‘In a Violent Nature’ Twists and Reverses the Slasher Formula