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ATREYU Singer Alex Varkatzas Shares His Favorite Horror Flicks

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14 years ago

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Atreyu’s always paid homage to the horror genre. Take the cover of their 2004 breakthrough album, The Curse. It featured a super hot, scantily clad vampire chick, instantly giving the album a pronounced darkness. Infectious cuts like “Bleeding Mascara” and “Right Side of the Bed” didn’t hurt their case either. Also, the fact that the SoCal metalcore quintet named itself after a character from The Neverending Story is pretty scary in and of itself…

1. Halloween

Number one is going to be John Carpenter’s Halloween. I think it’s rad how Michael Myers never runs and the film is not that gory; it’s just intense. Michael is always there. You can’t get away from him! The music was super creepy. On the DVD’s behind-the-scenes feature, they said the movie actually didn’t get picked up until they added the special piano track to it that John Carpenter wrote. Once he wrote that, the film got distribution. It’s cool because it was an independent movie that became huge. This is definitely my number one horror film!

Read on for the rest of the list! 2. Friday the 13th

You can’t go wrong with Friday the 13th. If you think about the original Friday the 13th, you don’t even fucking see Jason! He’s not in the series until the second film. The original Friday the 13th is also cool because Kevin Bacon gets killed.

3. The Ring

The one with Naomi Watts—not the Japanese one! It’s just fucking creepy. I tried to watch it with this girl once in the summer, and I just had to kick her out, turn it off and go to bed [Laughs].

4. The Lost Boys

It’s just punk rock vampires versus Corey Haim and Corey Feldman. It doesn’t get any better than that. It’s a one-of-a-kind movie! I thought they were going to do a remake or something, but I don’t think it can properly happen. You can’t get Corey Haim and Corey Feldman back [Laughs].

5. The Hills Have Eyes

That is a fucking disturbing, disturbing, disturbing movie! It’s gross [Laughs].

By: Rick Florino (www.bookofdolor.com)

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Music

John Carpenter’s New Album ‘Lost Themes IV: Noir’ NOW AVAILABLE!

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1 hour ago

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May 3, 2024

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John Carpenter, Daniel Davies and Cody Carpenter are back with Lost Themes IV: Noir, a brand new album from Sacred Bones Records that was released today, May 3.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

The new ten song collection was loosely inspired by the noir genre and marks new territory for John Carpenter and his cohorts, imbibing their trademark synth hooks and pulsing drum machine with propulsive post punk basslines and smoldering guitar solos.

Here’s the full Lost Themes IV: Noir track list:

  1. My Name is Death (video below)
  2. Machine Fear
  3. Last Rites
  4.  The Burning Door
  5. He Walks By Night (video below)
  6. Beyond The Gallows
  7. Kiss The Blood Off My Fingers
  8. Guillotine
  9. The Demon’s Shadow
  10. Shadows Have A Thousand Eyes

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can listen to Lost Themes IV: Noir right now!

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