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Bella Thorne Can See Ghosts In ‘I Still See You’ [Trailer]
After appearing in “Scream” it appeared that Bella Thorne was going to make a huge impact in the horror genre, only nearly every genre film she stars in has been released limited/direct-to-VOD. The bad luck has strung together from Keep Watching to The Babysitter and even Amityville: The Awakening, with her latest, I Still See You, also getting the dump. The film, which looks like a riff on “The Leftovers”, only with ghosts, gets a limited theatrical run alongside VOD on October 12, 2018.
Described as a “spellbinding and romantic supernatural thriller,” the film takes place, “Ten years after an apocalyptic event left the world haunted by ghosts, Roni (Thorne) receives a threatening message from beyond the grave. Joining forces with a mysterious classmate, Kirk, Roni descends into a shadow world that blurs the bounds of the living and the dead—and begins a desperate race against time to stop a cunning killer.”
Here’s the official trailer.
One of contemporary horror’s best werewolf movies is 2017’s Good Manners, and it’s finally set to receive a proper physical media release.
Icarus Films is partnering with OCN Distribution to unleash a new Blu-ray that’s now available to preorder via Vinegar Syndrome. and with a limited edition slipcover.
Set in São Paulo, the film follows Clara, a lonely nurse from the outskirts of the city who is hired by mysterious and wealthy Ana to be the nanny of her soon to be born child. Against all odds, the two women develop a strong bond. But a fateful night marked by a full moon changes their plans.
Good Manners is the second collaboration between filmmakers Juliana Rojas and Marco Dutra, who write and direct. Zama’s Rui Poças‘ cinematography captures this unique werewolf tale described as “Disney meets Jacques Tourneur.”
Our own Trace Thurman wrote in his review, “With Good Manners, Rojas and Dutro have made one of the best werewolf movies ever made. That they are able juggle commentaries on racism and classism while still managing to tell two deeply affecting love stories is remarkable.”
BONUS FEATURES:
- Commentary from film critics Shelagh Rowan-Legg and Carolyn Mauricette
- 12-page booklet with an essay by film critic Nicolas Pedrero-Setzer
- Making-of short film: The Making of a Werewolf (2 mins)
- Two additional short films from the filmmakers: A STEM (15 mins), directed by Juliana Rojas & Marco Dutras, and DOPPELGANGER (24 mins), directed by Juliana Rojas
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