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The Brooklyn Horror Film Festival Announces Awards and Highlights from the Second Annual Edition

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From the press release: The Brooklyn Horror Film Festival is thrilled to announce our 2017 award winners following the close of another successful year bringing the best in horror to NYC’s coolest borough. The second edition of the festival closed with a sold-out screening of Elizabeth E. Schuch’s THE BOOK OF BIRDIE at the Wythe Hotel Cinema in Greenpoint. “The rate of expansion for our second year was phenomenal,” said festival director Justin Timms. “We welcomed five times more attendees than last year and were honored to host numerous feature filmmakers, cast and crew from around the globe.”

With over 2500 spectators, 40 screenings across 10 venues, a VR & art exhibition, and three unique events integrated into the program, BHFF has firmly established itself as a valued genre event on the international scale. This year, the festival featured screenings sponsored by Birth.Movies.Death; IFC Midnight; Quickframe, who backed our sold-out local program; and El Buho Mezcal, who helped the festival realize its first “Fear in Focus” sidebar, with an important spotlight on Mexican horror. Additionally, BHFF was proud to screen two films from Shudder for our Centerpiece program, and was thrilled to present films and events at both the Downtown Brooklyn Alamo Drafthouse and Williamsburg’s Nitehawk Cinema for the very first time.The Brooklyn Horror Film Fest was thrilled to screen the World Premiere of locally-made GET MY GUN by Brian Darwas, as well as six North American Premieres, six East Coast Premieres, six New York Premieres, and two U.S. Premieres from a program that consisted of shorts and features from 15 countries.

This year’s special event highlights included Drunk Ed: Final Girls, where New York female film critics took the stage to (drunkenly) debate which Final Girl reigns supreme; and the Midnight Drunken Ghost Tour, hosted by the BK Paranormal Society. Priding ourselves on our consideration of the local community, we were thrilled to be able to showcase these Brooklyn-based community-driven institutions and champion their organizations to our audiences. But not every event at this year’s BHFF had to be boozy, as Samm Deighan demonstrated with her informative and entertaining tie-in presentation with the NY book launch of Spectacular Optical’s Lost Girls: The Phantasmagorical Cinema of Jean Rollin and special screening of Rollin’s THE SHIVER OF THE VAMPIRES, newly restored by Kino Lorber.

Film guests were in abundance in our second edition, coming to Brooklyn to proudly present their films to our eager audiences, and staying to partake in the festival’s energy. Director Can Evrenol attended our opening night screening of HOUSEWIFE while leading actress Ilirida Memedovski came to present THE BOOK OF BIRDIE, both celebrating the first time these films have been shown in North America. Additional film guests include Graham Skipper, director of SEQUENCE BREAK and esteemed member of our shorts jury; celebrated genre director Joe Lynch for an action-packed screening of MAYHEM; director Tyler MacIntyre and producer (ex-New York Jet!) Kerry Rhodes, who ‘tagged themselves’ in TRAGEDY GIRLS at Nitehawk; last year’s closing night director Erlingur Óttar Thoroddsen returning with festival hit RIFT; Tyler Savage sharing his impressive debut INHERITANCE; Brian Darwas and Jennifer Carchietta for the exciting world premiere of NY-made GET MY GUN; writer Diego Fleischer and mesmerizing actress Cecilia Cartasegna of the haunting CLEMENTINA; segment director Sergio Tello with the wild horror anthology MEXICO BARBARO II; and 8mm found-footage 1974 director Victor Dryere.

FEATURES AWARDS

This year’s feature jury consisted of Ashlee Blackwell, founder and writer at Graveyard Shift Sisters, and Joshua Rothkopf, Global Deputy Film Editor and Senior Film Critic at Time Out New York, and member of the faculty at NYU’s School of Continuing and Professional Studies.

Twenty films were in competition, and our jury awarded honors in nine categories, with Best Picture being presented to Tyler MacIntyre’s internet-age slasher TRAGEDY GIRLS and Best Director honoring José Pedro Lopes’ outstanding work on THE FOREST OF LOST SOULS.

  • Best Picture: TRAGEDY GIRLS, dir. Tyler MacIntyre
  • Director: José Pedro Lopes, THE FOREST OF LOST SOULS
  • Score: Julien Mineau, GAME OF DEATH
  • Actress: Brianna Hildebrand & Alexandra Shipp, TRAGEDY GIRLS
  • Actor: Steven Yuen, MAYHEM
  • Screenplay: Chris Lee Hill, Tyler MacIntyre, Justin Olson, TRAGEDY GIRLS
  • Cinematography: Konstantinos Koutsoliotas, THE BOOK OF BIRDIE
  • Editing: Tom Sainty, FASHIONISTA
  • Effects: Blood Brothers and Rémy Couture, GAME OF DEATH
  • Audience Award: 1974, dir. by Victor Dryere

SHORTS AWARDS

This year’s shorts jury was composed of Graham Skipper (director of SEQUENCE BREAK), Jenn Wexler (Glass Eye Pix director/producer) and Kier-La Janisse (Owner/Artistic Director of Spectacular Optical Publications, founder of The Miskatonic Institute of Horror Studies, writer and film programmer).

Seventeen films were in competition, and our jury awarded honours in nine categories, with Best Short being presented to Robin Comisar’s GREAT CHOICE and the Best Director award honouring Matt Mercer for FEEDING TIME.

  • Best Short: GREAT CHOICE, dir. Robin Comisar
  • Best Director: Matt Mercer, FEEDING TIME
  • Best Actor: Morgan Spector, GREAT CHOICE
  • Best Actress: Mishka Balilty, INK
  • Best Cinematography: Ellie Smolkin, AMY
  • Best Editing: Alfonso Garcia, iMEDIUM
  • Best Effects: Aislan, A MOTHER OF MONSTERS
  • Best Score: Steve Moore, FEEDING TIME
  • Most Spectacular Location: BESTIA, dir. Gigi Saul Guerrero
  • Special Jury Award: EARWORM, dir. Tara Price

The Brooklyn Horror Film Festival will haunt the borough once again in October 2018.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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