Horror Indie
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[SXSW Review] The Chilling ‘Most Beautiful Island’ Is a Powerful Debut
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WORLD OF DEATH Ep. 62 – Curtains: Linens Unleashed! / Zombies Vs. Vampires… Over Beer
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[SXSW Review] ‘Mayhem’ Takes Killing to the Top Level
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Misfits’ Doyle Wolfgang Von Frankenstein Starring in ‘Don’t Look in the Basement’ Remake, ‘Death Ward 13’
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[SXSW Review] ‘M.F.A.’ Empowers and Enlightens
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WORLD OF DEATH Ep. 61 – Lucky Letter 13 / Marbles
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Joe Lynch’s ‘Mayhem’ Poster is Infected with Rage!
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Zombie Slasher ‘Dead Squad’ Heads to the Balinese Jungle (Exclusive)
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Netflix Acquires ‘Madre’ Out of SXSW; Tense New Trailer!
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[SXSW Review] ‘Hounds of Love’ is a Tense Abduction Story From a New Perspective
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A Lovecraftian Glory Hole Horror Film? Sounds Bloody Disgusting!
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‘Like Me’ Looks Like a Gritty Florescent Trip! (SXSW Trailer)
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WORLD OF DEATH Ep. 60 – Malpractice / Menstru-Minute
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Craig Robinson Can’t Survive This ‘Tragedy Girls’ Clip (SXSW)
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‘Hounds of Love’ Trailer Terrorizes Two Women
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‘Ascent to Hell’ Clip Fires Up the Vents (Exclusive)
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Would You Like to See a Praying Mantis, Feminist, Sex Cannibal?
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“Instapocalypse”: How Important is Instagram When the World Has Gone to Hell?
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‘The Transfiguration’ Trailer Has a Taste For Blood (SXSW)
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Adam Mason’s ‘Pig’ is Playing SXSW…and NEVER AGAIN (*Exclusive*)
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FrightFest Presents Horror Crime Doc ‘Population Zero’ in the UK This April
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‘The Honor Farm’ Clip Goes on a Trip (SXSW)
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‘Tragedy Girls’ is a New Spin on the Slasher Genre (SXSW)
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‘Us and Them’ Image a Burning Metaphor (SXSW)