Horror Indie
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“Hellraiser: Origins” Playing HollyShorts Film Festival
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Salt Enters ‘The Void’ at AFM
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[Review] Too Many Elements in Storytelling Undermine Screamfest’s ‘Naciye’
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Wes Bentley and Jaimie Alexander Have ‘Broken Vows’
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‘Final Destination’ Writer and ‘The Gallows’ Lead Rev Up ‘Car 86’
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‘Await Further Instructions’ For Horror
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‘Cooties’ Caught and SpectreVision Secrets Spilled During UK Premiere
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[Short Film Review] ‘This House is Not Empty’ Impresses With Minimalist Visuals and a Deep Narrative
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[Short Film Review] ‘Dead Air’ is Brief, Smart and Mesmerizing!
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Thomas Dekker’s ‘Jack Goes Home’ Channels ‘Psycho,’ ‘The Shining’
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Joe Dante Gets Lost in the ‘Labirintus’ Catacombs!
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[Review] ‘The Sand’ Feels like a SyFy Movie, for Both Good and Bad
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Botched Art Heist Delivers ‘Blood Money’
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‘Naciye’ Attacked Screamfest Last Night (Images)
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‘Bite’ Director Gets Married Ahead of Sitges Premiere
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Trailer and Poster Stitch Together Evil ‘Patchwork’
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[MHHFF ’15 Review] ‘They Look Like People’: Powerful Psychological, Human Horror
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[Review] ‘Rabid Dogs’ is a Worthy Remake of Bava’s 1974 Cult Classic
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[Review] ‘Night of the Living Deb’ Surprises With a Lovable Protagonist and Witty Story
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‘Fran Bow’ Review: Child’s Play
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[DVD Review] ‘Meet Me There’ is on Time with Good Character Study, Creepy Atmosphere
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‘Hans Crippleton: Talk to the Hans’ Heads to the Backwoods This Thanksgiving (Trailer)
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‘Poltergeist’ “Curse” Focus of New Documentary
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[Review] Duplass and Phillips Shine in ‘Manson Family Vacation’