Editorials
Top 5 Showbiz Horror Movies!!
In the new movie Shock Value (directed by Douglas Rath, available now on VOD from Gravitas Ventures), a struggling ‘B’ movie director blackmails a serial killer to be the star of his next film. Shock Value writer/actor Anthony Bravo picks his Top 5 horror movies set in and around the entertainment business.
In the film, “Miles Fowler makes horror movies. Cheap, perverted, blood-soaked schlock-fests that few see and fewer enjoy. Wallowing in obscurity and desperate to make a name for himself, Miles happens upon a bizarre opportunity when he’s the sole witness to a brutal, real-life murder. Sensing a once-in-a-lifetime chance at artistic (and financial) glory, the z-level auteur decides to build his next project around his new “discovery” – serial killer Nick. But when he finds that Nick is in no way ready for his closeup, Miles must resort to that grandest of Hollywood traditions: blackmail. Pushed from the shadows into the spotlight, Nick has no choice but to learn his lines, hit his marks, and contain his homicidal urges. When cameras roll, however, “creative differences” might just put everyone’s life in turnaround.”
Check out Anthony’s list below!
5: Theater of Blood

Most actors have, at some point in our careers, fantasized about murdering every critic who’s ever given us a bad review. But then we chew a fistful of kava leaves and do some hot yoga and we’re back to our usual docile, narcissistic selves. Not Vincent Price. Beheading, drowning, electrocution… sure, he’s a hypersensitive bloodthirsty lunatic. But you can’t say he doesn’t commit.
4: Behind The Mask: The Rise of Leslie Vernon

Even if, like myself, your soul barfs a little every time you hear the words “mockumentary”, “deconstruction” and/or “meta”, it’s hard not to love this movie. Glosserman knows his onions, slasher-wise, and Nathan Baesel is extraordinary. If the world made any sense, this movie would have five sequels and a polarizing Platinum Dunes reboot by now.
3: What Ever Happened to Baby Jane?

Long before TMZ was around to bravely keep tabs on our deranged former child stars, has-been Baby Jane Hudson was tormenting her poor crippled sister Blanche with binds, gags and fresh-from-the-oven rats. The body count may be low here but horror ain’t all teen screams and creature features. Sometimes true horror is having to listen to Bette Davis sing.
2: Videodrome

A good two decades before Oprah Winfrey coined the term “torture porn”, shady TV exec James Woods happens upon an enthralling BDSM-a-thon and ends up tumbling down a high-tech (for 1983) body horror rabbit hole. Like all early Cronenberg, it’s original, hypnotic and terrifically gross. If you liked Network, but felt it suffered from a lack of stomach vaginas, this one’s for you!
1: Body Double

In lesser hands, this tale of voyeurism, murder and pornography would have been a cheap, seedy Hitchcock rip-off. In De Palma’s masterful hands, however, it’s a slick, seedy Hitchcock homage…only better because it has adult content, adult language, graphic violence, nudity and strong sexual content. It’s everything you could want in a movie! Plus Frankie Goes To Hollywood!
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
![Shock Value Key Art[1]](https://i0.wp.com/bloody-disgusting.com/wp-content/uploads/2014/07/Shock-Value-Key-Art1.jpg?resize=740%2C1110)
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