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Escape The Fate’s Kevin Thrasher Shares His Favorite Things About Halloween

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We’re continuing our week of the favorite things about Halloween from metal band Escape the Fate with today’s entry coming from guitarist Kevin Thrasher! Thrasher’s love of the holiday is all about decorating and, “…getting into the spirit of things“! And like any good horror fan, he’s all for popping on a bunch of movies! Check out his thoughts below!

Make sure to pre-order your copy of Hate Me via Districtlines.

Kevin Thrasher on Halloween:

One of my favorite parts of Halloween is getting into the spirit of things by decorating my home spooky and creepy! My girlfriend really gets into the holiday spirit and decorates our entire home with spider webs, lights, we have pumpkin scented candles.. The works!!

This year, before I left for tour we made it a priority to go to Universal Horror Nights. Last year we went with her family to one of those interactive escape mazes. It was purge themed, was both challenging and thrilling.

Also, of course, a ton of scary movies are watched for the entire month of October. My favorite Halloween movies are all the Nightmare on Elm Street movies and anything by Rob Zombie. 

For a couple years in a row when I was a young Thrasher, I was a vampire. I was obsessed with Dracula and vampires, way before Twilight, haha. Thankfully, my mom was cool with me dressing that way! 

Escape the Fate online:
Official Website
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Tour dates:
10/13 – Anaheim, CA @ Chain Reaction
10/14 – San Francisco, CA @ DNA Lounge
10/15 – Chico, CA @ Senator Theatre
10/16 – Sacramento, CA @ Boardwalk
10/17 – Portland, OR @ Hawthorne Theatre
10/18 – Seattle, WA @ Studio Seven
10/19 – Spokane, WA @ Knitting Factory
10/21 – Salt Lake City, UT @ In The Venue
10/22 – Denver, CO @ Marquis Theater
10/23 – Kansas City, KS @ Aftershock
10/24 – Minneapolis, MN @ Mill City Nights
10/25 – Chicago, IL @ Bottom Lounge
10/26 – Pontiac, MI @ The Crofoot
10/29 – Cleveland, OH @ Agora Ballroom
10/30 – New York, NY @ Marlin Bar at Webster Hall
10/31 – Poughkeepsie, NY @ The Chance
11/01 – Allentown, PA @ Crocodile Rock Café
11/02 – Greensboro, NC @ Greene Street
11/03 – Atlanta, GA @ The Masquerade
11/05 – Oklahoma City, OK @ 89th Street Collective
11/06 – Houston, TX @ Walters
11/07 – Dallas, TX @ Gas Monkey Bar & Grill
11/08 – Austin, TX @ Dirty Dog
11/09 – San Antonio, TX @ Korova
11/10 – El Paso, TX @ Mesa Music Hall
11/11 – Phoenix, AZ @ Joes Grotto
11/12 – Las Vegas, NV @ Vinyl at Hard Rock Hotel
11/13 – Santa Crus, CA @ The Catalyst
11/14 – Hollywood, CA @ The Whisky
11/15 – San Digeo, CA @ SOMA
01/28 – Manchester, UK @ Club Academy
01/29 – Glasgow, UK @ Cathouse
01/30 – Nottingham, UK @ Rescue Rooms
01/31 – Paris, FR @ Le Divan Du Monde
02/02 – Wiesbaden, DE @ Schlachthof
02/04 – Munich, DE @ Strom
02/05 – Milan, IT @ Legend Club
02/06 – Pordenone, IT @ Deposito
02/08 – Vienna, AT @ Szene
02/09 – Prague, CZ @ Rock Café
02/10 – Berlin, DE @ Bi Nuu
02/11 – Hamburg, DE @ Logo
02/12 – Amsterdam, NL @ Melkweg Oz
02/13 – Koln, DE @ Underground
02/14 – Belgium, NL @ Mod Box
02/16 – London, UK @ Electric Ballroom
02/18 – Moscow, RU @ Red Club
02/19 – St Petersburg, RU @ Cosmonavt Club

escapethefatehatemecover

Managing editor/music guy/social media fella of Bloody-Disgusting

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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