[Interview] A Day with the Prey – ‘The Predator’ Stars Detail Their Characters
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Shane Black has made a name for himself by pioneering the buddy/action picture with films like Lethal Weapon and The Last Boy Scout. His newest movie looks to expand his usual duos into a full on ensemble with The Predator. When I visited the set, the emphasis from almost all parties involved was on “character”. It’s true that for an audience to be invested in a picture, focus must be placed on our heros. If we’re not rooting for them, why should we care at all? The core group carries the telling moniker of “The Loonies”. Each member is former military coping in various degrees with PTSD and remorse from their time spent in war.
It’s clear that Black’s intention is to craft an epic thrill ride utilizing various genre motifs in a mash up straight out of the 80’s, but the groundwork for such a piece is built from the characters up. He contrasts his style to other big budget tentpole spectacles that are crammed to the brim with massive stunts:
“Our quest to be a cut above is to make it so we keep changing it up so that it feels more like a thriller and less like just action. Because action to me is not sustainable over two hours. You can like it. You can like the Transporter movies. They’re fun, but at the end you don’t feel like you’ve had an experience with a guy that you want to sit down with. You feel like you’ve watched an action character flex his muscles. Hopefully we give you a bigger canvas, more action, and better characters. That’s a big get. That’s a lot.“
Quint (Boyd Holbrook) – The Leader
Hot off his villainous role in the hit Wolverine pic, Logan, Boyd Holbrook is no stranger to big budget genre pictures. This, however, is a lead role; as Holbrook puts it, he will “carry the movie on his back.” It’s not hard to believe as the actor is pulled from the tent twice for his on set obligations during the fairly short interview. His character, Quint, is the estranged father of Rory (Jacob Tremblay). While not an OG Looney, Quint is thrust into the group and becomes their de facto leader, and he might just be the catalyst for the ensuing alien insanity. In fact, it’s hinted that Quint has a direct connection to the original film (remember that familiar jungle set I mentioned?):
“You find him doing mercenary work. Basically collecting a paycheck. You got something you need done down in Mexico. I’m your guy. So he’s estranged from his wife. He’s detached from his son. Really the heart of the story is about reconnecting and being a father, reconnecting and getting all these looney tune guys who have no direction, to give them some purpose…What is interesting, if I may say – I’ve seen something and maybe there is a familiarity or, I wouldn’t want to say he’s a UFO conspirator but he’s heard of things and seen things [from his time in Mexico]. So that’s the reference to the original. We are keeping some sort of lineage.”
Holbrook doesn’t seem interested in repeating the same types of roles from picture to picture. When opportunity knocked for him to battle against the Predator, he jumped at the chance.
“What attracted me to this, it was a completely new story…for this character, what Shane wanted to do, the higher story, is to give a complete freshness…to give it a heartbeat. Going away from the machismo, ya know, guns and guns…And, I love that film, but I think we’re setting out to do something really different.”
Coyle (Keegan-Michael Key) – The Loud Mouth
When Key stepped into the tent I was instantly taken by his presence; tall, animated, charming (I was man crushing pretty hard). “I’m the big mouth of The Loonies!” It was abundantly clear that Key was as jazzed to be on set as we were, and he was relishing the moment.
“There were certainly things that I’m not allowed to share with you that made my eyes pop out of my head…There’s always a nice, sly, meta quality [to Black’s writing]. This picture contains great referential stuff to not just the original movie, but to Predator 2 and every other movie in the franchise, the Alien vs Predator universe…The way he references the movies is very clever if you’re a huge Predator fan. I’m a HUGE fan of this universe.”
While it seems this bit of backstory might not make it to film, Key explains how his character, Coyle, and the rest of The Loonies wind up getting caught in a battle with extraterrestrial hunters. The gang meets weekly at the local VA for group therapy, and their biggest complaint is the piss poor coffee. Finally, they start a mutiny over the junky java and get themselves detained. On the bus ride to the nuthouse is where it seems the story proper begins:
“Boyd’s character just happens to be thrown on the same bus with them. So, that’s how he becomes our ad hoc leader. [Coyle] has a very jarhead mentality, ‘Well, okay, so there are aliens.’ Brbrbrbrbrbr (mimicking the sound of gunfire)…He’s never fully engaged. He’s always standing a little outside of himself, so he doesn’t have to deal with his own pain. He goes, ‘I guess we’re doing this. I guess these seven foot dreadlock dudes are real.’ He pretends like he takes it with a grain of salt..We’re all a little off. We’re not the dream team.”
Baxley (Thomas Jane) – The Loose Canon
“They’re taking us down to the, ya know, the big hospital where they’re going to lock us up for a few days for observation. That’s when Boyd gets thrown on the bus too with us, cause he’s seen an alien and they want to cover that shit up. So, Boyd and all these lunatics end up going on this adventure.”
Thomas Jane manages to provide the most succinct plot synopsis thus far with his dryly humorous delivery. Jane has gotten to play in a lot of fanboy sand boxes, and The Predator is just another in a long list that includes a Marvel movie, Stephen King adaptation, and his current Syfy series, The Expanse. As Baxley, Jane’s character is the closest with Key’s Coyle. During a friendly fire incident, Coyle made a fatal mistake that led to the death of Baxley’s troupe, ultimately leaving Baxley shell shocked and now suffering from tourettes. “I know that Shane and Keegan came up with a lot of the backstory themselves…We’ve tried to pepper that stuff, weave it into the story.” Speaking of Black and the freedom to play around outside the script:
“He creates a tone that’s very hard to do. It’s serious. The stakes are high. The people are real, yet it’s funny as fuck…He hits a bell inside of me that I really enjoy.”
Nettles (Augusto Augilera) – The Lovable One
Augusto Aguilera might not be a name you know yet, but his character of Nettles is described as the “heart” of the group. Nettles is a role that just might put the young actor on the map. Aguilera is instantly relatable and down to earth as he describes being in the unemployment office just weeks before landing the role. When asked how big a fan he is of the Predator franchise, he tells of how he and his brothers “played” Predator after having seen the original movie:
“I would be, for some reason, I was The Body, Jesse Ventura. We’d run around the house and my poor mother and father would freak out. We’d run around and shoot guns and shoot at them cause they were the alien at the time…We’d get dressed in full costume doing this, because my mom saved all of our costumes from Halloween. We’d be in full camo. We’d paint our faces…So my fandom? Out of ten? Ten.”
The character of Nettles is a bit of an outsider trying to fit in with this group of damaged tough guys. He used to fly helicopters as part of a special forces group known as The Nightstalkers. An injury from a past mission left him with TBI (traumatic brain injury). “So, I’m just a beat behind. Which is easy for me to play,” he says with a sheepish grin. On preparing to tackle the sensitive subject of TBI, Aguilera explains, “You prepare with, just trying to get kind of a sense of humanity. You don’t want to be there doing these things and the people that actually are afflicted with this, you don’t want them to feel like they’ve been spoofed…That would ruin me.”
From playing pretend soldiers as a kid, Aguilera has come full circle to playing pretend as an adult. Thankfully, this time around he got a bit more training before being sent off to faux-warfare:
“They’ve got some special forces guys here and they’ve just been, they’ve like handed us a bunch of guns and blanks, obviously, and they’ve been teaching us to do all this stuff. I’m walking around now in Vancouver thinking I’m like six feet tall. I feel like I’m so cool cause I can shoot a gun. I have no idea if I can hit a target, but I can LOOK pretty cool shooting it.”
Lynch (Alfie Allen) – The Loner
Alfie Allen is very quiet and observant. He sits before us patiently awaiting each question and providing only the few necessary words to relay his intent, nothing more. Unsurprisingly, his character, Lynch, is described as the loner of the group who tries to intimidate those around him with nothing more than a glare. Though, he apparently has one other trick up his sleeve. “He’s got a skill which is, um, sleight of hand. He uses card tricks to sort of fill his alone time, but I guess also, it’s just kind of a nervous tick.”
Allen has a bit more to say when it comes the film itself:
“It’s very real. Rather than it just sort of being ‘Hey, tough guys! This is an alien. We can deal with it!’ We’re all just really dealing with it as humans…I think it’s different from the other Predators…When I was reading the script, it immediately jumped out towards me that this is a whole different ballgame.”
Nebraska (Trevante Rhodes) – The Right Hand Man
“This is awesome. This is obviously a big difference from what I’m used to!”
Very true words, coming from Trevante Rhodes who has gone from the groundbreaking, Oscar nominated indie film, Moonlight, to the newest sci-fi/action epic in a long running franchise. Rhodes has a laid back demeanor, calm and cool as he points out that one of my fellow reporters is “cheesing” from the excitement of being on set. It’s as if this newfound celebrity hasn’t yet caught up to the hot up and comer. In the film, Rhodes takes on the role of Nebraska:
“He’s the man behind the man, in regards to Boyd Holbrook’s character. He’s kind of the guy who helps keep him on track and helps push him and everything. So, he’s kind of the leader behind the leader of this motley crew…Nebraska, he was someone who had his own special forces group, he had his own unit….he made a wrong decision and got everybody killed except for himself…
That’s something he’s still struggling with and why he’s kind of distanced himself from the world. Then he stumbles upon these people that kind of assume that same kind of family…I’ve been in the shits. I’ve lost it. Know what I mean, I have nothing left to lose. A man that has nothing left to lose will try anything twice…Obviously, we get into this world of aliens and he’s like ‘Well, what else could happen?’”
Rhodes continues to heap the resounding accolades onto Black for his ability to breathe new life into an old franchise and help root it in strong characters. “It’s exactly what you would expect from Shane Black, but obviously placed within this unique world, but with…more heart than what I’ve seen from Shane’s work before.”
Dr. Brackett (Olivia Munn) – The Brains
As the sole female lead, Olivia Munn’s Dr. Casey Brackett is far from just another “token female” or one note, super-powered badass. She’s a legitimate human being thrust into an extraordinary situation. The actress is as friendly and welcoming as she appeared to be those many moons ago on G4. She’s come a long way from co-hosting a nerd tech talk show. “My character has been on a list from the CIA because she is an evolutionary biologist, and because of her expertise…she gets called in to the labs and gets to try and offer her help — and then things happen!” she coyly ends as to avoid any spoilers.
“There’s a small scene where my character is shown pictures [of the predator] for the first time….This is like seeing God to her. This is what she’s studying, how creatures change and evolve and how it’s not scary. It‘s a very beautiful thing to see…There is an element of realizing when you’re in danger and at the same time, trying to assess. She doesn’t just jump to conclusions just because she doesn’t look like them and she isn’t speaking the same language, doesn’t mean that you shoot it right away. That’s a lesson for everyone in life.”
When asked if we might see the Predators evolve and change throughout the film, Munn gives a cheeky grin and responds, “That’s a very good question.”
Rory (Jacob Tremblay) – The Key
The ten year old boy who has been making a name for himself since the critically acclaimed role in The Room is far from your typical child actor. He’s smart as a whip and gives commanding, thoughtful performances; but unlike some Stepford-esque child actors, Tremblay is still a kid at heart who gets excited by the idea of Nerf Guns. Though, Shane Black jokingly thinks otherwise, “It’s uncanny. He’s a mutant…I’ve never seen anything like it. Like cramming Peter O’Toole into a miniature body.”
We learn that Tremblay’s character, Rory, is autistic. This leaves him with an uncanny ability to understand various languages…perhaps even that of the Predators? To prepare for the role Tremblay and Black visited various autism centers where the young actor was able to meet those living with the condition and better understand their physicality. While it may have been research for the role, in Tremblay’s words they just went “to hang out with some kids.”
While he may be too young to buy a ticket for The Predator once it’s released, they hasn’t stopped Tremblay from seeing the original film.
“It was really exciting because I saw the first movie with Arnold Schwarzenegger, and I loved [it] and I wanted to be him for Halloween. Plus, this is my first action movie, and I was really excited about that…When I heard I could get the part I was like, “YEAH!”
It doesn’t hurt that Tremblay, Black, and Holbrook have had what sounds like several Nerf battles at the film’s production office, but Tremblay was obviously having a blast working on this particular set. “I wouldn’t do it if it wasn’t fun.”
Just how fun is it acting against a 7 foot tall killer alien? Surely that would be terrifying for a 10 year old? Nah. Tremblay excitedly told us, “I got to fist bump him!”
Interviews
George A. Romero’s ‘Day of the Dead’ Gets New Life After Search for Long-Lost Film Elements
“I was told that this couldn’t be found by some people that I worked with, and that just set a fire in me,” Scream Factory producer Jeff Roland says of the newly restored Day of the Dead in 4K from the seemingly long-lost original interpositive.
The four-disc release, loaded with special features and new interviews in addition to the restoration, arrives almost exactly three years after Roland began his long pursuit of the missing elements that he was warned were lost to time.
It’s a fitting journey for Day of the Dead, the third film in horror master George A. Romero‘s zombie series, considering the film’s long road to reappraisal after its initial failure at the box office in 1985. A huge departure from the popular Dawn of the Dead, the third film set its battle for humanity’s survival in an underground bunker, waged between a small group of scientists and ruthless soldiers.
It was underground where Roland began his pursuit of the missing interpositive elements, starting with the old-fashioned paper trail in Scream Factory’s basement, sorting through records from their 2013 Blu-ray release.
Scream Factory’s Years-Long Quest to Restore a Horror Classic

“So, there I was, going through boxes and boxes and boxes, trying to find this one specific invoice for a delivery company amongst thousands of pieces of paper,” Roland tells Bloody Disgusting. “That was the start. I was able to figure out the delivery service, and from there, it just went into a whirlwind of… drama? Yeah, there was some drama in there at one point; I thought it had been stolen by someone.”
Roland notes of his Indiana Jones-like journey, “the short and sweet of it is, it took forever, I was trying to find leads. Anything. I was seeing ridiculous things online, you know, like it was in a diamond mine in South Africa. I even followed up on that. I thought it would be hilarious if it were actually being kept in the Wampum mine. So I called them, and this poor woman who answered the phone sounded like she got this call every other day.”
Roland notes, “The records, for film vaults and such, aren’t the greatest. I’ll just say that. So, I think that’s, over time, that’s something that we definitely need to improve upon in this business.”
John Harrison Reflects on Day of the Dead‘s Surprising Legacy and Original Vision

While now considered another Romero zombie classic, critics and audiences rejected Day of the Dead at first, especially the Caribbean-style theme music from composer and first assistant director John Harrison.
Few are as surprised by the massive shift in the film’s reception as Harrison. The filmmaker and longtime Romero collaborator reflects, “Now, if you had asked any of us, and George included, that, ‘hey man, you know, in 45 years, this movie’s gonna be considered like a cinema classic.’ We all probably would have said, ‘Oh, we’re making a movie, man. We’re just having fun making a movie, and God, can you believe it, that people are paying us to do this?’ I don’t want to minimize it. I don’t want to say that we were just goofing around.”
Harrison continues, “All of us were really serious about our craft and about what we were trying to do. But I don’t think that any of us, maybe George, hopefully, had some feeling that his films would last for a while. I was a kid, you know? I just wanted to have fun, make movies, and be part of that whole scene. So, it was really disappointing when Day came out, because it was a bomb. I mean, let’s be truthful about it. It was a bomb. And people hated the score. So, 40-some years later, it’s become, for some people, the apogee of that first dead trilogy. The best of the three in its own way.”
Harrison also points out that Romero’s Land of the Dead would later face a similar reception and reappraisal, which was all the more fascinating considering early budget cuts caused Romero to drastically scale back Day of the Dead‘s story. A lot of what was excised was later revisited in Land of the Dead. “That was actually part of the original Day of the Dead concept,” Harrison explains of the 2005 film.
“Because of budget and schedule and so forth and so on, and ratings,” he tells BD. “George couldn’t do it, and that’s why we ended up with the more condensed version of Day of the Dead, which everybody now knows and loves. In a way, I’m kind of glad, because it has a real identity being trapped in those caves, and the end of the world, the two sides of society. Going at it, headbutting, to try and survive. But the whole Fiddler’s Green idea and all of that stuff that ended up in Land of the Dead was part of the original Day.”
George Romero Predicted Social Media and Modern Culture

Suzanne Romero, founder & president of the George A. Romero Foundation and the late filmmaker’s wife, breaks down the film’s trajectory even further. “The original Day of the Dead script, I think, at one point, it was written for a $12 million budget, and it was basically cut in half. And it’s a great script. But that’s what happens with filmmakers, and you gotta make do.”
She continues, “But I really think that this film is really for the fans and people who love physical media. And in terms of the foundation, well, anytime George Romero is mentioned is good, because what we are doing is to provide a healthy legacy. We’re uplifting his legacy, we’re supporting the archive, and we’re also supporting the Horror Study Center. So, all of these three things are what the Foundation is striving to do. As far as I’m concerned, the more we say George Romero’s name, the better it is.”
The mention of Land of the Dead brings up one recurring theme of Romero’s work: the filmmaker’s ability to keep his pulse so thoroughly on the current social climate in a way that feels prescient.
Roland agrees, “I think one of the most amazing things that doesn’t get talked about enough is in 2007, he came out with Diary of the Dead. That pretty much predicted YouTube culture. I mean, we’re going through it right now, the exact things that were happening in Diary of the Dead. It’s incredible.”
“Well, that was intentional,” Harrison says, “because I was part of that and worked with Peter [Grunwald] and George on developing that whole script and production. And that was definitely intentional. There was nothing accidental or, ‘Great timing, guys!’ It was not like that at all. It was intentional.”
Suzanne Romero agrees, “[George] was very wary of social media, but very wary of the internet. He was always very suspicious and thought that we ought to beware; we ought to be walking very carefully into this space.“
“Which we haven’t done, of course,” Harrison adds.
“No, of course not,” Romero responds. “And AI. I mean, he would be writing about AI right now and thinking, danger! What the fuck are you doing, people? But not only that, but he also did it in a layman’s way. You know, he really brought it to very familiar language, and people that spoke to each other, it was in a very natural way, and it was the way he developed characters. The way he evolved with how his women were more powerful, because he kind of regretted that in Night of the Living Dead, [Barbra] was weak. He always thought the women ought to be much stronger, and I think it started with Season of the Witch.”
Everyone Wanted to Be a Zombie in a Romero Movie

George A. Romero’s legacy certainly looms large over Scream Factory’s impressive new release, offering a comprehensive look at Day of the Dead through a dizzying number of new audio commentaries, featurettes, and interviews detailing everything from the “mine fever” that spread among the cast and crew to Ernest Dickerson‘s high-pressure day on set running the second unit camera.
That’s also reflected in Romero’s zombies themselves, dating back to 1968’s Night of the Living Dead.
“In Pittsburgh, it was a badge of honor to be a zombie in a George Romero movie,” Harrison recounts. “Everybody from the Dean of Students at Carnegie Mellon to the presidents of corporations. I had a story that came out of Dawn. I was pitching a commercial for my own little company, and I’d done a bit for George as ‘Screwdriver Zombie’ on Dawn. I didn’t get cleaned up enough, and I went to this meeting at the first thing in the morning. The vice president of this bank is looking at me, going, ‘Is there something wrong with you?’ I said, ‘No, no, that’s what I know? I’m fine.’ He said, ‘Well, you’re bleeding out of your ear.’ Okay, so then I had to tell them the whole story. And he listened to it, and I thought, well, this is gonna be ridiculous. I’m coming in talking about being a zombie in a movie, and I want to sell him this, like, multi-thousand-dollar commercial that the bank is gonna pay for. He listened very carefully to me, and he said, ‘Well, listen, we’ll talk about the commercial, but do you think I could be a zombie in one?”
That hasn’t changed in the present, either.
Suzanne Romero confirms, “We’re producing George’s film, Twilight of the Dead, and we get requests, ‘Can I be a zombie in this film?’ So, even today, people are very interested, and yet it’s terrible. I mean, it’s hours and hours of makeup.”
Scream Factory’s Day of the Dead four-disc 4K UHD + Blu-ray Collector’s Edition releases on June 16.








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