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Directors Tease That the ‘Scream’ Trailer Is Only the Tip of a Very Deceptive, Scary Iceberg [Exclusive Interview]

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The highly-anticipated trailer for 2022’s Scream is finally here, bringing with it a slew of imagery and plot tidbits to pore over until the film’s January 14, 2022 theatrical release. The precise type of information that’s guaranteed to raise more questions and send the fandom into overdrive to solve the mysteries.

Scream is this time directed by Matt Bettinelli-Olpin & Tyler Gillett and *Executive Produced by Chad Villella of the filmmaking group Radio Silence (Ready or Not, V/H/S, Southbound) from a screenplay by James Vanderbilt (Murder Mystery, Zodiac, The Amazing Spider-Man) and Guy Busick (Ready or Not, Castle Rock).

Bloody Disgusting chatted with Radio Silence to get insight on the trailer’s dark tone, how much the trailer holds back, and making Ghostface as scary as possible.

When asked if it’s safe to assume that the trailer includes important plot details as well as significant misdirection, Bettinelli-Olpin answers, “That is a very safe assumption. This was a hard trailer for [marketing] to put together, and I think one of the things we’re happy with is that anything that you might think is a spoiler in this, there’s a good chance you’re wrong. There are misdirects within the movie. There are misdirects within the trailer. For us, that’s just the fun of the whole thing to make this a big whodunnit. Spoilers suck, but the fun as fans is to talk about who might be the killer. Then to go through it forensically to try and find out and see if you can win the game, basically.”

Melissa Barrera (“Sam”) stars in Paramount Pictures and Spyglass Media Group’s Scream.

“I can say that every corner of this movie, during the making of it, we have been very aware how to service fans, where the misdirects are happening, and the path that we want to lead people down. Obviously, without spoiling the movie, we can certainly say that the trailer is definitely doing that dance,” Gillet adds, “Part of what we love about the Scream movies, and what we love about the Scream fandom is just how deep people watch these movies. We think some of the fun of this experience is this forensic watching of things and trying to figure out who the killer is. It’s all a part of what’s so unique and so special about this franchise to us. As deep, deep fans of the original four, we took pains to populate the world of this movie, and certainly the materials with as many fun nods and Easter eggs and misdirects as possible.”

That means that we can expect Radio Silence to use the fandom’s knowledge about the movies against them, too. Gillet explains, “I’ll add to that, one of the things we love about the original four and, of course, the script that Jamie and Guy wrote, is that there’s a level of meta sophistication to what these movies are. They’re so aware of what you, as an audience member, are probably aware of going into the experience, so it’s the job of the story to flip those expectations upside-down as many times as possible. And it’s begun. Now that these materials are out in the world, that process has started, and it’s been so exciting to see people’s reactions.”

What the trailer makes clear, without misdirection, is the return of Ghostface as a terrifying villain. Bettinelli-Olpin confirms, “That’s a hundred percent the goal. That was our goal with Ghostface here. Let’s make Ghostface as scary as we possibly can because it’s one of the things that we love so much about the original. Even though it can be goofy sometimes, or close to being goofy, we were focused on how you balance that so that it’s true to Ghostface but also as scary as possible.

Villella teases that fans haven’t seen anything yet: “This is the tip of a very, very large iceberg. A very, very deceptive iceberg. The marketing campaign is just kicking off, and we’re very excited for all the materials that will flow out over the next three months leading up to release. This is just the first taste. It shows you the heart of the movie without showing you too much of what happens. That’s exactly what we’re going for; we want people to lean in, but we don’t want the movie to be ruined. We want them to enjoy every minute of it and discover what’s going on and who’s who in the theater.”

Radio Silence teases that audiences haven’t seen anything yet and encourages the discussion. Dissecting the images, trailers, and marketing materials is all part of the process of a Scream movie. The filmmakers are even entertained by the reactions so far. And why wouldn’t they be?

As Gillet put it, “Hey, we know the killer is, so let’s go!”


*Scream was produced by William Sherak, p.g.a. James Vanderbilt, p.g.a. Paul Neinstein, p.g.a.. Executive producers are Kevin Williamson, Chad Villella, Gary Barber, Peter Oillataguerre, Ron Lynch, Cathy Konrad, and Marianne Maddalena. Based on characters created by Kevin Williamson.

L-r, Producer William Sherak, Director Matt Bettinelli-Olpin, Executive Producer Kevin Williamson, Director Tyler Gillett and Executive Producer Chad Villella on the set of Paramount Pictures and Spyglass Media Group’s Scream.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Exclusives

Brazil’s Fantaspoa Film Festival Announces Second Wave of Titles for Epic 20th Edition This April

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Azrael SXSW 2024
Pictured: Samara Weaving in 'Azrael'

Brazil’s Fantaspoa film festival is celebrating its 20th anniversary this year, and the festival is breaking numerous records, presenting an impressive total of 114 feature films, 22 of these as World Premieres, marking the largest number of feature films in Fantaspoa’s long history.

The final selection of feature films for Fantaspoa’s highly-anticipated 20th edition has been exclusively presented to Bloody Disgusting, so read on for everything you need to know!

The festival tells us this week, “With a diverse selection, the feature films screening at Fantaspoa XX have been divided into seven distinct competitive categories: International, Ibero-American, National, Documentary, Animation, All-Nighter, and Low Budget, Great Films. These categories promise audiences a variety of cinematic experiences, from the fringes of horror and fantasy to the depths of the human imagination.

“In addition to feature films, Fantaspoa will screen 123 short films, totaling 237 participating works, making this edition of the festival the largest in its history.

“The stunning lineup of competition titles includes the International Premiere of E.L. Katz’s SXSW charmer AZRAEL and the World Premiere of The Butcher Brothers’ new Devon Sawa-starring thriller CONSUMED, and Fantaspoa is also proudly presenting a diverse selection of special screenings, including Demián Rugna’s recent Argentinian hit WHEN EVIL LURKS with the writer/director in attendance. The fest will also feature special screenings of two Argentine films, 2014’s JORGE & ALBERTO VERSUS THE NEOLIBERAL DEMONS, Fantaspoa’s first original production which is celebrating its tenth anniversary, and TRENQUE LAUGUEN, which was selected as the best film of 2023 by Cahiers du Cinéma.

“Fantaspoa XX will also have the honor of presenting a special screening of Robin Hardy’s classic British folk horror film THE WICKER MAN (1973) in the presence of the director’s sons, Justin and Dominic, who will be also attending the festival for the previously-announced World Premiere of their stunning new documentary, CHILDREN OF THE WICKER MAN, which offers a very unique perspective on the lasting legacy of this cinema masterpiece.

“Among the confirmed guests for the festival’s second wave of films are Alejo Rébora and Daniela Jimenez (7 Lives), Paulo Caldas (Atmosphere), Jaco Bouwer (Breathing In), Karim Lakzadeh and Arash Jooyandeh (Dark Matter), Ryan Ward and Mackenzie Leigh (Daughter of the Sun), Nando Martínez (Fantastic Golem Affairs), Mike McCutchen and JJ Weber (A Game in the Woods), Mario Mayo and Jaime Arnaiz (I’ll Crush Y’all), Roger Elarrat (I, Nirvana), Mike Hermosa (The Invisible Raptor)Gonzalo Quintana and Hernán Quintana (Jorge & Alberto Vs. The Neoliberal Demons), Benjamin Pfohl (Jupiter), Gabriel Papaléo (Liminal Space), Igor Bastos (Motherboard), Armando Fonseca (Remind), Julio Cesar Napoli (Road to the Mouth of Hell), Gonzalo López-Gallego (The Shadow of the Shark), Máncel Martínez (Shit Happens and Miracles too), Guto Parente (A Strange Path), Juliana Muras (Trenque Lauquen), Kenichi Ugana (Visitors – Complete Edition), and Demián Rugna (When Evil Lurks).

The 20th edition of Fantaspoa takes place between April 10 and 28, 2024, and is presented by the Ministry of Culture, Fantaspoa Productions, and Instituto Ling, with sponsorship from Crown Embalagens, America Embalagens, and Banrisul.”

Below is the full second wave of feature films to screen at Fantaspoa XX:

  • 7 LIVES (dir. Alejo Rébora. 2024, Argentina, World Premiere)
  • ALBERT PYUN: KING OF CULT MOVIES (dir. Lisa D’Apolito. 2023, United States, International Premiere)
  • ANNA’S FEELINGS (dir. Anna Melikyan. 2023, Russia, Latin American Premiere)
  • ANOTHER CURSED MOVIE (dirs. Alberto Andrés Fasce and Mario Gonzalo Varela. 2023, Argentina, Brazilian Premiere)
  • ATMOSPHERE (dir. Paulo Caldas. 2023, Brazil/Germany, Regional Premiere)
  • AVIVA (dir. Boaz Yakin. 2020, United States, France)
  • AZRAEL (dir. E.L. Katz. 2024, United States/Estonia, International Premiere)
  • BA (dir. Benjamin Wong. 2024, United States, International Premiere)
  • BABY ASSASSINS 2 BABIES (dir. Yugo Sakamoto. 2023, Japan, Latin American Premiere)
  • BEYOND THE INFINITE TWO MINUTES (dir. Junta Yamaguchi. 2021, Japan)
  • BREATHING IN (dir. Jaco Bouwer. 2023, South Africa, Latin American Premiere)
  • CLARICE’S DREAM (dirs. Fernando Gutierrez and Guto Bicalho. 2023, Brazil, Regional Premiere)
  • THE COMPLEX FORMS (dir. Fabio D’Orta. 2023, Italy, Latin American Premiere)
  • CONSUMED (dir. Mitchell Altieri. 2024, United States, World Premiere)
  • DARK MATTER (dir. Karim Lakzadeh. 2023, Iran, Latin American Premiere)
  • DAUGHTER OF THE SUN (dir. Ryan Ward. 2023, Canada, United States, Brazilian Premiere)
  • DEMIGOD: THE LEGEND BEGINS (dir. Chris Huang Wen-Chang. 2022, Taiwan, Latin American Premiere)
  • DIE NIBELUNGEN: KRIEMHILD’S REVENGE (dir. Fritz Lang. 1924, Germany)
  • DIE NIBELUNGEN: SIEGFRIED’S DEATH (dir. Fritz Lang. 1924, Germany)
  • EIGHT EYES (dir. Austin Jennings. 2023, United States/Serbia, Brazilian Premiere)
  • ENCOUNTERS (dir. Dmitry Moiseev. 2023, Russia, Latin American Premiere)
  • ENTER THE CLONES OF BRUCE (dir. David Gregory. 2023, United States, Latin American Premiere)
  • THE FANTASTIC GOLEM AFFAIRS (dirs. Juan González and Nando Martínez. 2023, Spain/Estonia, Latin American Premiere)
  • THE FUNERAL (dir. Orçun Behram. 2023, Turkey, Latin American Premiere)
  • A GAME IN THE WOODS (dir. Mike McCutchen. 2024, United States, World Premiere)
  • THE GLASS HOUSE (dir. Taras Dron. 2023, Ukraine/Cyprus/Romania/Germany, Latin American Premiere)
  • THE HANDS OF ORLAC (dir. Robert Wiene. 1924, Germany, Austria)
  • THE HYPERBORIAN (dir. Jesse Thomas Cook. 2023, Canada, Brazilian Premiere)
  • I’LL CRUSH Y’ALL (dir. Kike Narcea. 2023, Spain, Brazilian Premiere)
  • I, NIRVANA (dir. Roger Elarrat. 2024, Brazil, Regional Premiere)
  • THE INVISIBLE FIGHT (dir. Rainer Sarnet. 2023, Estonia/Greece/Finland/Latvia, Latin American Premiere)
  • THE INVISIBLE RAPTOR (dir. Mike Hermosa. 2023, United States, Latin American Premiere)
  • JORGE & ALBERTO VERSUS THE NEOLIBERAL DEMONS (dirs. Gonzalo Quintana and Hernán Quintana. 2014, Argentina/Brazil)
  • JUPITER (dir. Benjamin Pfohl. 2023, Germany, Latin American Premiere)
  • KIM’S VIDEO (dirs. Ashley Sabin and David Redmon. 2023, United States, Regional Premiere)
  • THE LAST SPARK OF HOPE (dir. Piotr Biedroń. 2023, Poland, Latin American Premiere)
  • LIMINAL SPACE (dir. Gabriel Papaléo. 2023, Brazil, Regional Premiere)
  • M (dir. Vardan Tozija. 2023, North Macedonia/Croatia/France/Kosovo/Luxembourg, Latin American Premiere)
  • THE MONSTER WITH MANY NOSES (dir. Abigail Schaaff. 2023, Spain/France, Latin American Premiere)
  • THE MOOR (dir. Chris Cronin. 2023, United Kingdom, Brazilian Premiere)
  • MOTHERBOARD (dir. Igor Bastos. 2023, Brazil, Regional Premiere)
  • THE MUTATION PROTOCOL (dir. Marcelo Leguiza. 2024, Argentina, World Premiere)
  • THE OTHER SHAPE (dir. Diego Felipe Guzmán. 2022, Brazil/Colombia, Regional Premiere)
  • PANDEMONIUM (dir. Quarxx. 2023, France, Brazilian Premiere)
  • REMIND (dir. Armando Fonseca. 2024, Brazil, World Premiere)
  • RESTLESS WATERS, SHIVERING LIGHTS (dir. Ángeles Hernández. 2023, Spain, International Premiere)
  • ROAD TO THE MOUTH OF HELL (dir. Julio Cesar Napoli. 2024, Brazil, World Premiere)
  • SATRANIC PANIC (dir. Alice Maio Mackay. 2023. Australia, Latin American Premiere)
  • THE SHADOW OF THE SHARK (dir. Gonzalo López-Gallego. 2024, Spain, Latin American Premiere)
  • SHIT HAPPENS AND MIRACLES TOO (Dir. Máncel Martínez. 2024, Colombia, World Premiere).
  • THE SLEEPING WOMAN (dir. Laura Alvea. 2024, Spain, Latin American Premiere)
  • A STRANGE PATH (dir. Guto Parente. 2023, Brazil, Regional Premiere)
  • THE TENANTS (dir. Eun-kyoung Yoon. 2023, South Korea, Latin American Premiere)
  • TRENQUE LAUQUEN (dir. Laura Citarella. 2023, Argentina, Germany)
  • VISITORS – COMPLETE EDITION (dir. Kenichi Ugana. 2023, Japan, Latin American Premiere)
  • THE WAIT (dir. F. Javier Gutierrez. 2023, Spain, Latin American Premiere)
  • WAKE (dirs. Thom Arizmendi and Austin Parks Stewart. 2024, United States, International Premiere)
  • THE WEIRD KIDZ (dir. Zach Passero. 2023, United States, Latin American Premiere)
  • WHEN EVIL LURKS (dir. Demian Rugna. 2023, Argentina)
  • THE WICKER MAN (dir. Robin Hardy. 1973, United Kingdom)

Head over to the official Fantaspoa website to learn more.

Devon Sawa in ‘Consumed’

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