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John Carpenter on the Past, Present, and Future: “I Just Keep Going Forward” [Interview]

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John Carpenter is a busy guy. Don’t let all the talk about video games and basketball fool you. Look, instead, to his output: In the last eight years, he’s released three Lost Themes volumes, re-recorded renowned themes that span two Anthology collections, scored four films for Universal, and performed at venues and festivals all across the globe.

And that’s just his music.

Carpenter has also been executive producing films, working on myriad projects through Storm King Productions, and will return to gaming next year with John Carpenter’s Toxic Commando. Perhaps the most exciting development as of late, though, was his return to the director’s chair with John Carpenter’s Suburban Screams for Peacock.

The six-episode, unscripted horror anthology series explores the dark secrets and unspeakable evil that sometimes lurks beneath the surface of the sun-drenched streets, manicured lawns, and friendly neighbors of suburbia. Carpenter knows these places all too well. His filmography stems from this truth, and yet, so does his past upbringing.

That latter notion is something Carpenter discussed with Bloody Disgusting. In a freewheelin’ 20-minute chat, the writer-director-producer-composer waxed nostalgic — well, somewhat (you’ll see) — about the life that has surrounded his career. You won’t find answers about The Thing, or thoughts on The Shape. This is just Carpenter being Carpenter.


I’m not really interested in talking about your career.

Good, good!

Now, everyone talks to you about NBA and video games — hell I’ve talked to you about that — what other hobbies interest you?

Hobbies? You know, I play music as a hobby. I play chess. I don’t know. I don’t do much. I work hard, so I don’t have hobbies really. I watch basketball and the news. That’s all.

Would you say you’re a workaholic?

Sure, of course, have been all my life.

Do you get idle hands if you’re not working?

Oh, no. I work on other projects. Always cooking on something.

Yeah, I find myself — even when I have free time over the weekend — that I’m still trying to create something or do something, you know? I can’t really just sit down and watch an eight hour show without doing something with it.

I have trouble with that, too. I have trouble a lot with being patient on things — and that’s age also. That’s to be expected in my age, but I don’t have time to wait around for crap.

You used to hit the sky. Do you still have a pilot’s license?

Yeah, I did. Well, that was a part of my… I had to find out some things about me that I didn’t know. One of them was that I was making these movies about these guys — tough guys — and I was like, “Do I have the courage of these guys?” Let’s find out. So, I tried and picked something really hard. [Laughs.] Ugh, man, and I became a helicopter pilot.

Did it scare you?

In the beginning, yeah. You know, when my instructor said, “We’re going to turn off the engine and land…” What? We’re going to do what? But we did, as a matter of fact. We did.

You mentioned music before, and we’ve spoken in the past about music. But what were some of your earliest concerts? I imagine moving to LA in 1968 must have been fairly busy in that regard. Is there one particular concert you revisit?

Oh yeah, I saw everything. I saw Chicago, when I was first here, walking down Sunset Boulevard, saying, “Well, look at all this. Wow, look at this place.” Walking along, having somebody come out of the shadows saying, “Acid… acid…” trying to sell me some LSD. [Laughs.] I said, “No, no, I don’t think so.” I was just a kid.

But I went to the Whisky [a Go Go] and saw Chicago. They were called CTA, at the time. And Albert King was on stage playing guitar. It was fun. It was good. I saw Shoes. I saw a lot of people. Too many to answer. Well, I mean, I could, I suppose. I don’t remember ’em all.

Ever jam with any of ’em?

No, I didn’t do that. Didn’t jam with anybody.

Is there another life where you solely focused on music — perhaps like your father? Would that lifestyle have appealed to you?

I love music. I don’t really think about it because, you know, it requires… I need the movies to make the music to pay and make the career. It’s one thing at a time, so I don’t think of it that way. But it sure is great. [Pause.] I learned to love it. I was scared at first. I had stage fright, but I got over that, and it’s wonderful. Loved it. Loved it.

Was it always the piano?

No, no, no, no, no… hell no. The piano was… the piano… do we have to go through my entire..?

No, no, no, you don’t have to do that.

My father thought I should learn to play the violin.

Interesting.

Well, it wasn’t that interesting… because I didn’t have any talent. Anyway, I sat there… scratched away… oh, it was so painful… and I hated it. I didn’t want to do it! So, you know, I finally just outlasted years and years of it. [Beat.] Ah, I had to play in the high school orchestra. Let… me… tell.. you… ah, when you walk to your high school carrying a violin, you are a mark! It says, Beat the shit out of me. This spine that I wear. So, they did. It wasn’t fun. So, at the end of that, I learned the keyboards, then I started learning guitar, and then it went on from there. I played in cover bands and such and… onward.

Was there ever a moment — even with The Coupe De Villes — where you thought, God, this could be cool to just be rockers?

It’s the dream of every young guy who becomes aware. Everybody has that dream. So, no, I left that behind looooong ago.

Well, kind of. You have headlined festivals at this point, so you did get to have the dream a little bit. I remember seeing you on a live feed at Primavera Sound, and seeing all the people gathered. Probably bigger than most of the indie bands there.

It was fabulous. Are you kidding? It was a dream come true. It wasn’t my dream, but it was a dream come true.

Do you like to travel?

Not really, not particularly. [Laughs.]

Was touring fun or was that a chore?

No, that was fun. We had a bus. It was a bus tour. There was a lot of camaraderie on the bus with the band. I mean, I loved it, I got along fine. Went in my bed, got to sleep, it was no big deal. We didn’t… there was no drugs, nothing like that, we didn’t do that. It was awesome.

Growing up in Bowling Green, Kentucky, did you have any local urban legends or ghost stories that have stuck with you?

Well, there was a house on Cemetery Road, where people were murdered, and everybody was afraid to go near the house, and it was haunted, and all this crap… None of it was true. But there was a house there. People were murdered in the late ’40s. But no, it was kind of a stupid town anyway.

Are you more of a city guy?

I’m not a rural South guy, I’ll tell you that. I’m not a Jim Crow guy.

Yeah, yeah, sounds right. I got pulled over outside Bowling Green.

Yeah, exactly. [Laughs.] What did the cop do to you?

He had sped behind me, I was trapped between two trucks, and I was driving just an old, shitty Oldsmobile, and I had to speed up to get ahead of the trucks, let him pass by. But by doing that, he pulled me over, and I said, “You do realize I sped up to let you pass since you’re riding my ass.” He didn’t like that.

[Laughs.] And what did he say to that?

Oh, he gave me a ticket. He saw my long hair, my name… [Laughs.]

Yeah, you had no chance.

Before you were in Bowling Green, you were upstate in New York at Carthage. Do you have any memories from that time?

Oh yeah, sure. My parents used to go back there in the summer and the winter, and we’d visit my grandparents. I remember driving there. [Pause.] Oh god, you know, it took two days to get up there. So, I remember that drive. It was horrible. But we did it. My father… my mother didn’t offer me a way out.

I wanted to go to Syracuse like my father, but he said, “No deal, you’ll be miserable.”

Exactly. [Laughs.] Exactly, no.

You’ve been in California since the late ’60s, though. What is it about the place? Is it the food, the weather, the…

Everything. It’s just awesome. It’s the best place on Earth to live.

So, you got there, looked around, and said, “This is it.”

Yep. That’s it. This is home. Home it is.

You lived in Northern California for a bit, too?

Yeah, I had a house up there in Inverness.

Beautiful area. We were up there earlier this year, closer to Bodega Bay too, but then we got really sick, and we realized there are no pharmacies open past, like, seven around here. So, that was fun.

[Laughs.] Oh man, were you really sick?

Yeah, we had to keep pushing back the check out date. Hotel was pissed.

Yeah, it’s a little tough there, but not bad, it’s what you’re there for. Those are all idiot hippies up there.

[Laughs.] Yeah, it’s gorgeous, and preserved, which I really loved. [Beat.] So, this is something I’ve been asking my father lately: As the years go by, how have you maintained adult friendships? Do they matter as much as they used to?

Well, I’m focused on family primarily. But I’ve had friends for years; for instance, from film school, even from high school and elementary school. I’ve had Tommy Lee Wallace and Nick Castle as friends. They’ve been my friends forever. So, you know, I can count on them. I don’t need to see them all the time. We played together. And, I mean, it’s awesome. I don’t know what else to say … it was so great. It was such a great deal to have friends like that that go back that far.

Do you all have text threads to keep in touch? Maybe talk about things like the Damian Lillard trade?

No, no, we don’t even bother with that. We don’t just get together when there’s something to talk about, unless it’s… eh, fuck it. They have their own lives, you know, away from me.

Yeah, sounds a lot like my dad. What’s your relationship to the past? Is there an era that you tend to revisit?

That’s an interesting question. [Pause.] Well, I mean, I just keep going forward. I had a serious illness in 2015. I’m just lucky to be alive. So, I don’t look back too much. Every morning is a blessing here.

That’s a good mindset.

Yeah, that’s the way to do it. Don’t worry about that stuff.

There’s been a clip of you making the rounds online about being a short-term pessimist on mankind’s survival. Have you always felt that way?

Well, I’m a really big pessimist. [Laughs.] I’m optimistic about mankind’s survival in the sense that I want it to happen. What manages to survive I don’t want to go into that night, you know? I don’t want to curl up and die. But… you know, I’m realistic, which makes me cynical. But, I don’t know. I try not to think about that.

Does that ever keep you up at night?

No, no, I don’t sit up at night, thinking about that. Hell no. [Long pause] I worry about the Golden State Warriors.

So, you’re still in for Golden State?

I do. I like Golden State, and I like the Bucks from Milwaukee. I love them.

Well, I’m destroyed by them. I’m from Miami.

Miami? You’re getting nowhere, pal. Ever.

Hey, we’ve done pretty well in these past few playoffs. We were zombies last year.

You might as well just accept it. You gettin’ nowhere.

So, if basketball is what keeps you up at night, is that also what gives you peace these days?

Sure. I mean, look, when I was a kid, I wanted to desperately play basketball. I just wasn’t any good. Didn’t have the sports bug in me. I didn’t have the ability. But I loved it. I loved it growing up. And I still love it. It’s just a great game, man, come on!

What position would you have wanted to play?

Guard or forward, I guess.

Did you ever play any other sports?

Archery, I was good at that. I was real good at that. I became an American Archer, which is just a distance deal. But yeah, I loved that. Loved that. [Beat.] It’s just not very sexy.

Are you kidding? Every person that’s an archer in movies — they all look great. Even Kevin Costner with his English accent.

I don’t know about that.

Yeah, maybe not.

Let’s not get too far here.

Well, thanks for chatting, John.

Absolutely, my pleasure.

You’re now the artist I’ve interviewed the most, and I’m not even a journalist anymore. But when the opportunity popped up to chat again, I leapt at the chance. Thanks again, and have a good one.

Thanks man, and thank you. You take care.

Interviews

John E.L. Tenney Discusses UAPs, Conspiracy Theories, and Possible Origins of the Phenomena [Interview]

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Welcome back to DEAD Time. Even if you’ve only dabbled in the paranormal, chances are you’re familiar with John E.L. Tenney. Tenney is one of the most sought-after and well-known experts in the world and has more than 30 years of experience with UFOs, paranormal research, occult phenomena, and conspiracy theories. He has authored over a dozen books and worked as a consultant and appeared on TV shows like Unsolved Mysteries, Sightings, Hellier, and Kindred Spirits.

In a previous installment of DEAD Time, Bloody Disgusting talked with Tenney and his best friend and co-host of the What’s Up Weirdo Podcast, Jessica Knapik, about their favorite haunted locations and Tenney shared the terrifying true story of an exorcism he attended.

This month, Bloody Disgusting was excited to have the opportunity to talk with John E.L. Tenney about conspiracy theories surrounding UFOs and UAPs, hoaxes, possible origins of the phenomena, and a lot more.


Bloody Disgusting: You’ve been actively investigating unexplained paranormal and occult phenomena for over 30 years, so you’ve probably seen it all. I’d like to talk about UFOs and wonder what you think about the term being changed to UAP – Unidentified Anomalous Phenomena?

John E.L. Tenney: I don’t have a big problem with it. We’ve seen the change in the moniker of strange objects before, going from flying discs to flying saucers to UFOs. So, it’s just another kind of cyclical, completely benign name change. I think the only thing that worries me about it is that people think that by changing the name it somehow changes the credibility of the sightings; by giving it this term that the government will use, UAP, it somehow discounts all of the flying saucers, flying discs, experiences, UFO experiences from the 1940s up until now.

BD: Last year David Grusch, a former intelligence officer, became a whistleblower and claimed the government had recovered nonhuman crafts with nonhuman species inside. What do you think about his claims?

JT: Well, it’s really interesting with his testimony to Congress because he used very specific language. Very specific questions were asked, and he answered them in very specific ways. So, even to your point, if I’m remembering the way the testimony went, he was asked about extraterrestrials, and he said that they had found non-human biologics. Now that term, non-human biologics, can be applied to anything that has life that’s just not human. So, that could be viruses, that could be molds, that could be spores. So, because the question was asked about extraterrestrials, and he answered affirmatively that there was non-human life, the media ran with the idea that he said that there were extraterrestrials. The majority of life on this planet is non-human biologics.

BD: What are your thoughts on the Interdimensional hypothesis and ultraterrestrials as explanations for UAPs?

JT: I think that where our research spans, we really have to kind of broaden our field. So, whether something exists in this kind of plane of reality with us or in an alternate dimension or an alternate universe or an alternate reality is something that we can give thought to and that we can craft ideas about. It’s just that the further away we get from something that is experiential and experienced by tons of people, and the harder it is to prove scientifically, doesn’t necessarily give us better ideas, right? I think that there’s really nothing wrong with the way that people have been thinking about aliens for 100 years, which are life forms that have developed technology and intelligence and come from somewhere else within our reality. It’s just as people start to research and sometimes that doesn’t seem fulfilling, or sometimes the experiencer says something which doesn’t match reality.

It’s just as people start to research and sometimes that doesn’t seem fulfilling, or sometimes the experiencer says something which doesn’t match reality, people start to jump to conclusions that perhaps it’s multi-dimensional. Perhaps it’s an ultraterrestrial when I don’t know if you need to make that leap so fast. And by doing that you take focus off of that which can be researched. We have hundreds of thousands of cases which don’t seem to be ultraterrestrials or interdimensional, and they’ve never been really well researched. And as we start to get new cases and new fascinating ways to think about them,we do kind of leave all of those hundreds of thousands of cases behind because, well, maybe it was just a hubcap someone threw in the air. The more mysterious it gets, the more those earlier cases which now seem mundane to us, which are probably very important to the formation of how we think about things, get lost in the shuffle.

BD: One of the most famous UFO stories is the Kelly-Hopkinsville encounter in 1955, which involved a group of people who arrived at the police station and claimed their farmhouse was being attacked by small alien creatures who came from a spaceship. Do you think there is any truth to this story, or do you think it was a case of mass hysteria?

JT: Kelly-Hopkinsville, much like even the Flatwoods monster in Braxton County, West Virginia, are incidents where people have what seem to be super normal experiences. They don’t make any money off of it, they actually become ridiculed in the community. There’s no beneficial point for them making up the experience. In Braxton County with the Flatwoods Monste, you have, 10 or 12 people seeing a giant 11-foot-tall creature with a burning head come down out of a UFO. And all these cases are researched, and they seem to have some physical evidence, some physical traces, whether it’s tracks in the ground or even in the Kelly-Hopkinsville case, you can actually see the shotgun blast where they shot at the creatures through the door. So, there’s something there to research. I don’t think that it’s written off as mass psychosis in the sense that how many people would willingly subject themselves to ridicule by making up a story with no monetary or power dynamic beneficial to them.

BD: That would make sense. They’re not getting anything by going public with their story.

JT: Except scorn and ridicule. In Michigan in 1960, the largest UFO sighting in American history, it went over the course of about a week and a half. Thousands of people saw flying saucers in the air. The government was called out. It’s now called The Swamp Gas incident because the government said it was just swamp gas that everyone saw. This was a really big turning point because even the people who were involved in it, once the government had said it was swamp gas, everybody, most of the people involved said that if they ever saw anything again, they’d never talk about it because paint was thrown on their houses. They were called frauds everywhere that they went. So, it’s actually like really detrimental to a person to report these sightings. And that 1966 case two was the first time that Congress actually took up the idea of investigating flying saucers. Because the Michigan congressman at the time was Gerald Ford, and he went on the floor of the House and called for investigations into flying saucers.

BD: I know you also deal with conspiracy theories sometimes. Obviously, there’s going to be conspiracy theories thrown around if the government is looking into either the whistleblower or some of these other incidents.

JT: I think that first and foremost, it’s interesting that when we look at the way it’s portrayed in the media now with congressional hearings and people of rank and people with government positions talking about UFOs, because of the way that we remember history and tell history, we forget that there have been congressional hearings on UFOs in the past. There have been high-ranking people in the past that have talked about seeing flying saucers, whether it’s Air Force pilots or admirals in the Royal Air Navy in England, this has happened before. The only difference now is the way that it’s covered in the media and our media cycle makes it seem much more prevalent than it ever was in the 1970s.

If your UFO story got told in the five major newspapers of the world, that’s a huge story. But now this one story is being retold in 700 online newspapers. It seems like there’s much more being told, but it’s really not as much as it’s ever been. And the government is bad, pretty notoriously, at keeping secrets. Big ones too. There are so many people involved. There are so many people that would have to be involved, even with things that might sound really kind of off the rails. But like when people talk about someplace like Area 51 that has, you know, hundreds of UFOs supposedly stored in it, and there’s thousands of people that work there, one of the things you have to take into account is simple things like waste management. Who takes care of the plumbing? Who takes the garbage out? The secrets would eventually slip. There are so many people involved in something like that, right? And we’re also now dealing with congressmen, businessmen, elected representatives who are of an age where they grew up as fans of science fiction.

We’ve never experienced that before. When all of the former elected officials and Air Force pilots and military officials, all those earlier people grew up, science fiction was a kid’s thing. These people now that are elected representatives and officials, grew up with Star Trek and Star Wars and watching In Search of and Unsolved Mysteries. So, when they get into positions of power, their natural curiosity is to talk about the things they have always been curious about just like us. And so, it doesn’t mean that they have any more information; it’s just that they have more interest and more personal identity attached to high strangeness than previous elected officials.

BD: That’s such a great point. That had not even occurred to me.

JT: I think it was Representative Adam Schiff, a few years ago, went on the floor of the House and talked about Star Trek and Spock, like he’s a fan of Star Trek. So, when you see people now interested in having UFO hearings, you have to remember that those people are also fans of modern-day science fiction.

BD: Do you have a personal theory that might explain what UAPs really are and where they come from?

JT: There’s a part of me, of course, that is very interested in the fact that the rise of UAP and sightings of things flying in the sky has proportionally increased with the ability for every day, normal human beings to buy objects that can fly around and flash in the sky. Drones are a good example. But I think that it’s important to look back at the older cases that aren’t so much involved with easily accessible technology that we have. I think that the UFO phenomenon, the UAP phenomenon, the flying saucer phenomenon, is much larger than just one answer. I think that you may have a multitude of extraterrestrial creatures, interdimensional creatures, ultraterrestrials, the kind of belief systems that form around mythology with different religions—I think all of those things can be happening at one time. And when you look at it through your personal lens, you might not see it as separate, individual cases, and lump them all together. So, I really think it’s important for people to look at each UFO case individually without saying, “Oh, objects must be a tic tac shape. Oh, objects must be a disc shape. Oh, objects must conform to what I think a flying saucer, UFO, or UAP case is.” The best research that people can do is to look at each case individually and uniquely because each case is unique and individual.

Obviously, not everyone is a researcher, but there are a lot of people who think that if I see a UFO, in Michigan for example, on Monday and then people see a UFO on Wednesday, in Michigan, that these must be the same UFO, when it’s two completely separate events happening. When you talk to people and drill down, yes, there may be commonalities between the sightings, but the differences are really where the interesting theories and ideas come from. Saying that everything is just a tic tac really does disservice to strangeness in and of itself. What I tell people is that when you look back on the history of UFOs, and you look at some of the UFO photographs taken in the 40s, 50s, 60s, and 70s, the ones that have remained, the ones we can’t prove are hoaxes—you have to remember that if those people did hoax the remaining photographs we have that show weird things in the sky, those people never considered that we would have easily accessible computers to debunk their photographs. So, the fact that a photograph from the 1940s or 1950s cannot be disproven with all of the technology that we have now makes those cases even more fascinating because the tic tac video might be great but I’m pretty sure that thousands of people in the country could make a video that looks just like it right now within a few minutes.

It really fascinates me that people really miss the fact that the average age for a congressperson right now is about 57. They all grew up watching Lost in Space, Close Encounters, and Star Trek and sitting around the television and reading comic books and loving it. They are the first generation who have access to power and who have had a real fandom to it.


For more information on John E.L. Tenney’s work, as well as upcoming events, please visit his website.

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