Interviews
‘Immaculate’ Director Michael Mohan on Religious Horror and Why You Can’t Pull Punches [Halloweenies Podcast]
This weekend, Neon is releasing its highly anticipated new slice of horror Immaculate. Directed by Michael Mohan, Sydney Sweeney stars as an American nun named Cecilia who joins a remote convent in the Italian countryside. What begins as a warm welcome quickly devolves into a living nightmare as Cecilia discovers her new home harbors a sinister secret and unspeakable horrors. You can see it with a crowd this Friday.
In anticipation, Halloweenies co-host/executive producer Michael Roffman sits down with director Michael Mohan to discuss how he approached making his first horror film. Together, the two chat about the effects of religious horror in 2024, Sweeney’s Scream Queen magic, the ending everyone’s going to be talking about, and why Horror needs zero rules. He also offers some choice Horror recommendations.
Stream the episode below or subscribe via Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. New to the Halloweenies? Catch up with the gang by revisiting their essential episodes on past franchises such as Halloween, A Nightmare on Elm Street, Friday the 13th, Scream, The Evil Dead, and this past year’s Chucky! This year? The Alien franchise.
You can also become a member of their Patreon, The Rewind, for hilariously irreverent commentaries (e.g. The Texas Chainsaw Massacre, Gremlins, Jaws), one-off deep dives on your favorite rentals (e.g. Killer Klowns from Outer Space, Invasion of the Body Snatchers ), and even spinoffs like their recent run Fortune & Glory: An Indiana Jones Podcast.
As the inaugural season of Apple TV+’s stellar new series “Widow’s Bay” barrels toward its finale in two weeks, the latest episode gives Kate O’Flynn the spotlight as her character revisits her trauma with the Boogeyman.
“Your Baggage“, directed by Andrew DeYoung (Friendship), sees O’Flynn’s scene-stealing Patricia once again renew her fight with the Michael Myers-like stalker that slaughtered her peers during her adolescence. Thrillingly, it makes for one extended chase sequence that sees Patricia trying to warn others, while evading the undead killer.
In short, this episode’s incredible riff on Halloween and the slasher subgenre transformed Patricia into a fierce Final Girl.
“Well, that felt like a bucket list that I didn’t know was on my bucket list until I did it, but when I did it, I just lapped up every minute,” O’Flynn tells Bloody Disgusting of her triumphant turn this episode. “It felt fantastic for her to get that moment where she is becoming a badass. That was amazing.”
The actress turned to a few notable references for her performance. “Horror-wise, I go back to my youth, which was referenced in some of the episodes: Wicker Man, Carrie, and Rosemary’s Baby, that sort of thing is my kind of vibe.”
O’Flynn also notes how the series’ unique tone allows for so much creative freedom to make bold swings. “There’s something very freeing about it. Every moment is up for grabs, so it’s like we don’t have to totally land in one direction or another. It keeps it alive.“
Patricia is the eccentric assistant to Matthew Rhys‘ Mayor Tom Loftis, who’s at the forefront of trying to solve the island’s pesky curse predicament. Rhys felt the same about “Widow’s Bay” and its rare ability to make you laugh and scream in equal measure, stemming from series creator Katie Dippold.
“The mandate was, ‘It’s a real world with real people. You play for real.’ There’s no playing for comedy or horror,” Rhys echoes O’Flynn’s sentiments on how freeing the series’ tone has been.
New episodes will release every Wednesday through June 17 only on Apple TV+.
Kate O’Flynn in “Widow’s Bay,” now streaming on Apple TV.
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