Horror Longform
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Revisiting the Visceral Frights of Over-Hated Found Footage Movie ‘Chernobyl Diaries’
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Returning to Down Town: Was Henry Selick’s Bizarre Dark Comedy ‘Monkeybone’ Really That Bad?
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Let There Be Carnage and Dancing: Ranking All 3 ‘Venom’ Movies
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Early Found Footage Film ‘The McPherson Tape’ Remains Chillingly Effective Decades Later
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“A Duel of the Freaks” – The Monster Movie Madness of Tim Burton’s ‘Batman’ Films
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‘Batman: The Long Halloween’ – Revisiting the Darkest Caped Crusader Movie
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Looking Back on the Humorous Meta-Murder of ‘Seven Psychopaths’
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Looking Back on the Underrated Xenomorph Campaign in 2010’s ‘Aliens vs. Predator’
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Appreciating the Pulpy Sci-fi Horror of ‘Alien: Resurrection’
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‘The Beastmaster’ – Don Coscarelli’s Wonderfully Schlocky ‘Phantasm’ Follow-Up
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Revisiting the Religious Horror of Ti West’s ‘The Sacrament’
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Stallone vs. The Night Slasher: ‘Cobra’ Is a Quintessential Slice of 1980s Action-Thriller Schlock
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Looking Back on the Stop-Motion Nightmare of 1986’s ‘The Pied Piper’
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Diving into the Musical Madness of 1983’s Rock Opera ‘Rock & Rule’
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Remembering That Time Nicolas Cage Battled Satanists in ‘Drive Angry’
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A New Dimension of Terror: 6 Underrated Horror Movies Shot in 3D
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Building a Better Sequel With ‘Winnie the Pooh: Blood and Honey 2’
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6 Maritime Horror Films for Fans of the ‘Dredge’ Video Game
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‘The Strangers: Chapter 1’ – Why It Gives Us Hope for the Trilogy’s Future
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How ‘Downpour’ and ‘Shattered Memories’ Prove There’s Still Hope for ‘Silent Hill’
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Anxiety and Apocalyptic Road-Trips in ‘I’m Starting to Worry About This Black Box of Doom’ [Review]
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A Brief History of the Forgotten ‘Silent Hill’ Spin-Offs
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Looking Back on the Two ‘Lost Boys’ Sequels That Time Forgot
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Not Quite ‘Friday the 13th’: Six Jason Voorhees Knock-Offs in Gaming