Editorials
Awesome Fan Edit Is the Freddy Krueger Origin Story We Deserve
Jason and Leatherface are getting origin stories. Should Freddy be next?
The Nightmare on Elm Street franchise was admittedly run into the ground in the years since Wes Craven brought Freddy Krueger to the big screen, as the once terrifying dream demon became a kid-friendly joke and the sequels, well, they weren’t so great as the series got longer in the tooth. But despite the fact that the franchise includes, to date, seven installments, one “versus” spinoff, and a remake, as well as a mostly unrelated television series, there’s still relatively new ground to cover.
Throughout the years, the Elm Street franchise has only briefly dipped its toes into Freddy Krueger’s pre-Dream Demon origin story, with films like The Dream Child, Freddy’s Dead, Freddy vs. Jason and the 2010 remake notably touching upon it. Of course, Craven essentially fed us the whole story in the 1984 original, relaying that Freddy was once a child murderer who was burnt alive by the parents of Springwood, but we’ve still never gotten a full-on examination of his “Springwood Slasher” years.
Oddly enough, it was the pilot episode of TV series “Freddy’s Nightmares” that delved deepest into that period in Krueger’s life. Directed by none other than Tobe Hooper, the episode (titled “No More Mr. Nice Guy”) premiered on October 8, 1988, and it told the story of Krueger’s arrest and subsequent release on a technicality. Though Englund (as Freddy) mostly served the role of Cryptkeeper-esque host throughout the series, he was the star of the show in the premiere episode, which served as a really nice little origin story that the film franchise never quite gave us.
Partially using footage from that episode, one fan recently took matters into his own hands and edited together a short film titled Freddy’s Origins: The Beginning, which collects together every little bit of origin story that we’ve gotten over the years. Running 18-minutes long, the fan edit tracks Freddy Krueger from birth to his rise as the Dream Demon, touching upon his early childhood, teenage years, and days as the so-called “Springwood Slasher.” If you’re a fan of the franchise, you’ve seen all these clips before, but seeing them strung together paints a complete picture that feels fresh and new.
Check it out below and let us know if you want to see a Freddy origin story on the big screen!
Editorials
Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.

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