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Both the ‘Troll Hunter’ Remake and ‘The Last of Us’ Are Dead in the Water

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Two potential movies have met their end today, so we’ll report both at the same time.

Let’s start with Andre Øvredal’s Troll Hunter, the faux documentary about a crew of people who wind up following a man that kills trolls for the Norwegian government. The movie was picked up soon after its 2011 release for an American remake, which was later confirmed to be helmed by Neil Marshall (The Descent, Doomsday). Today, Øvredal explains why there hasn’t been any news regarding the remake. “[Troll Hunter] is not going anymore. We [Øvredal and the Norwegian producers] got the rights back, and I don’t think they will be pursuing another remake,” he tells BMD.

He elaborates on why it didn’t happen, offering his own theory:

I don’t know exactly. I was very happy with what I read; I never communicated with anybody about it, but I read on-line that Neil Marshall was attached to direct it, and I was like, ‘OK, I can get behind that,’ and then suddenly it didn’t happen. I believe that just after signing up for Troll Hunter, Neil got too busy with Game of Thrones, and that’s what stopped it; that seems to be the case, anyway, and then it just kind of died.

Øvredal’s latest film The Autopsy of Jane Doe is coming to VOD on December 20th. I saw it at the Telluride Horror Show and I highly recommend it! The explanation in the third act is a bit of a stretch but not enough for me to change my opinion. Plus, it’s got Brian Cox, so that should hook you right away.


The second film that is confirmed to not be moving forward is the video game-to-film adaptation of Naughty Dog’s The Last of Us. Announced in 2014 as being produced by Sam Raimi under his Ghost House Pictures banner and written by Neil Druckmann, the Creative Director fo the game, the film has since entered “development hell” and it looks like there is no coming back.

Raimi tells IGN:

Well, unfortunately that one — when we went to Neil with Ghost House Pictures we were hoping to get the rights like we do any project and then we’d take it out and sell it but we’d control the rights. With this one he went to Sony — who I have a very good relationship with — but they have their own plans for it and I think Neil’s plan for it — I’m not trying to be political — Neil’s plan for it is not the same as Sony’s. And because my company doesn’t have the rights, I actually can’t help him too much. Even though I’m one of the producers on it the way he set it up, he sold his rights to Sony, Sony hired me as a producer by chance, and I can’t get the rights free for him so I’m not in the driver’s seat and I can’t tell you what Sony and Neil together will decide on. If they do move forward I’d love to help them again.

Raimi confirms he is still a producer on the film, so he’ll be ready to help should it suddenly move forward. “Yes, I’m attached to it. I’m not too sure what that means. Right now it’s just sitting there. They don’t want to move forward, and it’s not my place to say why, and Neil, I think, is in a slight disagreement with them about how things should go so there’s a standstill. And I don’t have the power to move it,” he explains.

I’m rather heartbroken about this one because The Last of Us is one of the most incredible experiences I’ve ever had while playing a video game. Following Joel and Ellie through a post-apocalyptic United States was one of the most heartbreaking yet affirming journeys I’ve seen in video game history and the way that it plays out is simply breathtaking. The game does everything in its power to make you feel for the characters and it succeeds 100% in that mission.

I don’t know how well it would translate to a movie experience since the game takes quite a while to beat. Had I the power, I would’ve adapted the game into a few movies, one for each season in the game. Still, I realize how expensive that option is and so I find myself wondering if the final script could’ve had the same impact as the game in a shorter amount of time…

Managing editor/music guy/social media fella of Bloody-Disgusting

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5 Things We Learned From The ‘Whalefall’ Trailer

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Whalefall trailer breakdown

Pulitzer Prize-winning author Daniel Kraus took the literary world by storm back in 2023 with the release of his hit novel Whalefall. A terrifying yet intimate survival thriller with mythological undertones, the book was almost immediately bombarded with offers from movie studios wanting to adapt its claustrophobic imagery to the big screen.

Fast forward to June of 2026, and we finally got our first glimpse at Brian Duffield’s long-awaited adaptation of Whalefall, starring Austin Abrams as our unfortunate lead who gets swallowed alive by a sperm whale. While this two-and-a-half-minute teaser only covers the beginning of the story, it’s already been making waves online (and in-person at select 4DX promotional screenings) as one of the most stressful cinematic experiences of the year.

In fact, my own wife had to cover her eyes and exclaim, “You’re definitely not dragging me to watch this one” when we saw the whale’s jaws begin to close in on Abrams, with this incident alone already leaving me convinced that this will likely be one of the biggest genre hits of the year. With that in mind, I’d like to invite you to take a closer look at the teaser in order to break down interesting details and get a better idea of what’s in store for genre fans when the movie finally comes out this October.

Of course, as usual, don’t forget to comment below if you noticed something we didn’t!

Now, without further ado, here are five things we learned from the Whalefall trailer!


5. Austin Abrams Performed Many of His Own Stunts

Much like in his previous film, No One Will Save You, Duffield insisted that this visceral experience should be grounded by our main character’s believable reactions, regardless of the plot’s effects-heavy setup. That’s why the camera always makes sure to linger on Abrams through his diving mask, so we know that it’s really him going through this ordeal alongside the audience.

While plenty of CGI was used in order to bring this larger-than-life story to the big screen without killing our leading man, Abrams apparently insisted on performing many of his underwater stunts himself (several of which are visible in the trailer) – much to the chagrin of a worried Duffield and the flick’s stunt coordinator, Shauna Duggins.


4. The Film Seamlessly Transitions Between the California Coast and Underwater Sets

Duffield obviously wasn’t about to drag his crew out to the middle of the ocean and shoot inside a real sperm whale, but it’s reassuring to see the filmmaker blend on-location footage with the underwater tank segments and the literal belly of the whale set.

There may be plenty of CGI stitching these elements together, but the trailer shows us that only the truly impossible shots are completely digital, meaning that the filmmakers didn’t take the easy way out when it came to adapting this unique story.


3. The Whale is Only Part of the Story

Book adaptations tend to leave out inner monologues and the occasional flashback in order to streamline the narrative (which is one reason why it’s so difficult to translate Stephen King novels to the big screen), but a claustrophobic parable like Kraus’ Whalefall would get a bit dull after a while if the whole thing was entirely set within the creature’s stomach.

That’s why it’s such a relief that the trailer hints at how Duffield will also be adapting many of the book’s introspective moments chronicling our protagonist’s harsh upbringing under his troubled father. Not only do these inclusions give the audience some much-appreciated breathing room, but they also give Josh Brolin a chance to shine as a truly complicated character.


2. The Movie is Keeping the Book’s Scientific Accuracy…

Whalefall

While Kraus’ novel was inspired by a viral video of kayakers nearly being swallowed by a humpback whale, the writer ended up consulting with marine biologists about exactly what kind of situation might lead to a whale actually eating a human being alive.

The answer was surprisingly specific, as cetaceans are almost universally known to be friendly towards humans. However, even a gentle giant can make mistakes, and as we see in the trailer, Abrams’ unpleasant fate is more of an accident than anything else – with the massive sperm whale only trapping the poor diver in the first (and thankfully acid-free) chamber of its stomach due to a mix-up involving a giant squid.

Fortunately for the film’s special effects artists, they can now reference the first-ever footage of a real-life sperm whale chowing down on one such squid, as this freaky recording was released late last year.


1. …With a Catch!

whalefall movie trailer

Duffield may be doing his best to recreate the grounded (or is it submerged?) thrills of Kraus’ novel, but there are limits to what can be depicted onscreen while still guaranteeing an entertaining movie. That’s why it’s no surprise that Whalefall will take advantage of certain cinematic parlor tricks as the director tests the limits of both physics and biology so we can actually watch his movie.

For starters, the innards of the whale itself have been greatly exaggerated so there’s enough space to make out the action, and in the spirit of movies like Neil Marshall’s The Descent, there also seems to be plenty of non-diegetic lighting meant to show us what’s going on even if Abram’s character wouldn’t necessarily be able to see anything.

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