Movies
This ‘Alien: Covenant’ Teaser Poster Promises Hell
Twentieth Century Fox just sent us a brand new teaser poster for Ridley Scott’s Alien: Covenant that may look familiar. The reason? It’s basically the same one-sheet used to promote Scott’s seminal 1979 film, only with an upgrade…the egg is both darker and scarier, implying that the Covenant crew is in for an even worse trip that Ripley’s.
The new one-sheet also came with a note: we’ll be receiving a brand new trailer tomorrow as it will be playing ahead of Logan this coming weekend.
Katherine Waterston (Inherent Vice, Jobs, The Babysitters), doing her best impersonation of Ellen Ripley (Sigourney Weaver), stars with Michael Fassbender returning as Prometheus‘ android David (and Walter), with a crew that includes Demian Bichir and Danny McBride (“Eastbound and Down”), as well as Alex England (Gods of Egypt), Billy Crudup, Amy Seimetz (A Horrible Way to Die, “The Killing”), Jussie Smollett (“Empire”), Carmen Ejogo, and Callie Hernandez (Machete Kills). James Franco also has a role, which was confirmed in this fun crew photo.
Fox Just Released an Alien: Covenant Short Film That Introduces the Crew!
Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world — whose sole inhabitant is the “synthetic” David (Michael Fassbender), survivor of the doomed Prometheus expedition
Speaking of “Last Supper”, the red band Alien: Covenant trailer and Christmas share this interesting connection.
Scott had previously promised to answer questions that left Prometheus viewers confused: “Covenant is really going to show you who did it and why.”
Alien: Covenant takes off for Paradise on May 19, 2017.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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