Movies
This ‘Alien: Covenant’ Teaser Poster Promises Hell
Twentieth Century Fox just sent us a brand new teaser poster for Ridley Scott’s Alien: Covenant that may look familiar. The reason? It’s basically the same one-sheet used to promote Scott’s seminal 1979 film, only with an upgrade…the egg is both darker and scarier, implying that the Covenant crew is in for an even worse trip that Ripley’s.
The new one-sheet also came with a note: we’ll be receiving a brand new trailer tomorrow as it will be playing ahead of Logan this coming weekend.
Katherine Waterston (Inherent Vice, Jobs, The Babysitters), doing her best impersonation of Ellen Ripley (Sigourney Weaver), stars with Michael Fassbender returning as Prometheus‘ android David (and Walter), with a crew that includes Demian Bichir and Danny McBride (“Eastbound and Down”), as well as Alex England (Gods of Egypt), Billy Crudup, Amy Seimetz (A Horrible Way to Die, “The Killing”), Jussie Smollett (“Empire”), Carmen Ejogo, and Callie Hernandez (Machete Kills). James Franco also has a role, which was confirmed in this fun crew photo.
Fox Just Released an Alien: Covenant Short Film That Introduces the Crew!
Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world — whose sole inhabitant is the “synthetic” David (Michael Fassbender), survivor of the doomed Prometheus expedition
Speaking of “Last Supper”, the red band Alien: Covenant trailer and Christmas share this interesting connection.
Scott had previously promised to answer questions that left Prometheus viewers confused: “Covenant is really going to show you who did it and why.”
Alien: Covenant takes off for Paradise on May 19, 2017.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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