Connect with us

Movies

Scream Factory Just Acquired an Original Horror Film Starring Bill Moseley

Published

on

Shout! Factory’s offshoot label Scream Factory has become known for releasing must-own Blu-rays of both undiscovered gems and fan favorites from the past, but they’ve also dipped their toes into the arena of original productions. Following last year’s original slasher film Fender Bender, Shout! has just announced that they’ve acquired a brand new original for the Scream label.

The scoop comes courtesy of Deadline, the site noting that Shout! has acquired worldwide rights to an untitled horror feature from writer/director Kevin Schulman. The film centers on a well-known reporter who is held captive by terrorists that are threatening to behead her. However, they have no idea what terror awaits them.

Schulman wrote the script with his brother Nathaniel, and the film is currently being shot in and around Los Angeles. When ready, it’ll be released by Scream Factory Films.

Eoin Macken (Resident Evil: The Final Chapter, NBC’s The Night Shift), Kristina Klebe (Dementia, ProxyHalloween), Bill Moseley (House of 1000 CorpsesThe Devil’s Rejects), Faran Tahir (Iron Man, Star Trek, Escape Plan) and William Forsythe (The RockThe Devil’s Rejects) star in the film.

The film has been developed, produced and co-financed by Jeremy M. Rosen and Kevin Shulman for Roxwell Films, and is now co-financed and executive produced by Shout! Factory. Executive producers are Richard Foos, Bob Emmer, Garson Foos, Jordan Fields, Gus Krieger, Scott Adler and Gary Lawrence. The co-executive producer is Kristina Klebe.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Movies

‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

Published

on

Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

Continue Reading