Movies
‘Annabelle: Creation’ Trailer Tease Assembles Haunted Doll!
This is where is all begins.
Just yesterday we told you that Lights Out director David F. Sandberg’s Annabelle 2, the sequel to the smash hit The Conjuring spinoff, was officially titled Annabelle: Creation.
While the full trailer doesn’t arrive until tomorrow, Warner Bros./New Line has assembled a teaser that fully explains the title; watch as a doll maker creates the very first edition of Annabelle and packs her up for delivery!
Looking interestingly like the opening of a Child’s Play film, Annabelle comes to life on August 11, 2017.
Trace saw the footage at the SXSW Film Festival. Here’s what he thought…
In Annabelle 2, “Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.”
[Related] Annabelle Sequel Will Be the Godfather II of Creepy Doll Movies (Exclusive)
The full cast includes Stephanie Sigman (Spectre), Talitha Bateman (The 5th Wave), Lulu Wilson (upcoming Ouija 2, Deliver Us from Evil), Philippa Anne Coulthard (After the Dark), Grace Fulton (Badland), Lou Lou Safran (The Choice), Samara Lee (Fox Catcher, The Last Witch Hunter), Tayler Buck in her feature film debut, with Anthony LaPaglia (TV’s Without a Trace) and Miranda Otto (Showtime’s Homeland, The Lord of the Rings Trilogy).
Sandberg directs from a screenplay by Gary Dauberman, who also wrote Annabelle.
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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