Movies
Official ‘The Predator’ Motion Poster Lights Up the Sky
I love Stephen Hopkins’ 1990 Predator 2. It was so cool seeing them flip the script and head out of the jungle and into the streets of Los Angeles. I’m guessing director Shane Black felt the same because this new art for his The Predator promises that the alien hunter will be heading back to the streets.
Recently on display at a licensing expo in London, 20th Century Fox displayed a striking piece of art for the film that showed lightning striking a cityscape and creating a silhouette of the title character. Now, Fox has officially released (through the Predator Fan App) the art as a really cool motion poster.
The movie once again features a group of unsuspecting humans who slowly realize that fierce hunter-aliens are in their midst, this time in what’s alleged to be a suburban setting.
Keegan-Michael Key, Olivia Munn, Boyd Holbrook, Edward James Olmos, Trevante Rhodes, Thomas Jane, Augusto Aguilera, Alfie Allen, and Yvonne Strahovski star.
Jake Busey is playing the son of Gary Busey’s Predator 2 character in the film opening in theaters August 3, 2018.
From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.
In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.
Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.
Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.
“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”
Ayer promises, “Don’t worry, the dog lives.”
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