Movies
George Romero’s Son Announces ‘Rise of the Living Dead’; “Love Letter to My Dad”
Way back in 2014, Cameron Romero, son of the late George A. Romero, launched an Indiegogo campaign for a film then titled Origins, which was to be a prequel to his father’s Night of the Living Dead. The project, which we wrote an article in support of, ended up raising $30,000, fully reaching its goal.
So what’s the latest on all that? Romero has provided an update today.
Over on his Facebook page, George Cameron Romero has revealed that the project titled Origins will now officially be known as Rise of the Living Dead!
“Many of you know that I have been working to tell a story for many years,” wrote Romero. “My dad read the script and called it ‘genius.’ Many have approached me about making this film and I’ve said no to many because even though I’m not a ‘precious’ artist, this one is special… this one is mine… this one… is my love letter to my dad… to his work… to the fact that he was once called the most dangerous filmmaker alive… to the fact that society in 1968 wanted to shut him up as much as they wanted to celebrate him.”
He continued, “This one is the prelude to Night, the film that created the pop culture phenomenon that has inspired thousands of filmmakers from backyard auteurs to $180M features to the single longest running and most successful show in the history of television. This one has been a long time coming. And it is my absolute promise to you all that this film will be everything it needs to be.”
Here’s the plot for Rise, as outlined in the Origins campaign…
“Origins takes place in the Turmoil of the 1960’s just shortly before “Night of the Living Dead”, and explains how The ‘Original’ Romero Zombie was created. In 1962, Dr. Ryan Cartwright was on the scientific and altruistic path to find a way for humans to sustain life in the event of M.A.D (Mutual Assured Destruction), a huge topic brought on by the Cuban Missile Crisis. Little did he know that over the course of the next several years of his life, he would take a well-funded and military focused journey to the darkest corners of the world… as he creates the ultimate weapon for the government and a curse that will plague mankind for the rest of days.”
While we wait for more, check out the new poster art for Rise of the Living Dead.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
You must be logged in to post a comment.