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Netflix’s ‘Cloverfield Paradox’ Notched 5 Million Viewers in 7 Days

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Netflix took the movie world by surprise when they not only released a trailer for The Cloverfield Paradox during the Super Bowl, but they dropped the film on their streaming service immediately after (read our review).

Variety reports that, per Nielsen’s estimates, the movie notched 2.8 million U.S. viewers in the first three days after its surprise post-Super Bowl release on Feb. 4, but the total audience grew to 5.0 million over a seven-day period.

That’s compared with 11 million U.S. viewers who watched Netflix’s Bright during its first three days of release, according to Nielsen (which did not provide seven-day figures for that title). According to Netflix, in the first month after the Dec. 22 release, Bright had become one of Netflix’s most-viewed original titles ever.

Netflix reportedly paid Paramount Pictures more than $50 million to rights to the film, which previously carried the title God Particle, and paid somewhere in the $5M range for the Super Bowl spot.

While it’s being painted as a failure, let’s take a more objective look at things. Bright cost Netflix $90M, while The Cloverfield Project was $55. Also, Netflix didn’t have to go through the nightmare to produce Cloverfield, which was delivered to the streaming service completed and ready to go.

Let’s also look at it from a money-making standpoint. 100 million people watch the Super Bowl. If only 1% of them were to subscribe to Netflix, that’s roughly 1M new subscribers. If the numbers hold true, that would mean Netflix could make $100M more per year by pulling off this stunt. We aren’t talking about single ticket buyers here, we’re talking about subscribers. Even if these numbers are less than expected, it’s hard to call it a disappointment or failed experiment. If anything, they just paved the way for the future.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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