Movies
‘We Are All Monsters Here’ Turns ‘Rabies’ Director’s Into Vampires!
It’s been awhile since we’ve seen a good vampire movie, so it’s all the more exciting that Big Bad Wolves and Rabies writer-directors Aharon Keshales and Navot Papushado will adapt the modern-day vampire thriller We Are All Monsters Here for Crystal City Entertainment.
The logline is pretty cool as We Are All Monsters Here follows a collegiate woman who survives the breakout of a vampire virus that only reveals itself at night. With no family to turn to, she is forced to befriend a young girl infected by the virus, and the two women set out on a unique road trip of survival.
The project is based on an original short story by Armstrong, the creator of the Syfy series “Bitten,” adds Variety.
Keshales and Papushado will write the script and direct. Crystal City’s Jonathan Rubenstein and Ari Daniel Pinchot will produce, with Kelley Armstrong attached to executive produce.
Revenge drama Big Bad Wolves received Quentin Tarantino’s endorsement as the top film of 2013.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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