Movies
Dollface is Back in New ‘The Strangers: Prey at Night’ Clip
It may be coming along ten years later than we wanted it, but the masked killers known as Dollface, Pin-Up Girl and Man in the Mask are back early next month in The Strangers: Prey at Night, which will hit the reboot button and (hopefully) prove to be successful enough to spawn the full-on franchise the original film seemed destined to.
In this new clip, Dollface is back to stalk and torment.
You’ll be invited to Prey at Night on March 9, 2018.
In the film, directed by Johannes Roberts (47 Meters Down), “A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive.”
Christina Hendricks, Bailee Madison, Lewis Pullman, and Martin Henderson star, with Emma Bellomy as DOLLFACE, Lea Enslin as PIN-UP GIRL, and Damian Maffei as the MAN IN THE MASK.
Bryan Bertino and Ben Ketai wrote the script.
Movies
Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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