Movies
Here’s What Happens When a Bot is Asked to Write Its Own ‘SAW’ Movie
We’d pay so much to see Saw 9: Sawitdaba Da Bang Da Bang Diggy Diggy Diggy.
We realize this is very likely a joke that was actually written by a flesh and blood human, but let’s humor ourselves for a second here. Writer Keaton Patti (@KeatonPatti), who has experience writing for Comedy Central, Funny or Die and The Onion, recently took to Twitter with an attention-grabbing tweet that has gone viral these last few days.
“I forced a bot to watch over 1,000 hours of the Saw movies and then asked it to write a Saw movie of its own,” Keaton tweeted. “Here is the first page.”
In the first page of the (allegedly) bot-written script, “Becky Sexwoman” wakes up to discover that she’s been buried alive… inside of a whale. The key that’ll free her from the whale, true to the actual Saw films, is nestled inside the woman’s own body.
Enjoy.
I forced a bot to watch over 1,000 hours of the Saw movies and then asked it to write a Saw movie of its own. Here is the first page. pic.twitter.com/peXPgjC1JY
— Keaton Patti (@KeatonPatti) March 1, 2018
Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”