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‘Venom’ Might Be Rated PG-13 and That Continues a Troubling Trend in Hollywood

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I’m typically the voice of reason. I’m pro-found-footage (it’s just a perspective), remakes/reboots don’t necessarily bother me (a good movie is a good movie), and the rating of a film usually doesn’t dictate its quality. Let’s talk about the latter.

This weekend, not one, but two horror films have been butchered in order to receive a “PG-13” rating from the MPAA. Both The Meg director Jon Turteltaub and star Jason Statham have openly expressed disdain over their summer blockbuster being neutered throughout production to ensure a more teen-friendly rating. This one comes as a shocker as it’s an adaptation of a vicious and violent book, which has turned into an action comedy that even Statham admits wasn’t what he signed up for. While the studio was trying to get more asses in the seats, the film is tracking abysmally as of this writing, which has this writer raising a curious eyebrow.

Also opening tonight (we’re pretty sure) is Sony Screen Gems’ Slender Man, an adaptation of a popular internet meme that should have been the birth of a new horror icon. Instead, some of the film’s troubles went public, with reports that producers and Sony didn’t see eye to eye on distribution and that the producers had attempted to sell it to another distributor. After that fell through, Screen Gems moved up the release to try and capture the teens before they head back to school. Only, it’s now going up against The Meg, which was supposed to be an “R”-rated bloodbath targeting a different demographic. Sources tell us that Slender Man has similar behind-the-scenes issues and had several sequences chopped in order to force a PG-13 rating. So, while Slender Man was adjusting to “their audience”, The Meg was doing the same, which could cause a catastrophe at the box office this weekend.

But I think the problem runs deeper. Studios are still afraid to release an “R”-rated movie and it’s once again getting in the way of a filmmaker’s ability to tell their story the way it’s meant to be told. A new article on Variety just sent me over the deep end, with them reporting that their Venom adaptation could be rated PG-13.

“Some members of Sony’s brain trust believe that the film should push the very limits of PG-13 without crossing over into a higher rating.”

The reasoning behind this decision is sound, but it’s hard to not be livid over this possible change, which feels like a slap in the face to everyone from the fans straight up to director Ruben Fleischer. Especially since all of this confusingly comes on the heels of massive “R”-rated success stories from Deadpool to Logan, IT, Get Out, and many more.

According to the article, the feeling is that [a PG-13 rating] will give the studio greater leeway for future installments that will feature Spider-Man, something Venom – [as currently constructed] – does not do. Any Spider-Man movie will carry a PG-13 rating because the wall-crawler is more family friendly, and if Venom is too dark and gory, it might preclude other film match-ups, not just with Peter Parker’s alter-ego, but also with other members of the extended Marvel Cinematic Universe (MCU).

This makes plenty of sense, but as a hardcore fan of the character and comics, I’d rather have no Venom movie than one that’s PG-13. In fact, I don’t even know how you even think about exploring a Carnage-based sequel if you’re going to fuck around with the film and character’s tone? Shit, they’re about to go into pre-production on Morbius, a “living vampire” who also was birthed in the “Amazing Spider-Man” comics. Would this be PG-13 as well? Once you open Pandora’s Box, it can’t be closed, and Sony is playing with some serious fire here. Do they really think crushing the spirit of Venom is going to help them birth a universe around the characters Silk, Jackpot, and Nightwatch? This is comedy. GTFO.

“We” are Venom? Yeah, we’ll see about that.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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