Movies
John Carpenter Says He’d Love to Direct Another Movie But ‘The Thing 2’ is Definitely Out of the Question
While John Carpenter continues to have a presence in the film world, as well as a huge influence on *so much* entertainment that’s been coming out, the horror master hasn’t actually directed a film since The Ward, released back in 2010. Nearly ten years after directing his most recent film, how does Carpenter feel about getting back behind the camera?
Speaking with EW, Carpenter just noted that he’d love to direct again.
“I would love to direct something, if it’s the right thing to do at my age,” Carpenter told the site. “I’m not going to make another Thing, I’ll tell you that. I’m not going to the Arctic again. I’m not going to do that. I want to take it easy. I want to enjoy myself!”
He added, “I’ve wanted to do something in Europe and I’ve wanted to do something in Venice. I haven’t gotten a story for it though. What a place! What a strange place! And Venice is sinking! Wow. But I don’t know. I’d love to do something in Europe. That would be fun to do. There are two important things in my life, though. Basketball, when the season starts, and video games. And to play video games you have to sit in a chair and not really get up and do anything. I love that. That’s my job now, to sit around and do nothing!”
For now, Carpenter was creatively involved in this year’s Halloween, providing the film’s brand new score alongside son Cody. But another film from him, well, that’d be a dream!
Movies
‘Black Zombie’ – Kino Lorber Picks Up Documentary Exploring Pre-Romero Zombie Cinema
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.

‘I Walked With a Zombie’ (1943)
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