Movies
Sony Screen Gems Dates ‘The Possession of Hannah Grace’ and ‘The Intruder’
Sony has dated two other genre films aside from James Gunn’s BrightBurn, opening next May. Shifted into the former’s spot is The Possession of Hannah Grace (formerly Cadaver), which will now open on November 30, 2018. The film was directed by Diederik Van Rooijen.
The film penned by Brian Sieve (Boogeyman 2) centers on a disgraced ex-cop and recovering addict who takes a job in a graveyard shift at the morgue of the hospital in which she got sober. Soon after a mysterious and brutally massacred body is delivered to the morgue, the woman begins to witness terrorizing and violent murders, leading her to face off against an evil entity.” “Pretty Little Liars’” Shay Mitchell stars.
Sounding a bit like a modern day Pacific Heights, director Deon Taylor’s psychological thriller The Intruder has been dated by Screen Gems for April 26, 2019.
The film centers on a young married couple (Michael Ealy and Meaghan Good) who buys a beautiful Napa Valley home only to find that the man they bought it from (Dennis Quaid) refuses to let go of the property… and he slowly terrorizes them.
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.
‘I Walked With a Zombie’ (1943)
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