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Paramount Turning the Violent Graphic Novel ‘Kill Them All’ into a Feature Film

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They may not be moving forward with David Fincher’s World War Z 2, but we’ve learned today (via THR) that Paramount will be behind a big screen adaptation of Kill Them All, the graphic novel by Kyle Starks that paid tribute to action movies from the 1990s.

Writer James Coyne will adapt the graphic novel for the screen.

Kill Them All tells of a betrayed murderess on a revenge streak and a hard-drinking former cop who, to get what they want, team to take down a crime lord. The latter is atop a 15-story Miami high-rise so the duo go floor by floor cutting through assassins, murderers, Luchadore gang bosses, ex-boyfriends, and office workers.

Josh Appelbaum and Andre Nemec are set to produce.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘Wolf Man’ Movie from Universal and Director Leigh Whannell Moves into 2025

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Wolf Man 2025

Filming kicked off just a couple weeks ago on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which had been ambitiously dated for release on October 25, 2024. As it turns out, however, a Halloween 2024 release was a bit too ambitious.

THR reports that Wolf Man will howl its way into theaters on January 17, 2025.

Christopher Abbott (Poor Things) has been cast in the titular role.

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Julia Garner (The Royal Hotel) will also star.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

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