Movies
‘Ma’ Poster Guarantees You Won’t Get Home Safe
Everybody’s welcome at Ma’s. But good luck getting home safe.
Here’s a new poster for Universal Pictures’ Ma, a new Blumhouse thriller that looks stranger than any film in the last few years. The premise is really weird; Oscar winner Octavia Spencer stars as Sue Ann, a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town (Diana Silvers, Glass), to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own. So, Sue Ann’s home becomes the “party house” for a bunch of teens…
Ma also stars Juliette Lewis (August: Osage County, Natural Born Killers) as Maggie’s mom, Luke Evans (Beauty and the Beast, Dracula Untold) as a local dad, Missi Pyle(Gone Girl) as his girlfriend, and McKaley Miller (TV’s “Hart of Dixie”), Corey Fogelmanis (TV’s “Girl Meets World”), Gianni Paolo (TV’s “Power”) and Dante Brown(“Lethal Weapon” TV series) as Maggie’s friends.
Ma hails from Tate Taylor, the acclaimed director of The Help and Get On Up.
Get home safe on May 31, 2019.
Source: IMP Awards
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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